SANTA ANA SITES #5: STEVE RODEN – A Sound Performance – June 14

June 2, 2014

SANTA ANA SITES #5: STEVE RODEN
a sound performance

JUNE 14, 2014
7:30 – 8:15PM
PRE-PERFORMANCE RECEPTION / MIXER
*please arrive no later than 8pm

RECEPTION LOCATION:
Q Art Salon
205 N. Sycamore St.
Santa Ana, CA 92701

audience will be escorted to performance location

SEATING LIMITED, TICKETS REQUIRED, BUT ARE FREE TO PUBLIC
ticket information below

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Santa Ana Sites #5 presents an evening of sound performance by artist Steve Roden. Performing through the use of two analog modular synthesizers, Roden will continue the Sites approach of presenting work in unique Santa Ana spaces, activating a subterranean racket ball court located in the heart of Downtown Santa Ana.

Tickets are free but reservations are required – RSVP info towards the bottom of this page

Steve Roden is a visual and sound artist born in Los Angeles and living in Pasadena, CA. Roden’s practice includes painting, drawing, sculpture, writing, film/video and sound performance.

Since the late 1980’s, Roden has had numerous solo and group exhibitions internationally. recent solo exhibitions include: CRG Gallery, New York and Susanne Vielmetter LA Projects, Los Angeles. Group exhibitions include Silence at the Menil Collection, Houston, Texas and the First International Biennial of Contemporary Art of Cartagena, De Indias, Colombia.

Roden has performed his soundworks at various arts spaces and experimental music festivals worldwide including: Serpentine Gallery, London; San Francisco Museum of Modern Art; Walker Art Center, Minneapolis; DCA, Dundee, Scotland; Redcat, Los Angeles; Crawford Gallery, Cork, Ireland; as well as performance tours of Brazil and Japan. Recent performances include John Cage’s Cartridge Music with composer Mark Trayle at the Norton Simon Museum in Pasadena; a tribute to Rolf Julius at the Hamburger Banhof, Berlin; and performances at the Museum of Art, Strasbourg, France and The Rothko Chapel, Houston, Texas. Since 1993, Roden has released numerous cds under his own name as well as under the moniker “in between noise” on various record labels internationally.

Recently the artist has created numerous site-specific sound works for spaces such as MOCA at the Pacific Design Center in response to a group of paintings by Mark Rothko; the Henry Art Gallery at the University of Washington’s James Turrell Skyspace; the MAK Center for Art and Architecture/Schindler House in Los Angeles; a live collaboration with Stephen Vitiello in a room of 50 pieces of sculpture by Donald Judd at Chinati, Merfa, Texas; Daniel Libeskind’s Run Run Shaw new creative media centre building at City University of Hong Kong; a sound/sculpture/drawing installation for Thomas U. Walter’s 1848 building at Girard College, Philadelphia for the Hidden City Festival; and a permanent public artwork at Hayvenhurst Park, in West Hollywood, California.

This event is anticipated to be at maximum capacity with reservations required.

Reserve FREE tickets through email with name and requested number of tickets with a maximum of two tickets per guest to:
jspiak (at) fullerton (dot) edu

A reception at Q Art Salon will begin at 7:30pm, with guests being asked to arrive no later than 8:00pm on Saturday, June 14th.

 

ABOUT SANTA ANA SITES
Santa Ana Sites, an initiative of California State University, Fullerton’s Grand Central Art Center, presenting, in community partnership, contemporary performance in public and private spaces throughout Downtown Santa Ana.

The traveling forum is designed to provide the community shared artistic experiences, encouraging the discovery of diverse environments and architectural space.

Santa Ana Sites was founded by Allen Moon, Artistic Director/Community Partner and John D. Spiak, Grand Central Art Center Director/Chief Curator.

More information on the previous Santa Ana Sites can be found at:
https://grandcentralartcenter.wordpress.com/santa-ana-sites

 

SUPPORT
Santa Ana Sites #5 is made possible through the generous in-kind support of Dennis Dascanio, Jose Quant and Shell Martin, and Q Art Salon.


Connecting in Bogota – Tyler Stallings, Adriana Salazar and Naida Osline

December 5, 2013

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(Tyler Stallings, Adriana Salazar, Naida Osline)

We at Grand Central Art Center love when connections like this are made! You may ask – what does the above picture have to do with GCAC?

Here is how the magic of GCAC connecting works…

In late fall of 2011 through early 2012, Naida Osline was Artist in Residence at GCAC. During her first day in residence, GCAC Director John Spiak took her on a walking tour of downtown Santa Ana. On the tour, they stopped at a local costume store where John introduced Naida to the owner, Archer Aistaetter. Archer is involved and fully connected to the local drag community, who Naida ended up collaborating with during her time in residency at GCAC. Archer is also involved in a major ecological project in Colombia and invited Naida down for a visit. That visit turned into a series of residences in Colombia for Naida, working with a drag community there, as well as documenting insect and plant life. Her time there included three major solo exhibitions of the work created in Bogota, as well as work from her All the Queen’s Men series she created during her residence at GCAC.

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(Danny with artist Naida Osline)

In spring of 2013, Bogota, Colombia artist Adriana Salazar was Artist in Residence at Grand Central Art Center – a collaboration between GCAC and the Orange County Museum of Art for the California-Pacific Triennial curated by Dan Cameron. During her time in residency, she created two major installation-based works; one that was on exhibition in the GCAC main gallery titled Nothing Else Left and a second at the Orange County Museum of Art titled Moving Plant #30.

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(Adriana Salazar installation Nothing Else Left at GCAC)

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(Adriana Salazar installation Moving Plant #30 at OCMA)

This is where Tyler Stallings comes into the picture. As Adriana’s exhibition was getting ready to close, Spiak receives a call from Stallings. Through Tyler’s position as Artistic Director at the University of California, Riverside’s Culver Center of the Arts and Director at UCR’s Sweeney Art Gallery, he is involved with the programing for the upcoming Immortality Project, a year long (2014-15) series of events focused upon philosophic and religious study on ideas of either immortality and/or the afterlife. UCR philosophy professor John Martin Fischer is organizing The Immortality Project. Tyler’s inquiry was about the possibility of exhibiting both of Adriana’s works together beginning in fall of 2014 as part of The Immortality Project official programs. Of course, we were delighted about the possibility! Working with Adriana, Dan, OCMA curatorial associate Johnny Sampson and the Orange County Museum of Art team, GCAC helped make this possibility a reality. So great news for those who may have missed her work the first time, you get a second chance to see both of Adriana Salazar’s works together at UCR beginning in the fall of 2014 thanks to Tyler!

But back to the original image… So Naida is concluding her time in Colombia and her partner, Tyler, travels down there to spend the last two weeks together. Prior to his travels, he makes arrangements to connect with Adriana in Bogota during his visit. They meet for the very first time at Adriana’s current show and the full connection is complete.

It’s the magic of Grand Central Art Center!


Visits to Cemeteries, Mortuaries and Crematorium – GCAC Artist in Residence Adriana Salazar

May 24, 2013

Adriana Salazar is the current GCAC Artist in Residence, visiting us from Bogota, Colombia.  Her residency is a collaborative effort for GCAC with the Orange County Museum of Art.  Adriana will be a part of the upcoming OCMA California-Pacific Triennial, curated by Dan Cameron.  GCAC has partnered with OCMA to be a host venue for the Triennial, so Adriana will be developing a major installation in the Main Gallery that will open at the end of June, as well as an installation work that will be in the galleries of the Orange County Museum of Art.

Adriana is researching the concepts of life and death, and the spaces that perhaps exist in between.  Over the past two weeks, she has been visiting cemeteries, mortuaries and crematorium with our Director/Chief Curator, John Spiak.  In the coming weeks, there are plans to visit grave stone makers, casket builders and a boat trip to experience the spreading of ashes at sea.  The work is part of her ongoing investigation, that began with her series The Life of Dead Things, for which she has realized projects for in Bogota and Mexico City.   The ideas of the final GCAC installation are being developed, so please stay tuned and plan to join us on July 6th for the public opening reception.

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We would like to thank the following individuals for the generosity, openness and knowledge with Adriana’s research to date:

Tim Deutsch – Orange County Cemetery District
Neil P. O’Connor – O’Connor Mortuary
Chris Macera – Macera Crematorium
Julio Amarillas – Santa Ana Cemetery
Joel Torres – Anaheim Cemetery
George E. Lopez – Fairhaven Memorial Park & Mortuary

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Adriana has also spent time down at the Orange County Museum of Art for site visits with Dan Cameron, OCMA Curatorial Associate Johnny Sampson (who also happens to be a Cal State University, Fullerton Alum) and their preparator team, talking out the details for the on-site sculptural installation to take place there.

As part of the collaboration, GCAC will also be hosting a kick-off event for the Triennial here in Santa Ana on June 26th, taking place at our collaborative community partner location of The Yost Theater.

Here are the details and know that you are all invited – if the installation is close to complete, we will open GCAC after the panel for a sneak preview of Adriana’s installation:

California-Pacific Triennial Artists Panel
Thursday, June 27th, 7-9 pm
Yost Theater, Santa Ana

Please join us for an early glimpse of the Triennial with a panel discussion in Spanish (with English Translation), moderated by Alma Ruiz featuring artists from Chile, Guatemala, Honduras, Mexico and Colombia. This program will take place in partnership with Grand Central Art Center and the historic Yost Theater in downtown Santa Ana.

Darío Escobar
Adriana Salazar
Adán Vallecillo
Sebastián Preece
Yoshua Okón
Hugo Crosthwaite
Moderator Alma Ruiz – Senior Curator @ Museum of Contemporary Art, Los Angeles


Artist in Residence, Adriana Salazar from Bogota, Colombia – GCAC Collaboration with OCMA for 2013 California-Pacific Triennial

May 10, 2013

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Grand Central Art Center is proud to announce the arrival of Artist in Residence, Adriana Salazar from Bogota, Colombia.  Adriana will be in residence for the next two months as she develops two major site-specific installation – one in our main gallery and one that will take place at the Orange County Museum of Art.  Both projects are part of the upcoming 2013 California-Pacific Triennial, being curated by Dan Cameron of OCMA.  GCAC is proud to be a collaborate partner on this inaugural Triennial – part of our continued efforts to build community relationships and partnerships for mutually beneficial outcomes.

As part of the collaboration, GCAC will also host a kick-off Artists Panel at downtown Santa Ana’s Yost Theater on July 27 from 7-9pm.  The evening will provide an early glimpse of the Triennial with a panel discussion in Spanish, moderated by MoCA Curator Alma Ruiz featuring artists from Chile, Guatemala, Honduras, Mexico and Colombia.   Artists scheduled to participate include: Darío Escobar, Adriana Salazar, Adán Vallecillo, Sebastián Preece, Yoshua Okón, Hugo Crosthwaite.