Video, Images and LA Times Review of Santa Ana Sites #5: Steve Roden

June 20, 2014

On the evening of Saturday, June 14th, GCAC presented the fifth performance in our Santa Ana Sites series, with a sound performance by artist Steve Roden.

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The evening began with a reception at Downtown Santa Ana’s Q Art Salon, hosted by Jose Quant and Shell Martin. Guests gathered and connected with one another at this pre-event mixer.

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At 8:15pm, GCAC Director/Chief Curator and Sites Co-Founder John D. Spiak led guests, downstairs, down the street the a historic law building and a parking lot in front of roll-up gate leading to an underground parking area. When all had arrived, the gate was opened and guests made their way underground, where they then entered another space – that of a subterranean racket ball court located beneath the law building owned by Dennis Dascanio, who generously allowed GCAC use of the space for the evening.

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There, guests were greeted by Sites Co-Founder and Artistic Director Allen Moon and were introduced to Steve Roden for some brief pre-performance remarks.

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GCAC invited Steve to perform in the Sites series, as we admired and respect him for the constant risks he takes – through his painting, installation work, films and sound performances. He is always challenging himself and the audience, allowing access to those slight moments in life that we often forget, or don’t allow ourselves to experience or enjoy – the slight mark, the capturing of an actual shadow, an adjustment or shift of a tone. It is what Steve does best and what makes him such a remarkable individual.

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Over the course of his 5o-minutes performance, Steve didn’t disappoint, as he took the audience on a complicated sound journey – one that began with sound bleed from a cumbia band performing for a wedding at a nearby banquet hall, first collaborating with those sounds, then making that background beat truly disappear as his own synthesized composition took center stage. Through his skillful use and knowledge of sound, Roden was able to successfully transport the audiences to a place outside the confines of the Downtown Santa Ana location, to a space of “elsewhere” that was unique to each of the 108 individuals experiencing this live performance.

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GCAC was fortunate to have in attendance Carolina Miranda of the Los Angeles Times, who wrote a wonderful review of the evening. capturing her own images and sound of the performance that she shares through text and slideshow, available through the following link:
http://www.latimes.com/entertainment/arts/miranda/la-et-cam-steve-roden-sound-art-santa-ana-20140617-column.html

We were also able to record video documenting some of the sound check with the artist during the afternoon set-up, so we thought you might enjoy it as well.

We would like to also acknowledge and thank Dennis Lluy, along with his team at The Yost Theater for their continued support of Santa Ana Sites. Through their in-kind generosity, they have loaned equipment that makes each Sites performance possible.

Lastly, we thank all those who attended and who continue to support Grand Central Art Center, Santa Ana Sites and our community outreach activities!

More information on the Santa Ana Sites series, including documentation of past performances, can be found online at:
https://grandcentralartcenter.wordpress.com/santa-ana-sites/

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SANTA ANA SITES #5: STEVE RODEN – A Sound Performance – June 14

June 2, 2014

SANTA ANA SITES #5: STEVE RODEN
a sound performance

JUNE 14, 2014
7:30 – 8:15PM
PRE-PERFORMANCE RECEPTION / MIXER
*please arrive no later than 8pm

RECEPTION LOCATION:
Q Art Salon
205 N. Sycamore St.
Santa Ana, CA 92701

audience will be escorted to performance location

SEATING LIMITED, TICKETS REQUIRED, BUT ARE FREE TO PUBLIC
ticket information below

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Santa Ana Sites #5 presents an evening of sound performance by artist Steve Roden. Performing through the use of two analog modular synthesizers, Roden will continue the Sites approach of presenting work in unique Santa Ana spaces, activating a subterranean racket ball court located in the heart of Downtown Santa Ana.

Tickets are free but reservations are required – RSVP info towards the bottom of this page

Steve Roden is a visual and sound artist born in Los Angeles and living in Pasadena, CA. Roden’s practice includes painting, drawing, sculpture, writing, film/video and sound performance.

Since the late 1980’s, Roden has had numerous solo and group exhibitions internationally. recent solo exhibitions include: CRG Gallery, New York and Susanne Vielmetter LA Projects, Los Angeles. Group exhibitions include Silence at the Menil Collection, Houston, Texas and the First International Biennial of Contemporary Art of Cartagena, De Indias, Colombia.

Roden has performed his soundworks at various arts spaces and experimental music festivals worldwide including: Serpentine Gallery, London; San Francisco Museum of Modern Art; Walker Art Center, Minneapolis; DCA, Dundee, Scotland; Redcat, Los Angeles; Crawford Gallery, Cork, Ireland; as well as performance tours of Brazil and Japan. Recent performances include John Cage’s Cartridge Music with composer Mark Trayle at the Norton Simon Museum in Pasadena; a tribute to Rolf Julius at the Hamburger Banhof, Berlin; and performances at the Museum of Art, Strasbourg, France and The Rothko Chapel, Houston, Texas. Since 1993, Roden has released numerous cds under his own name as well as under the moniker “in between noise” on various record labels internationally.

Recently the artist has created numerous site-specific sound works for spaces such as MOCA at the Pacific Design Center in response to a group of paintings by Mark Rothko; the Henry Art Gallery at the University of Washington’s James Turrell Skyspace; the MAK Center for Art and Architecture/Schindler House in Los Angeles; a live collaboration with Stephen Vitiello in a room of 50 pieces of sculpture by Donald Judd at Chinati, Merfa, Texas; Daniel Libeskind’s Run Run Shaw new creative media centre building at City University of Hong Kong; a sound/sculpture/drawing installation for Thomas U. Walter’s 1848 building at Girard College, Philadelphia for the Hidden City Festival; and a permanent public artwork at Hayvenhurst Park, in West Hollywood, California.

This event is anticipated to be at maximum capacity with reservations required.

Reserve FREE tickets through email with name and requested number of tickets with a maximum of two tickets per guest to:
jspiak (at) fullerton (dot) edu

A reception at Q Art Salon will begin at 7:30pm, with guests being asked to arrive no later than 8:00pm on Saturday, June 14th.

 

ABOUT SANTA ANA SITES
Santa Ana Sites, an initiative of California State University, Fullerton’s Grand Central Art Center, presenting, in community partnership, contemporary performance in public and private spaces throughout Downtown Santa Ana.

The traveling forum is designed to provide the community shared artistic experiences, encouraging the discovery of diverse environments and architectural space.

Santa Ana Sites was founded by Allen Moon, Artistic Director/Community Partner and John D. Spiak, Grand Central Art Center Director/Chief Curator.

More information on the previous Santa Ana Sites can be found at:
https://grandcentralartcenter.wordpress.com/santa-ana-sites

 

SUPPORT
Santa Ana Sites #5 is made possible through the generous in-kind support of Dennis Dascanio, Jose Quant and Shell Martin, and Q Art Salon.


Borderblaster (SNA) Audio Paseo / Audio Promenade in Downtown Santa Ana!

March 5, 2014

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Cog•nate is pleased to announce that recordings from Borderblaster (SNA) are now available as an Audio Paseo throughout downtown Santa Ana!

Borderblaster (SNA) collects the oral testimonies of local residents, artists, community leaders and 4th Street business owners, to reflect on the economic, social, and cultural dimensions of redevelopment in the Downtown core of Santa Ana. These narratives are dispersed through the physical fabric of 4th Street as an “Audio Paseo” or audio promenade. You can embark on this paseo by following the trail of “Borderblaster” markers in storefront windows along the route indicated by the map below. Scan the QR code on the front of the markers with your smartphone to listen to testimonies about the past, present and desired future of Downtown Santa Ana. Inside of participating shops, you will also find bilingual transcripts that give readers further historical and personal accounts about the heart of Downtown.

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Visit the GCAC front desk to view a copy of the full transcripts or pick up a map of the paseo with more information about the intervention. 

 

 


Santa Ana Sites #4 : wild Up in the Santora with Lisa Bielawa & Colburn Conservatory – Feb 22

January 28, 2014

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Santa Ana Sites #4: wild Up in The Santora fuses classical instruments with contemporary sounds to create an unforgettable evening in one of Santa Ana’s most charming venues. Los Angeles based music collective wild Up, musicians from The Colburn Conservatory of Music and composer/vocalist Lisa Bielawa come together on Saturday, February 22 to share in a night of unexpected artistic ventures.

With the momentum of three successful Sites programs pushing them forward, Grand Central Art Center and Santa Ana Sites’ Co-Founder/Artistic Director Allen Moon serve up their newest vision showcasing the youthful side of culture. wild Up is a modern music collective that embraces sound as a vehicle for shared experiences. The Los Angeles Times praised the group stating, “You’d be forgiven for mistaking wild Up for an indie rock band.” Led by acclaimed conductor Christopher Rountree, members of the group along with some of Colburn’s musicians and soprano Bielawa will disperse throughout The Santora building to perform engaging micro concerts.

Audiences will begin their Santa Ana Sites #4 journey at the Grand Central Art Center for a pre-show, move to the Santora’s atrium for their first encounter with the musicians, and head to the top floor where the performers and audiences will begin an adventure of music and architecture in various galleries, studios, and empty spaces. The music draws from a vast array of genres, with compositions from Bach, Ravel, Machaut, The Magnetic Fields, Katy Perry, Sun Ra, Brian Eno, The Beach Boys, The Dog Faced Hermans, Philip Glass, Lisa Bielawa, Ornette Coleman, Deerhoof and The Misfits, amongst others. Composer/vocalist Bielawa’s performance with the ensemble treats Southern Californians to her first performance since her appearance in the LA Opera’s presentation of Philip GlassEinstein on the Beach, where she also served as the production’s Choral Master.

The historic Santora building’s Spanish Colonial Revival architecture sets the tone for an adventurous evening of music and mingling. A recent change in ownership has lead to rejuvenation for the landmark venue, which broke ground in the late twenties and catered to classic Hollywood celebrities including Jack Benny, Milton Berle, and Lucille Ball. Santa Ana Sites #4: wild Up in The Santora will illuminate the architectural centerpiece of Downtown Santa Ana with sound and creative energy once again, an ideal way to pay homage to the building’s rich history while celebrating contemporary culture in the vibrant downtown.

Santa Ana Sites provides contemporary performances in spaces throughout Santa Ana. The traveling forum is designed to introduce the community to artistic experiences while encouraging diverse environments. Past events featured David Harrington, founder and Artistic Director of the Kronos Quartet; Backhausdance performing their dance installation, The Elasticity of the Almost; and a performance from Inner Mongolian music group AnDa Union. The Santora installment of Santa Ana Sites #4 unites music lovers of every age and background for an evening of forward thinking entertainment.

More information on the previous events can be found on the Santa Ana Sites Facebook page: https://www.facebook.com/santaanasites

This event is anticipated to reach maximum capacity with reservations required.  The public is invited to reserve FREE tickets through email with name and requested number of tickets with a maximum of two tickets per guest to grandcentral@fullerton.edu

A reception at Grand Central Art Center will begin at 7pm. Guests are asked to arrive no later than 7:30pm on Saturday, February 22nd.

SUPPORT
Santa Ana Sites #4 is made possible through the generous support of Santora Group LLC, with in-kind support provided by Ashley Eckenweiler and The ACE Agency.

GRAND CENTRAL ART CENTER
California State University, Fullerton Grand Central Art Center is dedicated to the investigation and promotion of contemporary art and visual culture: regionally, nationally, and internationally through unique collaborations among artists, students, and the community.

Grand Central Art Center, 125 N. Broadway, Santa Ana, CA 92701, 714.567.7233, https://grandcentralartcenter.wordpress.com
A Unit of CSUF’s College of the Arts



Santa Ana Sites #3 – AnDa Union

October 30, 2013

Following the success of Santa Ana Sites #1: David Harrington of Kronos Quartet and Santa Ana Sites #2: Backhausdance, GCAC was approached by Irvine Barclay Theatre on the possibilities of collaborating with them to present Santa Ana Sites #3 – AnDa Union!

OF COURSE WE ACCEPTED!

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Grand Central Art Center and Irvine Barclay Theatre through the continued collaboration with Santa Ana Sites co-founder Allen Moon, and with thanks to Barclay’s Doug Rankin and Karen Drews Hanlon, John Luckacovic and Eleanor Oldham of 2Luck Concepts, and Tim Pearce and Sophie Lascelles from AnDa Union presented an intimate acoustic evening with a group of ten instrumentalists and singers from Inner Mongolia.  AnDa Union describe themselves as music gatherers.  Digging deep into the Mongol traditions of Genghis Khan’s unified tribes and unearthing forgotten musical histories, creating a whole new generation of sound, as they perform on indigenous instruments and in the khoomii, throat-singing, style.

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Guests began their evening by joining us at Grand Central Art Center for a pre-performance mixer.  Though the extreme generosity of Trez Ibrahim and her soon to be open Downtown Santa Ana venue Vineyard Roz Wine Lounge & Art Studioguest enjoyed fine wine, conversation, our current exhibition Cumulus: Matthew Moore and Braden King, as well as a preview of our three exhibitions that open this Saturday, November 2nd – Cross Cut: Aili SchmeltzRage Bear: Juggling Awesome organized by current CSUF Illustration MFA student Marvin Chow; and the Glass and Ceramics Exhibition and Sale, which includes the work of current CSUF students, alumni and community artists.

AnDa Union is in the midst of a 7 week US tour to some of the great world music presenters in the country.  We couldn’t be happier that this collaborative opportunity presented itself, allowing these magnificent musicians to play as part of our Santa Ana Sites series.

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With 72 individuals in attendance, we were able to keep the evening acoustic, informal and intimate.   The beauty and power of AnDa Union’s voices and instruments brought the space to life for the enthusiastic audience.  Another grand success for the Santa Ana Sites series!

If you missed the event, you can see and hear past performances of Anda Union here:

http://www.youtube.com/watch?v=WLy0IRy2-aQ&feature=youtu.be
and
http://www.youtube.com/watch?v=G_jZGXhemw8

If you missed Santa Ana Sites #1 or #2, here are links to recaps:

Santa Ana Sites #1: David Harrington of Kronos Quartet
https://grandcentralartcenter.wordpress.com/2013/03/23/kronos-quartets-david-harrington-kicks-off-gcac-santa-ana-sites-series/

Santa Ana Sites #2: Backhausdance 
https://grandcentralartcenter.wordpress.com/2013/10/12/santa-ana-sites-2-backhausdance/


Saskia Jorda Wraps First Part of Residency

March 29, 2013

It has been a busy few months for artist in residence Saskia Jorda, who has been at Grand Central Art Center engaging the topic of quinceañera with our local community, with assistance of CSUF BFA student Angelica Perez-Aguirre.  She’s met with numerous individuals and groups, spent time in great conversations, has had generous collaborative assistance from many members of our Santa Ana neighborhood, as well as CSUF faculty, students and our GCAC team.  The collective efforts and energy are working towards the development of her project that will open in GCAC’s Don Cribb Project Room during the May 4, Downtown Santa Ana First Saturday Art Walk.

Saskia Jorda with Angelica Perez-Aguirre

Saskia Jorda with Angelica Perez-Aguirre

Saskia Jorda with Joanna Roche and Matthew Miller

Saskia Jorda with Joanna Roche and Matthew Miller

Over the course of the past few weeks, Saskia had the opportunity to speak at the contemporary art history class of CSUF professor Joanna Roche.  She welcomed students from Joy Shannon’s art classes of the Orange County School of the Arts into the Artist in Residence studio to share her past work and a conversation about the recent project.  CSUF students Aaron Jones,   and Maxwell Rivas joined community member Claudia de la Cruz for Saskia’s second Sunday Workshop and Conversation.

Saskia Jorda with Angelica Perez-Aguirre, Maxwell Rivas, Aaron Jones and members of the community.

Saskia Jorda with CSUF students Angelica Perez-Aguirre, Maxwell Rivas, and community member Claudia de la Cruz.

Saskia Jorda with Joy Shannon's students from Orange County School of the Arts

Saskia Jorda with Joy Shannon’s students from Orange County School of the Arts

Saskia Jorda with Joanna Roche and Tracey Gayer

Saskia Jorda with Joanna Roche and Tracey Gayer

Saskia has concluded the first part of her residency, but will return in late April for the installation of the project.   We thought you might enjoy this little teaser of the full installation to come, it will be fantastic!  Mark your calendar now and plan to join us, we promise lots of outstanding art and a few surprises…

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KEEPING ACTIVE @ GCAC!

September 18, 2012

Over the past few months, Grand Central Art Center, through Artist in Residence Jules Rochielle, has been actively working on developing a collaborative project with the Santa Ana Public Library.   The proposal, titled The Raitt Street Chronicles, will be an oral histories project that deals with recording of stories of the survivors of violence.  Centered around a neighborhood known as the Townsend district in Santa Ana, the artist and GCAC are work collaboratively with the Santa Ana Public Library administrative team, Cheryl Eberly and Manny Escamilla, and teen program “young historians”, as well as Sharon Sekhon, PhD, Professor in Cal State University Fullerton‘s American Studies program. The recorded oral histories and video components will be archived at the Santa Ana Public Library and will be developed into a visual/sound art component exhibited through GCAC.

As a part of the process, collaborative partnerships with community organizations are being developed and strengthened in hopes of greater outreach and mutually beneficial outcomes.  Late last week, we had the great fortune to visit The Grain Project‘s community and teaching garden at Jerome Park in central Santa Ana.  We met with The Grain Project‘s Co-Founder & Executive Director Lara Montagne and were provided a complete tour of the garden by local community expert Marco.  Marco shared so much valuable knowledge, providing insight into each plant’s characteristics and health benefits.  A remarkable tour by a truly passionate individual!

@ The Grain Project

We had the opportunity to walk the surrounding neighborhood, hear directly from Manny about his experiences growing up on these streets, and connected with artists currently working on a public mural with The Grain Project.  It was an amazing afternoon and has helped us to continue to develop new partnerships towards the realization of The Raitt Street Chronicles.

@ The Grain Project – Lara Montagne, Marco, Jules Rochielle, Manuel (Manny) J. Escamilla

Saturday afternoon, the Tijuana based team from bulbo collective, Omar Foglio, José Luis Figueroa Lewis, Ana Paola Rodriguez and Blanca España, arrived for a short residency at Grand Central Art Center.  This was their first site visit to the Center and provided an opportunity for a tour of our institution and a walking tour of Downtown Santa Ana.  GCAC brought bulbo to town to screen their feature film Tierra Brillante (Brilliant Soil).  As we walked the town, we talked about possible collaborative projects through a future extended residency, so we will keep you posted as that conversation continues to move forward.

On Sunday, after an early afternoon sound and visual check, we screened Tierra Brillante (Brilliant Soil).  The bulbo collective project film was screened in association with the OC Film Fiesta, through the collaborative effort of the Fiesta’s Director Sandra “Pocha” Peña and Creative Director Victor Payan, at The Yost Theater.  GCAC would like to thank OC Film Fiesta, and especially like to thank the generosity of The Yost Theater Owner Dennis Lluy and his amazing team.

Sound check for Tierra Brillante (Brilliant Soil) screening @ The Yost

Tierra Brillante (Brilliant Soil) screening @ The Yost

Tierra Brillante (Brilliant Soil) screening @ The Yost

The documentary follows Herlinda, an indigenous Purepecha potter, one of the few artisans in her community who uses alternative lead-free glazes, as she faces the difficult task of finding a market for her impressive pieces. The screening was truly a moving experience, an emotional journey of spirit, joy and family.  A quality audience was on hand who clearly appreciated the film, staying for 45-minutes following the screening to ask questions of the filmmakers.

OC Film Fiesta Creative Director Victor Payan leads discussion with Tierra Brillante (Brilliant Soil) Co-Director José Luis Figueroa Lewis and Producer Omar Foglio Almada @ The Yost

After the question and answer session, individuals had the opportunity to see works by Herlinda, and fellow Purepecha potters, who are now using lead-free glazes, on display in front of The Yost.

Community viewing works by Herlinda and fellow Purepecha potters @ The Yost

Blanca España, Omar Foglio, John Spiak, Jose Luis Figueroa, Victor Payan, Sandra “Pocha” Peña @ The Yost

Community viewing works by Herlinda and fellow Purepecha potters @ The Yost

Omar Foglio, John Spiak, Jose Luis Figueroa, Blanca España, Ana Paola Rodriguez @ The Yost

Grand Central Art Center thanks all those who attended the evening and each of our collaborative partners for their continued support of our programs and activities.