JUNE 7 – LIFE OF AN ARTIST screening of CUTIE AND THE BOXER

May 29, 2014

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June 7 @ 6pm

Life of An Artist will screen the film Cutie and The Boxer for free, in their basement studio at Grand Central Art Center. With popcorn, candy and sodas, the LOAA artists hope that this film will evoke deeper thought on the complex relationship of male and female artists; competition, relationship roles, differing practices and interactions. The complex relationship between well-known artists Noriko Shinohara and Ushio Shinohara is interesting, provocative and honest. Director Zachary Heinzerling exposes the very intimate lives of the Shinoharas. Their partnership is a playful and combative one; occasionally helping each other grow and prosper, occasionally battling one another with all they’ve got.

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Flora Kao: Wind House, Abode That A Breath Effaced – Opening June 7th @ Grand Central Art Center

May 14, 2014

Flora Kao: Wind House, Abode That A Breath Effaced
June 7 – August 10, 2014
Opening Reception: June 7th, 7-10pm

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The Mojave Desert is a space of tenuous order and inevitable decay. Shacks in varied states of ruin punctuate the scrubby expanse of sand. Allowing homesteaders to claim up to five acres of expendable public land, the Small Tract Act of 1938 spawned a mid-century desert land rush. The majority of these homes were eventually abandoned due to the extreme living conditions. In Wonder Valley, a collapsed shack seems to have melted into the ground. A single gable stands erect, surrounded by an explosion of white shingles.

Wind House, Abode That A Breath Effaced explores the poignant associations of this fallen form through a life-size rubbing of the homestead’s debris field. Executed on a thousand square feet of white silk, gestural black marks map the house at a specific moment of decay. This rubbing is transformed into an installation of eight panels suspended askew across the gallery. Upon entering, the viewer is immersed in a sensuous drawing that can only be comprehended in fragments over time, never at once. With each turn, one’s experience oscillates between compression and openness, as new vistas are framed and cropped, lines advance and recede, and textures unfold.

Capturing the physical evidence of failure, Wind House, Abode That A Breath Effaced archives the effect of entropy on an architecture of economy. Mapping absence and presence, the rubbings present a visceral encounter with erasure and accumulation. Breathing with the viewer’s movement through the space, the installation suggests the precarious balance of a structure on the verge of collapse. Referencing shrouds, fossils, and grave rubbings, the installation’s black wood grain and white fabric suggest sails, shipwreck, and surrender, linking the vastness of the ocean with the extremes of the desert. Ultimately, Wind House, Abode That A Breath Effaced meditates on the fugitive nature of home and the ease of loss in a land of new beginnings.

The opening reception will take place on June 7th, 2014, 7-10pm, during the First Saturday Art Walk.


Jody Zellen: Time Jitters – Opening June 7th @ Grand Central Art Center

May 13, 2014

Jody Zellen: Time Jitters
June 7 – August 10, 2014
Opening Reception: June 7th, 2014, 7-10pm

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Time Jitters is an exhibition of a series of artworks that take their point of departure from world news images from the New York Times. Included in Time Jitters are gouache on paper paintings, digital images and a two-channel video installation.

Time Jitters is a two channel video projection that juxtaposes a grid of 25 looping animations with a single channel narrative.

The various components in Zellen’s work serve as building blocks that can be reconfigured for different mediums. A line drawing is scanned and used in a digital collage, which becomes a template for a painting, a page in an artist’s book, an image in an iPad app as well as an animation in which the drawing process is made visible. Drawing and the relationship between how the computer generates a line in contrast to what is created by the hand is central to Zellen’s explorations.

Also included will be a series of gouache on paper paintings. These 22 x 30 inch works illustrate the cycle of regeneration – birth and growth, death and decay – collectively becoming a representation of the passage of time. While the specific events may not be discernible, the works poetically and metaphorically alter these cyclical images. The translucent pastel colors of the paintings contrast with the harsher opaque tones in another work; a grid of 40 small digital prints collectively entitled If. If is also a 40- page limited edition artist’s book whose sequence reads as a poetic narrative.

The opening reception will take place on June 7th, 2014, 7-10pm, during the First Saturday Art Walk.


Daniel Tucker – Artist in Residence Activities / Future Perfect Update

May 13, 2014

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Artist In Residence Daniel Tucker has been busy making progress on his research for a new project. Future Perfect is shaping up to have a few different components: a web presence, a video, and a publication.

Since our last update, Tucker has met with Manny Escamilla from the Santa Ana Public Library’s History Room to start planning a time capsule here locally. He has also done video shoots at three sites related to Ronald Reagan and/or time capsules in Southern California: Ronald Reagan Sports Park (Temecula), the Ronald Reagan Presidential Foundation and Library (Simi Valley), and Bonita Canyon Sports Park (Newport Beach), and two in Northern California: the CSEA Grove at the College of the Redwoods (Eureka) – formerly known as “Governor’s Grove”, and the time capsule walkway at UC Davis (Davis). On his recent research/lecture tour he visited the California State Archives (Sacramento), UC Berkeley’s Bancroft Library (Berkeley), and the Ronald Reagan Library A/V collection (Simi Valley).

When not digging into his Future Perfect project, Tucker is also using his residency to put the finishing touches on two books: Unfurlings (about his collaborative research with Rebecca Zorach on the never-the-same.org project) and Immersive Life Practices, a collection of newly commissioned essays (with the School of the Art Institute of Chicago) documenting the intersections of art, ethics and ecology. This weekend he heads back to Chicago for a brief visit to co-organize An Artists’ Congress (with Susy Bielak and Michael Rakowitz), a one day event and symposium at Northwestern University‘s The Block Museum.

When Tucker returns he will dig into the second phase of his residency, focusing on finishing the website that will house the different facets of this project and beginning editing on the video and publication that will result from this research. On May 24th there will be a closing reception for the group exhibition featuring Tucker’s research for Future Perfect at Commonwealth & Council gallery (Los Angeles).


Call for Cast / Audience Members for Recreation of John Cage’s Seminal Performance 4’33”

May 9, 2014

THE TUBA THIEVES / Directed by Alison O’Daniel
Call for Cast / Audience Members

Date: May 25th, 2014
Time: 12 PM – 6 PM

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Alison’s film will be included in the exhibition LOUDsilence, curated by Amanda Cachia, opening this September at Grand Central Art Center. The film is also scheduled to screen at Art in General, NYC (Winter 2015) and Centre d’art contemporain in Brest, France (Summer 2015). The project is supported by Art Matters, the Rema Hort Mann Foundation and the Franklin Furnace Fund.

Call for cast / Audience members for a recreation of John Cage’s seminal performance of 4’33”

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Alison is looking for a cast of all ages to act as audience members for a one-day shoot at the beautiful and historic Maverick Concert Hall. Food, drinks, copy and credit and our undying gratitude will be provided in exchange for your time.

Location: Maverick Concert Hall, 120 Maverick Rd, Woodstock, NY 12498
Date: May 25th, 2014
Time: 12 PM – 6 PM
Contact: tubathievesfilmproduction@gmail.com

About the project:

THE TUBA THIEVES is a film about a Deaf drummer whose relationships with her hearing father and hearing boyfriend are impacted by the history of the 1952 Woodstock premier of John Cage’s 4’33” at the Maverick Concert Hall.

About the artist: www.alisonodaniel.com


Recapping A Grand First Saturday – Hike / Gallery Talk / Reception / Art Walk @ GCAC!

May 7, 2014

Saturday, May 3rd, marked another successful first Saturday art walk! The monthly art walk event in downtown Santa Ana provides a night of open galleries and institutions, studios and street vendors, great live music and all the wonderful food of local restaurants. It’s always an enjoyable way to spend a southern California evening!

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The day kicked-off a little early this month as Fallen Fruit. Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work. David and Austin led a day hike with participant collaborators Sue-Na G., Stephanie Kern, Emily Lacy, Husam Salman, Sarah Shewey and Faith Purvey, to Deep Creek Hot Springs in the San Bernardino National Forest. Fallen Fruit’s project, Rainbow Day Trip, was organized as a collaborative program of Susan Robb’s project and exhibition Wild Times, currently on exhibition at GCAC.

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The group of Rainbow Day hikers joined Fallen Fruit on the adventure to become “trail angels,” an effort to connect with Pacific Crest Trail hikers for encouragement and inspiration along the 5-month journey from Mexico to Canada (more details on Wild Times below).

Here is the way Fallen Fruit describes how their preparation and adventure unfolded:

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“Prior to Saturday, each collaborator chose a color to embody for the day hike.  They thought about each color and what that color means in the world.  They thought about flavors, histories and songs.  They constructed characters based upon our individual research and imagination.

The evening before the hike we connected to fine-tune our characters collectively.  We told each other stories and made embellishments to our color characters.  We used feathers and spray paint, working out the details of each of our individual performances, which we would reveal as a color performances to the group the next day. At the trailhead, we geared up and embarked on our experimental day trip to perform all of the colors of the rainbow.   Rainbows don’t last forever; they are fragile and temporal like our group.  We became a visual spectrum of color and spanned an arc within a landscape we couldn’t capture except by photographs.

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The Rainbow Day Trip was a mind-body experience that constructed a narrative created by individual experiences that was group authored.  Each color performed in independent ways, as meditations, as series of declarations about each participant, completely in song and through silence.  We realized that colors are many things.”

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Back at GCAC, we kicked off our evening with a 6pm gallery talk by current exhibiting artist Julia Haft-Candell. Julia shared insights into the current body of work included in her solo GCAC exhibition Fast and Slow, on exhibition in the Project Gallery through May 11th.   The artist provided insight into her process, her philosophies on art making practice and her current career activities. It was an appreciative audience in attendance who asked great questions, engaging the artist in wonderful dialogue.

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As the official art walk began at 7pm, we opened the doors to our three galleries. The night marked the opening reception for Susan Robb’s Wild Times project. In mid-April, Robb embarked on a 5-month adventure from Mexico to Canada on the Pacific Crest Trail. Using the trail as a nomadic studio and her experiences as inspiration and medium, she is creating digital works—photos, videos, and 3D files— sending them to Grand Central Art Center where they will be displayed. Over the course of the 5-months, the exhibition will continue to grow through physical object, engaged programming and hands-on activities provided by Robb through the Wild Times website.

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Thanks to a generous donation by Microsoft, we have numerous Surface tablets connected in the space, as well as a Microsoft Perceptive Pixel (PPI) touch screen device, allowing patrons the opportunity to browse the current activities of Robb on the trail. The connection to the project website also allows for individuals to post their own responses and interactions with the project, adding a truly collective voice to the project and gallery space.

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Through our new Makerbot 3D printer, we are actively printing objects Susan is scanning along the way and transmitting back to us. The objects are being printed in color codes that indicate the altitude on the trail where the object was discovered and scanned by the artist. We printed three rocks on Saturday evening that became, and will remain, part of the exhibition.

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The exhibition space also contains an Epson large format printer, being used by GCAC to print 2D images Susan sends from her journey. After being printed, the photos are framed and become part of the overall installation. Over the course of the exhibition the photos will begin to hang layered upon one another, creating a topographic map extending out from the gallery wall. The images and installation will provide a sense of the terrain the artist has traversed to date.

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If you haven’t seen it yet, we thought you might enjoy reading the interview with Susan regarding her Wild Times project on the Creative Capital blog. Creative Capital is a major granter of this project. Here is the link: http://blog.creative-capital.org/2014/04/susan-robbs-wild-times

In addition to Grand Central Art Center, you have the opportunity to see elements and programs of Susan’s Wild Times project at collaborative venues including: Palm Springs Art Museum, Palm Desert, CA; 826 valencia, San Francisco, CA; Tacoma Art Museum, Tacoma, WA; Frye Art Museum, Seattle, WA; and Henry Art Gallery, Seattle, WA.

We are excited to be able to support and to be on this journey with Susan. We hope you will join us throughout the project, to engage with its programming and to support the artist as well!

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Miracle Report

Saturday marked the last week of Julia Haft-Candell’s Fast and Slow exhibition, as noted earlier, and the last week of the extremely successful and well received exhibition by artists Julianne Swartz and Ken Landauer, Miracle Report. If you haven’t yet had the opportunity to see these exhibitions, stop by this weekend, as both exhibitions are open through this Sunday, May 11, when we close at 4pm. Lots of wonderful restaurants here in Santa Ana, so it could be a great way to celebrate Mother Day.

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And the activities and outreach of Grand Central Art Center on Saturday evening were not limited to Santa Ana. Current GCAC artist in residence Daniel Tucker was busy with his own activities in Los Angeles as well. During his residence, Tucker has been developing a documentary project entitled Future Perfect – Time Capsules in Reagan County, dealing with the legacy of Ronald Reagan and the phenomenon of time capsule burials in California. As part of his residency, the artist has been traveling the entire state of California, visiting research libraries, Reagan related monuments and parks, and presenting talks at various locations and institutions. On Saturday night, Daniel was part of the group exhibition PRESENTS that opened at Commonwealth and Council in Los Angeles, which runs through May 24th. For his contribution to the exhibition, Tucker created the project The Preface to Future Perfect, a photography installation presenting materials from his ongoing research while in residence at GCAC.

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You would think all those activities would be enough to fill a weekend, and you would probably be right, but not for us here at GCAC. Sunday we welcomed back our ongoing artist in residence Lisa Bielawa, who is in town this week for a series of meeting, arranged through our Director/Chief Curator John D. Spiak, in the development of her upcoming GCAC project, a serial Opera titled Vireo. Lisa also had time to connect with our new GCAC Cal State Fullerton graduate assistant Amanda Leader, who is working on her Masters Degree in Music, Voice Performance with emphasis in Opera. Amanda has been an excellent addition to the GCAC team and will be helping manage major components of Lisa’s serial opera as Project Coordinator. We’ll provide you more details on this project as it progresses.

So stop by Grand Central Art Center and be part of the action, we would love to see you!