Busy End to 2013, Even Busier Beginning to 2014 @ GCAC!

January 17, 2014

To say it has been a little busy around Grand Central Art Center over the past month is a bit of an understatement – IT’S BEEN EXTREMELY BUSY!

juan with prints

Vincent Goudreau was very active during his last weeks in residence at GCAC in mid-December. As part of his Recordings of an Immigrant project, we decided to fly Juan Aquino out from the island of Maui to join Vincent in residence. Juan is the inspiration/subject for Vincent’s current project.

juan, vincent and john by houses

juan vincent at gas station

juan looking out car and pinting

Vinct and Juan walking along freeway

During their time together Vincent and Juan, along with videographer Randy Mills, spent a number of days searching for a specific house in Fullerton, CA – the location where coyotaje delivered Juan upon his arrival into the United States over twenty years ago. Now a legal US citizen, the visit by Juan brought him back to a connection/transition location that marks an important part of his amazing life journey. We will share the results of this search soon, as the video is currently in the editing phase for a short documentary we will be releasing online in the coming weeks.

Vincent Conversation

villa capri

juan and randy serving ice cream

vincent ice cream

Vincent and Juan, joined by GCAC Director/Chief Curator John Spiak, presented a public conversation about Vincent’s residency, his journeys with Juan and thoughts for the project moving forward. The evening included the screening of two of Vincent’s past short film/video works – Harry and Janet and Villa Capri, providing insight into how Vincent’s projects often deal with the topic of global connection and place. As the screening concluded, patrons were invited to join the artist for an informal ice cream social, a tribute to an important scene from Villa Capri.

vincent with IVC

IVC Class at GCAC

As the week concluded, we were visited by two of Danielle Susalla Deery’s classes from Irvine Valley College, Museum and Technologies and Museum Marketing. We are proud of the fact that Danielle is a Cal State University, Fullerton alumna and love when she returns with her students to share her enthusiasm for contemporary art. The students of her classes enjoyed a full tour of GCAC provided by GCAC Director/Chief Curator John Spiak. They talked about the technologies included in Matthew Moore and Braden King’s installation Cumulus and shared stories of successful marketing strategies by art institutions. They also had the opportunity to visit Vincent Goudreau in the GCAC Artist in Residence studio and talk with him directly about his project and process.

Vincent has now returned to Maui, but keep an eye here for updates on the project and the soon to be released short documentary of the search for the drop house with Juan.

peter at OCMA

peter and john at memphis

That following week GCAC was visited by Peter Held, Arizona State University Art Museum Curator of Ceramics. Peter and John Spiak worked together for many years at the ASU Art Museum. The day was spent visiting Orange County Museums and Galleries, including the Orange County Museum of Art, Irvine Fine Arts Center and Laguna Art Museum. The timing for the Orange County Museum of Art visit was perfect, as it provided for a preview tour of the new exhibition California Landscape into Abstraction curated by OCMA Chief Curator and Interim Director Dan Cameron. The day concluded with a late lunch across our 2nd Street plaza at Memphis and a full tour of Grand Central Art Center. We are excited to see what Peter does with the move of the ASU Art Museum Ceramics Research Center to its new location!

lanterns being made

shauna heather and brian

2013 ended with the arrival of artists and educators Heather Layton and Brian Bailey from Rochester, NY. Heather and Brian were here for a second visit in the continued development of projects with GCAC. We anticipate them back for a third visit later this year. During this most recent visit, they worked towards a specific project as part of their larger 59 Days of Independence project.

lanterns through window

lanterns above day

lanterns above

Line for Lanterns

guys with lanterns

As part of this project, and for our First Saturday Art Walk kicking off 2014, Heather and Brian celebrated Burma’s 66th independence day on January 4th at GCAC by giving away 66 hand-painted lanterns they created during their residency. Creating an installation in the artist in residence studio space, they opened the storefront studio doors and invited the public in to select a lantern. People were lined-up waiting outside the door when they arrived. It took less that six-minutes for the 66 lanterns to be spoken for that evening. Truly magical!

heather and brian with mayor

After all the lanterns were gone, Heather and Brian joined us in the main gallery spaces for our receptions. The evening provided great opportunity with a productive 40-minute conversation for Brian and Heather with Santa Ana Mayor Miguel Pulido, his son Miguel Pulido Jr., GCAC Santa Ana Sites co-founder/collaborator Allen Moon and our GCAC Director/Chief Curator John Spiak. So many collaborative possibilities in the works for their return visit!

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The January First Saturday Art Walk also kicked-off with a meet and greet event for GCAC Artists in Residence Ingrid Reeve, Barbara Milliorn and Evan Senn, as they begin their project The Life of an Artist. The project is a proposed television/webcast series that follows the lives of two Orange County artists and their manager, an art historian and art critic, as they strive for their professional dream to solidify careers as professional artists.

Ingrid Reeve, Barbara Milliorn and Evan Senn are recent graduates of higher education programs at California State University, Fullerton. Throughout this coming year year, the artists will be hosting and participating in monthly events in their artist in residence opportunity at Grand Central Art Center (GCAC), in downtown Santa Ana. The monthly events will include panel discussions and workshops, as well as performances that will engage the community of Santa Ana and the larger Orange County.

Their residency at GCAC is meant to help them in their goal to educate and entertain interested parties on the life of an up-and-coming female artist in Southern California by creating a window into the art world as well as providing historical context for contemporary practices in the arts, and a focus on the unique struggles and benefits of being a woman in today’s world.

patrons in cumulus

That night as well marked the closing of the successful run of Matthew Moore and Braden King‘s installation Cumulus. It was yet another well attended First Saturday, with over 2,000 individuals through the door and engaged with the exhibitions. We feel so fortunate to be a part of this amazing downtown and Santa Ana community!

angelica deinstall

deinstall

shauna cumulus

Jenny in cumulus

deinstall 2

But there is no rest for the weary, as two days later the GCAC team was in full de-installation mode of Cumulus. It was a short de-install time, so everyone leant a hand, even Curatorial Associate Yevgeniya “Jenny” Mikhailik and CSUF GCAC student intern Shauna Hultgrien (she write our INTERNal Affairs blog posts).  We were able to get the work down and the gallery resorted backed to its normal configuration in less than a week – ready for the arrival of Julianne Swartz and Ken Landauer to begin their major installation just a few days later. Thanks go out to the entire GCAC team of amazing individuals for their hard work and dedication!

Sara and Erik

The beginning of January also brought a surprise visit from a few folks, Curator Sara Cochran and graphic designer Eric Montgomery. It was just announced that Sara has accepted the position of Associate Director at Scottsdale Museum of Contemporary Art. Cochran left her position as Modern and Contemporary Art Curator at Phoenix Art Museum in November 2013. Prior to that, she was Assistant Curator at Los Angeles County Museum of Contemporary Art (LACMA). She had also held positions at the The Getty Center in LA and the Guggenheim Museum in New York. It was so great to have her and Eric here for a visit and tour of Grand Central Art Center!

group

Also paying us a visit was artist Brent Green and FLOWN drummer and vocalist Kate Ryan. The two spent a couple of days with us as Brent packed some of the work from his To Many Men Strange Fates Are Given exhibition that took place at GCAC last year. It’s been a very busy year for Brent, with many major new projects in the works and the recent acquisition of one of his works by the UCLA Hammer Museum to their permanent collection. We also found out during the stay that Kate was scheduled to make an appearance in an upcoming episode of HBO’s Girls, jamming on her drums.  It also provided Brent and Kate the opportunity to connect with Julianne Swartz and Ken Landauer who have been in residence the past couple of days as well.  It’s so wonderful to have them all staying with us at GCAC!

jenny with julia

And yesterday we were visited by Los Angeles based artist Julia Haft-Candell for a site visit for her upcoming solo exhibition Fast and Slow. She meet with GCAC Curatorial Associate Yevgeniya “Jenny” Mikhailik, who is curating Julia’s GCAC exhibition, to discuss her project and installation details. We are excited to see the project develop for the opening in March!

julianne and shauna install

install julianne

install julianne and shauna

Now we are in full installation mode for Julianne Swartz and Ken Landauer’s Miracle Report, a project that includes at current time 26 monitors, 6 projections and numerous speakers. This is a MUST SEE EXHIBITION! We hope you will join us at the public reception during the First Saturday Art Walk on February 1 from 7-10pm.

There is a lot more planned and in development for GCAC in 2014, we are excited to share it with you!!!


Connecting in Bogota – Tyler Stallings, Adriana Salazar and Naida Osline

December 5, 2013

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(Tyler Stallings, Adriana Salazar, Naida Osline)

We at Grand Central Art Center love when connections like this are made! You may ask – what does the above picture have to do with GCAC?

Here is how the magic of GCAC connecting works…

In late fall of 2011 through early 2012, Naida Osline was Artist in Residence at GCAC. During her first day in residence, GCAC Director John Spiak took her on a walking tour of downtown Santa Ana. On the tour, they stopped at a local costume store where John introduced Naida to the owner, Archer Aistaetter. Archer is involved and fully connected to the local drag community, who Naida ended up collaborating with during her time in residency at GCAC. Archer is also involved in a major ecological project in Colombia and invited Naida down for a visit. That visit turned into a series of residences in Colombia for Naida, working with a drag community there, as well as documenting insect and plant life. Her time there included three major solo exhibitions of the work created in Bogota, as well as work from her All the Queen’s Men series she created during her residence at GCAC.

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(Danny with artist Naida Osline)

In spring of 2013, Bogota, Colombia artist Adriana Salazar was Artist in Residence at Grand Central Art Center – a collaboration between GCAC and the Orange County Museum of Art for the California-Pacific Triennial curated by Dan Cameron. During her time in residency, she created two major installation-based works; one that was on exhibition in the GCAC main gallery titled Nothing Else Left and a second at the Orange County Museum of Art titled Moving Plant #30.

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(Adriana Salazar installation Nothing Else Left at GCAC)

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(Adriana Salazar installation Moving Plant #30 at OCMA)

This is where Tyler Stallings comes into the picture. As Adriana’s exhibition was getting ready to close, Spiak receives a call from Stallings. Through Tyler’s position as Artistic Director at the University of California, Riverside’s Culver Center of the Arts and Director at UCR’s Sweeney Art Gallery, he is involved with the programing for the upcoming Immortality Project, a year long (2014-15) series of events focused upon philosophic and religious study on ideas of either immortality and/or the afterlife. UCR philosophy professor John Martin Fischer is organizing The Immortality Project. Tyler’s inquiry was about the possibility of exhibiting both of Adriana’s works together beginning in fall of 2014 as part of The Immortality Project official programs. Of course, we were delighted about the possibility! Working with Adriana, Dan, OCMA curatorial associate Johnny Sampson and the Orange County Museum of Art team, GCAC helped make this possibility a reality. So great news for those who may have missed her work the first time, you get a second chance to see both of Adriana Salazar’s works together at UCR beginning in the fall of 2014 thanks to Tyler!

But back to the original image… So Naida is concluding her time in Colombia and her partner, Tyler, travels down there to spend the last two weeks together. Prior to his travels, he makes arrangements to connect with Adriana in Bogota during his visit. They meet for the very first time at Adriana’s current show and the full connection is complete.

It’s the magic of Grand Central Art Center!


INTERNal Affairs: Too Much Good Stuff

November 5, 2013

INTERNal Affairs is a series by GCAC Curatorial Intern and CSUF Art History major Shauna Hultgrien.

Happy autumn my Internet friends! The winds of the season are blowing and bringing with them exciting changes! I’m not talking about the turning of the leaves or the coming of the clouds; no, I’m afraid those wonders are dimmed by the new exhibitions here at Grand Central Art Center. As I’m sure you’ve learned through various experiences with tantalizing El Pollo Loco commercials that lead to excessive salivating and a broken nose from an attempt to smell your television screen– nothing compares to the real thing. Yet there are still those of you who choose to experience Santa Ana’s Saturday Art Walks through me! While I am indeed flattered, you have no idea what you’re missing. The liveliness is not something that can be efficaciously communicated through a brief recreation of the evening. As GCAC’s dutiful intern and your faithful reporter, I will once again do my best to bring the evening to you. For those of you that did attend (yes, over 2,200 of you), let’s take this opportunity to relive that wonderful evening together, shall we?

encinitas rage bear

ocma john in aili

Alright, so there was Matthew Moore and Braden King’s Cumulus, Aili Schmeltz: Cross Cut, Rage Bear: Juggling Awesome organized by Marvin Chow, the Ceramics and Glass exhibition, Tim Youd’s performance of A Scanner Darkly, A Ryman Arts The Big Draw, the Dia De Los Muertos show by the CSUF MFA students hosted by Memphis at the Santora, Artist in Residence Vincent Goudreau roaming the halls, guest appearances by the mayor and city council members of both Santa Ana and Encinitas, and a VIP visit from friends at Orange County Museum of Art (OCMA) with their Senior Curator Dan Cameron. Got it all? Was it as if you were standing next to me greeting our illustrious patrons? I hope so, because that’s all I have for you today art lovers.

Just kidding. All of those were indeed components of last Saturday’s delightful event, but allow me to elaborate on my experience with each.

OCMA dan tim john

We had a full house of new activity here at GCAC! The foyer was bustling with activity as the two front gallery spaces each boasted new pieces. The masses began to flood the typewriter-laden hallways (I’ll explain that in a moment), headed by a group from the wonderful OCMA and collectors group. Dan Cameron and Genny Boccardo-Dubey were amongst the group who popped in to see what all the buzz was about. While our Director John Spiak gave the group the “behind the scenes” tour, I remained at the front to greet and guide.

moore and king

aili

ceramics and glass far

rage bear full

Cumulus continues, and with the arrival of the centennial commemoration of the aqueduct, interest in this exhibition was noticeably heightened. The continuation of this show nicely complimented the three openings that occurred on Saturday. The first room people tended to make their way into was the space housing Aili Schmeltz’s Cross-Cut. Like many good works, this piece is better experienced than explained so nip that anticipation in the bud and come see it for yourself! Across from Schmeltz’s space is the fun and eclectic show Rage Bear: Juggling Awesome. Cal State University Fullerton MFA student Marvin Chow employed his curatorial talents and corralled his creative peers to create this visually stimulating show. Imagine a reality with bears instead of people and you have a glimpse into the world that Chow has created. There is something to Chow’s show that appeals to the young and old and everyone in between; it’s fun, energetic, and sometimes just plain weird. But I love it, and you can love it too, until February 9th. And of course, fall wouldn’t be complete without our Ceramics and Glass Exhibition and Sale, which includes incredible works by CSUF students, alumni and members of our community. It’s a great place to do a little holiday shopping.

Tim with crowd

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tim typing

ryman 2

typewriters

This month GCAC was bursting at the seams with creative energy (I’m guessing it has something to do with that creative bug going around- see last month’s blog for details), so much so that it spilled into our hallways. Ryman Arts graced us with their presence and allowed our spacious abode to serve as one of the sites for their Big Draw L.A. event. The Big Draw allowed people of all ages to flex their creative muscle and see what the right side of their brain has to offer the world. At the other end of the hall artist Tim Youd parked his typewriter and went to work on Phillip K. Dick’s A Scanner Darkly. Youd takes novels and retypes them in the same location they were originally written, on the same make and model typewriter on which they were originally composed. Unfamiliar with his work? You’re in luck! He will be here at GCAC all month finishing his current project and recreations of his past projects will be hanging on our walls during this time.

john santa ana group

As the night was winding down and the excitement beginning to subside (or so I thought) the Mayor of Santa Ana Miguel Pulido, City Council Member Michele Martinez, new City Manager David Cavazos and other City Official casually waltz in the corridor! We here at GCAC are ecstatic that there is continued interest in our creative operations. This was further evident as I continuously caught our Artist in Residence, Vincent Goudreau nonchalantly hanging around the galleries. Goudreau is using his time with us to work on his heart-wrenching biographical account of a man whose father was murdered in front of him, on his fourteenth birthday. If you have a minute (and a tissue) listen to this firsthand account, HERE IS THE AUDIO LINK. Since our structure could barely stand anymore creative genius, it once again poured into the promenade and over to the Memphis at Santora. Some of CSUF’s MFA students such as Caesar Alzate and Teresita De La Torre livened up the space with their Day of the Dead themed art. It will be up all month if you missed it on Saturday and there will be a new show from the students up every month.

Vincent and Susan

So how was that? Are you still enjoying living vicariously through me or are you itching to get down here and experience it in person? I encourage the latter, especially since we just welcomed Susan Robb as Artist in Residence for her upcoming project/journey Wild Times. Plus, Goudreau is here through December, Cog-nate Collective (Amy Sanchez and Misael Diaz) are here in residence through next summer, and Tim continues to type in the lobby. Well Internet community, I do enjoy our little chats, it is an exciting thing for me to re-experience these events with you. If you happen to miss the Art Walk next month (which I hope you don’t), log on for December’s trip down memory lane. This is the GCAC intern, over and out.


Visits to Cemeteries, Mortuaries and Crematorium – GCAC Artist in Residence Adriana Salazar

May 24, 2013

Adriana Salazar is the current GCAC Artist in Residence, visiting us from Bogota, Colombia.  Her residency is a collaborative effort for GCAC with the Orange County Museum of Art.  Adriana will be a part of the upcoming OCMA California-Pacific Triennial, curated by Dan Cameron.  GCAC has partnered with OCMA to be a host venue for the Triennial, so Adriana will be developing a major installation in the Main Gallery that will open at the end of June, as well as an installation work that will be in the galleries of the Orange County Museum of Art.

Adriana is researching the concepts of life and death, and the spaces that perhaps exist in between.  Over the past two weeks, she has been visiting cemeteries, mortuaries and crematorium with our Director/Chief Curator, John Spiak.  In the coming weeks, there are plans to visit grave stone makers, casket builders and a boat trip to experience the spreading of ashes at sea.  The work is part of her ongoing investigation, that began with her series The Life of Dead Things, for which she has realized projects for in Bogota and Mexico City.   The ideas of the final GCAC installation are being developed, so please stay tuned and plan to join us on July 6th for the public opening reception.

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We would like to thank the following individuals for the generosity, openness and knowledge with Adriana’s research to date:

Tim Deutsch – Orange County Cemetery District
Neil P. O’Connor – O’Connor Mortuary
Chris Macera – Macera Crematorium
Julio Amarillas – Santa Ana Cemetery
Joel Torres – Anaheim Cemetery
George E. Lopez – Fairhaven Memorial Park & Mortuary

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Adriana has also spent time down at the Orange County Museum of Art for site visits with Dan Cameron, OCMA Curatorial Associate Johnny Sampson (who also happens to be a Cal State University, Fullerton Alum) and their preparator team, talking out the details for the on-site sculptural installation to take place there.

As part of the collaboration, GCAC will also be hosting a kick-off event for the Triennial here in Santa Ana on June 26th, taking place at our collaborative community partner location of The Yost Theater.

Here are the details and know that you are all invited – if the installation is close to complete, we will open GCAC after the panel for a sneak preview of Adriana’s installation:

California-Pacific Triennial Artists Panel
Thursday, June 27th, 7-9 pm
Yost Theater, Santa Ana

Please join us for an early glimpse of the Triennial with a panel discussion in Spanish (with English Translation), moderated by Alma Ruiz featuring artists from Chile, Guatemala, Honduras, Mexico and Colombia. This program will take place in partnership with Grand Central Art Center and the historic Yost Theater in downtown Santa Ana.

Darío Escobar
Adriana Salazar
Adán Vallecillo
Sebastián Preece
Yoshua Okón
Hugo Crosthwaite
Moderator Alma Ruiz – Senior Curator @ Museum of Contemporary Art, Los Angeles


Artist in Residence, Adriana Salazar from Bogota, Colombia – GCAC Collaboration with OCMA for 2013 California-Pacific Triennial

May 10, 2013

adriana

Grand Central Art Center is proud to announce the arrival of Artist in Residence, Adriana Salazar from Bogota, Colombia.  Adriana will be in residence for the next two months as she develops two major site-specific installation – one in our main gallery and one that will take place at the Orange County Museum of Art.  Both projects are part of the upcoming 2013 California-Pacific Triennial, being curated by Dan Cameron of OCMA.  GCAC is proud to be a collaborate partner on this inaugural Triennial – part of our continued efforts to build community relationships and partnerships for mutually beneficial outcomes.

As part of the collaboration, GCAC will also host a kick-off Artists Panel at downtown Santa Ana’s Yost Theater on July 27 from 7-9pm.  The evening will provide an early glimpse of the Triennial with a panel discussion in Spanish, moderated by MoCA Curator Alma Ruiz featuring artists from Chile, Guatemala, Honduras, Mexico and Colombia.   Artists scheduled to participate include: Darío Escobar, Adriana Salazar, Adán Vallecillo, Sebastián Preece, Yoshua Okón, Hugo Crosthwaite.


Mat Gleason, Brent Green, Dan Cameron, Kip Pastor, Ruben Dario @ GCAC

October 18, 2012

We would like to thank everyone who has participated in programming over the past week here at Grand Central Art Center. It has provided another active schedule of diverse programming and wide range of visitors.

Last Thursday, Mat Gleason from Coagula (both the magazine and gallery) stopped by to see the exhibitions and chat a bit. We had the opportunity to talk about Tony de los Reyes, Constantin Hartenstein and Erin Morrison‘s work and the upcoming programming, before the conversation shifted to Angels baseball. Mat is one of the Angels number one fans, he actually pens for http://www.halosheaven.com/, but we won’t reveal his moniker, you’ll have to guess. The talk of baseball led to a great conversation about Adam Moser‘s residency/project this summer at GCAC, The Cut-Off Men. We honored Mat by presenting him with one of the team autographed, limited edition, baseballs from the project. Now if Mat would just stand still for one moment, we could get an in-focus picture…

Mat Gleason with Cut-Off Men autographed baseball


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Friday afternoon, artist in residence Brent Green and his collaborators, Mike McGinley, Jacquelyn Gordon, Tim Rutili, Tim Hurley and Jim Skuldt, met up at the Orange County School of the Arts, Margaret A. Webb Theatre. They spent much of the afternoon doing set-up and sound checks with the amazing OCSA team and volunteer students for that evenings screening with live soundtrack performance of Green’s feature film Gravity Was Everywhere Back Then. The venue is top notch and the sound quality was fantastic! After the sound check and a few warm-up runs, we headed down for a wonderful, pre-screening/performance, Mexican food dinner in downtown Santa Ana.

Sound check with Brent Green, Tim Rutili, Tim Hurley, Mike McGinley, Jacquelyn Gordon and Jim Skuldt

Sound check with Brent Green, Tim Rutili, Tim Hurley, Mike McGinley, Jacquelyn Gordon and Jim Skuldt

Sound check with Brent Green, Tim Rutili, Tim Hurley, Mike McGinley, Jacquelyn Gordon and Jim Skuldt

Sound check with Brent Green, Tim Rutili, Tim Hurley, Mike McGinley, Jacquelyn Gordon and Jim Skuldt

Sound check with Brent Green, Tim Rutili, Tim Hurley, Mike McGinley, Jacquelyn Gordon and Jim Skuldt

Sound check with Brent Green, Tim Rutili, Tim Hurley, Mike McGinley, Jacquelyn Gordon and Jim Skuldt

Following the early dinner, it was time to head back to the theatre for the performance. There was a great audience who experienced a performance that was truly emotional, reflective and inspiring. It was a very moving evening of live music soundtrack and powerful film. Thank you Brent and your collaborators for creating such powerful art! Our sincere gratitude to the team at the Orange County School for the Arts, especially Aaron Orullian, Patrick Williams, Eric Hamme, Kevin Cook, Cathy Michaels. We are looking forward to future collaborations with your team, faculty and students!

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Gravity Was Everywhere Back Then, screening with live performance @ OCSA Webb Theatre. Photo by Matthew Miller

Post performance conversation. Curator Cassandra Coblentz with artists Todd Gray, Kyungmi Shin and Joe Biel

The working week started of Monday with a visit from Orange County Museum of Art Chief Curator Dan Cameron. We invited Dan down to speak with students enrolled in the Exhibition and Design program at Cal State University Fullerton. Dan shared stories of how he began his career in the curating practice, his early travels to Spain that so inspired him, and his early writing on the topic of art. He talked about past projects, including his time at the New Museum, curating the 2003 Istanbul Biennale and the development of Prospect 1 in New Orleans. The students asked great questions and the conversation was lively. Thank you Dan for the time, energy and inspiration you provided to our students.

Orange County Museum of Art Chief Curator Dan Cameron

Monday evening, we partnered with OC Food Access Coalition, Positively Delicious OC and Memphis at the Santora to present a screening of the film In Organic We Trust. We had the great fortune to work with two wonderful individuals through this collaboration, OC Food Access Coalition Executive Director Gillian Poe and Program Coordinator Mire Molnar-Barton. We had an engaged crowd on hand that had the opportunity to talk with numerous organizations that set-up booths in our lobby, take in the tasty treats provided by Memphis, and enjoy the screening of the film. Following the film, the audience was provided the opportunity of a Q&A with the films Director/Producer Kip Pastor. It was an educational exchange that lasted close to an hour, with quality information provided by both the filmmaker and audience.

OC Food Access Coalition Event

OC Food Access Coalition Event

OC Food Access Coalition Event

Screening of In Organic We Trust

In Organic We Trust Director/Producer Kip Pastor during Q&A


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
This afternoon, we were visited by Jose Quant and Shell Martin of the Q Art Salon, one of our great gallery neighbors here in Downtown Santa Ana. Jose and Shell brought Ruben Dario of Teatro Nacional Ruben Dario, Managua, Nicaragua, for a site visit to GCAC and conversation about cultural exchange possibilities. Lots of ideas and energy, so we will keep you posted as things develop.

Jose Quant of Q Art Salon, Ruben Dario of Teatro Nacional Ruben Dario, Managua, Nicaragua, and GCAC Director/Chief Curator John Spiak

Once again, we thank everyone who participated in our programming over the past week and look forward to providing more opportunities for community focused engagement in the coming days and months.

Lots of great GCAC programs, educational outreach, exhibitions and performance on the horizon!

WE LOOK FORWARD TO HAVING YOU JOIN US!