Wonderful Day of Celebration @ GCAC

August 15, 2014

Yesterday, Grand Central Art Center hosted an event celebrating Pakistan Independence Day, organized by artists-in-residence Heather Layton and Brian Bailey, part of their current year long project 59 Days of Independence. They are here in residency through the generous funding support of the GCAC artist-in-residency program provided by a grant from The Andy Warhol Foundation for the Visual Arts.

reading1

Reading 3

reading 2

The day including a “Malala Trilingual Book Reading for Kids,” with children’s stories of Pakistani-American and Mexican-American culture read in Spanish, Urdu and English, with projections of the illustrations.

Miguel 1

Recent Orange County School for the Arts student Miguel Pulido (Class of 2014, beginning Pitzer College this fall) helped to organize the activities, as well as participated in the reading and performed on guitar. His contributions to the event brought a joyful spirit and energy through music.

activity

Miguel 2

Conversation 1

The afternoon provided an opportunity to view an assortment of craft objects that reflect the development of Pakistani visual culture from traditional to contemporary. A hands-on activity table was set-up within the space, with both children and adults sharing their creative skills. Delicious traditional food for all in attendance was available from Noorani Halal Restaurant.

gather

In addition to Heather, Brian and Miguel, Grand Central Art Center thanks the following individuals for making the celebration possible:
Ifra Khoso, Sheba Akhtar, Almas Asif, Farhan Aziz, Anila Ali, Monica Mouet, Pam Solorzano and the Irvine Pakistani Parents’ Association.

dtd

dtd2

We concluded the day with a GCAC Dutch Treat Dinner at The Robbins Nest Wine Bar here in downtown Santa Ana. A great group of individuals, including CSUF grad students and faculty members, four current GCAC artists-in-residence, a curator and artist coming down for the night from Los Angeles and many of our creative collaborative community members, all joining us for the event. Thanks to Lisa Robbins and her wonderful team for allowing us to take over a big part of her restaurant for the evening of great conversations and connections!

We thank you all for your continued support of GCAC and look forward to having you join us for upcoming programs and receptions.


Pakistan Independence Day Celebration & Dutch Treat Dinner (Aug. 14) – 59 Days of Independence Project @ Grand Central Art Center

August 7, 2014

lanterns above

Earlier this year, Heather Layton and Brian Bailey joined us as artists in residence, here to realize programs through their current project 59 Days of Independence. Throughout 2014, a vast network of artists, musicians, dancers, authors, filmmakers and community members from around the globe are celebrating the independence days of 59 countries that once gained freedom from British rule. The most important part of the project is that they are all celebrating for countries OTHER than their own. In January, they celebrated Burma’s 66th independence day on JANUARY 4TH at GCAC by giving away 66 hand-painted lanterns.

flag

PAKISTAN INDEPENDENCE DAY CELEBRATION @ 2PM, THURSDAY, AUGUST 14TH

This week Heather and Brian return as GCAC artists in residence, developing a project celebrating Pakistan’s 67th independence day on AUGUST 14th, with a “Malala Trilingual Book Reading for Kids”. The celebration will include a trilingual reading of three selected picture books (approx. ages 4-8). The 1st and 3rd will teach about aspects of Pakistani-American culture and the 2nd will teach about aspects of Mexican-American culture. The books will be read in Spanish, Urdu and English with projections of the illustrations on the wall. We will transform the room into a colorful and intriguing space reflecting Pakistan’s rich visual culture. There will be a food table with small samplings from a local Pakistani restaurant. Also onsite will be an assortment of craft objects that show the development of Pakistani visual culture from traditional to contemporary. Funding in support of this GCAC residency is provided by a grant from The Andy Warhol Foundation for the Visual Arts.

In January, during the First Saturday Art Walk, Heather and Brian met and began a conversation with Orange County School for the Arts student Miguel Pulido (now an alum of OCSA, Class of 2014). Miguel was excited about their project and they began a dialogue about collaboration toward this current project. Miguel was instrumental in the development of this program and is connecting the project with additional students and alum of OCSA to get them involved, including Monica Mouet and Pam Solorzano who assisted with the early development.

?????

Through these collaborative efforts a relationship was established with the Irvine Pakistani Parents’ Association, through its members Ifra Khoso, Sheba Akhtar, Almas Asif, Farhan Aziz and Anila Ali, who are actively collaborating on the program of celebration on August 14th here at Grand Central Art Center.

DUTCH TREAT DINNER @ 7PM, THURSDAY, AUGUST 14TH
@ THE ROBBINS NEST WINE BAR

robbins nest

The event will be followed that evening by a GCAC DUTCH TREAT DINNER, beginning 7pm at The Robbins Nest Wine Bar here in Downtown Santa Ana, 207 West 2nd Street. The artists and many of their collaborators will be at the event to connect further with those in attendance. DUTCH TREAT DINNER are an opportunity to build new connections, reconnect with those you know and develop a stronger community of creative individuals. Unlike a gala or formal dinner event, DTD has no set menu, ticket price or seating arrangement – you order straight from the standard menu, attend for free and sit with those you wish. Individuals attending are responsible for their own dinner bill, hence the name DUTCH TREAT DINNER. There is no pressure – you eat and drink what you order and can afford.

WE LOOK FORWARD TO HAVING YOU JOIN US IN CELEBRATION!

Here are the details on the program…

Malala Yousafzai ke baray mein kutub Beeni,
Bachon ke liye teen zabano mein

Thursday, August 14, 2:00pm
Grand Central Art Center
125 N. Broadway, Santa Ana

Un evento que celebra el dia de independencia de Pakistan con música, comida y una lectura a voz alta trilingüe de libros infantiles cuales demuestran la belleza de la diversidad cultural. / A free event that celebrates Pakistan’s independence day with music, food, and a trilingual reading of three picture books that demonstrate the beauty of cultural diversity.

Daaqula muft aura am hae / Gratis e Abierto Al Publico.

Screen shot 2014-08-06 at 12.50.27 PM


Mark Your Calendar (4/8 @ 6pm) – Talk by Joshua Simon and Dutch Treat Dinner

April 1, 2014

Grand Central Art Center and Artis
present a talk by Joshua Simon

Curating in Context – Joshua Simon on The Museums of Bat Yam
Presented by Artis & Grand Central Art Center
Tuesday, April 8
6:00pm
FREE
@ Grand Central Art Center

joshua1

 

Joshua Simon will speak about his work as the Director and Chief Curator for The Museums of Bat Yam, a complex of three museums located in the Tel Aviv metropolitan area in Israel that functions as both a center for contemporary art and a community museum, offering a wide platform for cultural research, theory and criticism. Simon, in discussion with GCAC Director and Chief Curator John Spiak, will explore the role of community-centered arts institutions situated in predominantly immigrant neighborhoods on the periphery of major urban centers – Tel Aviv, in the case of MoBY, and Los Angeles, in the case of GCAC.

The program is a GCAC collaboration with Artis.

Artis is an independent nonprofit organization that broadens international awareness and understanding of contemporary art from Israel.
www.artiscontemporary.org

The event will be immediately followed by a
GCAC Dutch Treat Dinner
@ TABU

tabu
TABU
306 W. 4th Street
Santa Ana, CA 92701
714.600.2244
(http://tabudtsa.com/)


SERVING STUDENTS OF OUR CAL STATE UNIVERSITY FULLERTON COMMUNITY

November 8, 2012

Grand Central Art Center takes great pride in being a unit of the Cal State University Fullerton College of the Arts. This relationship allows us to engage our students in meaningful ways. GCAC works to enhance the educational experience through visiting artists in residence and programs that place our students into direct conversation and experience outside the classroom and studio.

This past week was packed with such opportunities.

Artist in Residence Brent Green traveled to CSUF main campus two days last week to visit with students in both the Advance Character Animation and Short Filmmaking classes taught by Associate Professor and Program Coordinator of Entertainment Art/Animation, Chuck Grieb. Brent screened past works for the students, shared his background and a few of his past experiences, including: presenting his work six times at the Sundance Film Festival; installation projects at such venues as the UCLA Hammer, SITE Santa Fe and Berkeley Art Museum; and performances at venues including MOMA, Walker Art Center and EMPAC in Troy, NY. It was a lively presentation, with Brent sharing his passion, drive and creative energy. Brent is scheduled to speak to a few more classes in the coming weeks and will be working on the installation of his upcoming exhibition, To Many Men Strange Fates Art Given, which will open on Saturday, December 1st in the main gallery at Grand Central Art Center. We thank Chuck for allowing us to take over two days of classes and thank Brent for his continued inspiration!

Julie Orser, Assistant Professor in Creative Photograph at CSUF, brought her class over for a sneak preview and conversation with artist Sean C. Flaherty. Sean’s video installation, An Overture in Parts, installed in the GCAC Project Space, opened to the public with a reception this past Saturday. The previous week, our Director/Chief Curator John Spiak, spoke to Orser’s class on the topic of video art and the practice of showing work in this medium. The visit with Sean provided the opportunity to have a more direct conversation with a young artist working in video and installation. He was able to provide quality insight; on his own practice and desires, as well as knowledge he has obtained while working as a studio assist for artist Julian Hoeber. Sean talked about the three works in the current exhibition, how they were first developed, the actual creation process and his family’s reaction to their involvement, and the installation decisions and process. The exchange was energized and conversation quality. Thank you Sean for taking the time and sharing your knowledge with our Students, and Julie, we are so happy you are now part of the CSUF family!

Our First Saturday Art Walk evening began with CONVERSATIONS #2: PUBLIC ART, the second in our series of panels that place current CSUF MFA students working on degrees in specific practice, in conversation with individuals currently successful in that medium, in conversation with individuals who play a role in decision-making within that field. The panel, focused on Public Art, was lead by Kevin Stewart-Magee, current CSUF MFA Student, Painting and Drawing, with panelists Kent Twitchell, Artist/Muralist, and
 Margaret Bruning, Director of Civic Art, LA County Arts Commission. We had a great turnout and Kevin led an informative conversation. The focus was on current policies in public art, structure and best approaches for pursuing projects, and upcoming projects each individual was working towards. Our sincere gratitude to Kevin, Kent and Margaret, you started the evening off right, sharing your knowledge and expertise, it was extremely appreciated.

The next in our series, CONVERSATION #3: SOCIAL PRACTICE is set to occur on the evening of Thursday, November 15 beginning at 7pm. The panel will include artist Sarah Luther, Artist/Educator/Director of MKE<–>LAX Sara Daleiden, current CSUF MFA Student in Exhibition and Design Cassandra Erb, and current CSUF student in Exhibition and Design Kimberly McKinnis. The panel will be in association with the exhibition INTERSTICE: NEW ECONOMIES for CREATIVE COMMUNITIES, curated by Cassandra and Kimberly at the CSUF Begovich Gallery on main campus (800 N. State College Blvd, Fullerton), set to open November 10 from 5-8pm.

We invite you to join us immediately following the panel for a GCAC Dutch Treat Dinner at Izalco Salvadorian Cuisine. There is no pressure – you eat and drink what you order and can afford. And as a special bonus, our artists in residence Brent Green will also be joining us.

Following the panel Saturday evening, artist Tony de los Reyes presented a gallery talk for his current main gallery exhibition Border Theory. The exhibition has received excellent critical review, with outstanding writing by Gustavo Arellano in the OC Weekly, an article by Liz Goldner in ArtScene, and an ArtForum Critics’ Pick by Micol Hebron. Tony provided very in-depth insight into his current body of works, shared his process of the development of the series, and the route his work took to get to where he is today in his thinking. A personal, brilliant and generous talk, as the artist allowed the audience to engage throughout with direct questions and exchange. We are truly honored to have the privilege of premiering this new body of work and give our sincere thanks to Tony for allowing us this opportunity. We have extended the exhibition through November 18th, so you still have time to see the exhibition in person.

Saturday also marked the opening reception of two new exhibitions, the previously mentioned An Overture in Parts by artist Sean C. Flaherty, and the CSUF Student Glass and Ceramics Exhibition and Sale. Organized through the collaborative efforts of CSUF School of Art Associate Professor Nobuhito (Nobu) Nishigawara and Professor and Glass Program Coordinator John Leighton, the exhibition included outstanding quality works in both medium and was extremely well received by our audience. Thank you to the student artists for their hard work and amazing pieces, and thanks to Nobu and John for making this exhibition a reality.

A visit from Skirball Cultural Center, Marketing and Social Media Manager, Lisa Delgin kicked off this week’s activity. Lisa visited Grand Central Art Center to speak with students enrolled in the CSUF Exhibition and Design program with Mike McGee, Professor and Museum Studies Coordinator, Exhibition Design and Museum Studies. She shared her incredible knowledge of current marketing practices within cultural institutions, including the use of print materials (both internal and external), social media approaches, audience survey gathering, event based outreach, and partnering with media outlets. Lisa provided amazing insight and the students were engaged in the conversation, a true benefit for all who attended. Thank you Lisa for taking time out of your busy schedule, making the drive down from LA, and most of all for the energy and inspiration you provided to our CSUF students.


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Sometimes support of our community neighbors leads to surprising student engagement. Last week we hosted a team meeting for the regional managers of Starbucks Coffee. The team arrived for an early meeting and as we had informal conversations, we discovered that many of the individuals attending the meeting were current CSUF students and alumni. It allowed us to share our current series of exhibitions and talk about opportunities for collaborative efforts and mutually beneficial exchange. A quality group of folks to share our morning.

It is always wonderful to have the opportunity to connect with members of our CSUF Titan family!


Adam Moser, Cut-Off Men and MLB Tryout Results!

June 15, 2012

We know you have been waiting to hear results of the Major League Baseball tryouts, part of artist/athlete Adam Moser’s Social Practice residence here at Grand Central Art Center.

It’s been an extremely busy week, so we apologize for the delay.  Here is a breakdown of this week’s activities as they played out for Adam’s team, the Cut-Off Men.  Advance warning, this post is a bit long, but we think it’s worth every moment!

In our last blog post, the jerseys and Adam had arrived at Grand Central Art Center, the Cut-Off Men’s clubhouse and lockers were ready for the team’s arrival, and we were looking for one more teammate to fill out a nine-man roster.

On Sunday, Adam was invited by Cut-Off Men teammates Tori and Abraham to join them for one of their league games taking place at Pacifica High School in Garden Grove.   It was a beautiful Southern California day! Adam got a little time in the outfield and a couple of at bats, while Abraham was covering third and Tori at shortstop.  It was a great warm-up for the tryouts to come.

Monday evening, the team arrived early to meet their fellow teammates for the first time, as well as see their new lockers and jerseys (jerseys created by Victory Custom Athletic – thanks again to Claudette Duggan and the Victory team for helping us get these on such a short notice) before the Dutch Treat Dinner/Ball Signing event.  They brought with them their gear to store in their lockers, in preparation for Tuesday mornings early departure to the tryouts.

The team signed some baseballs for one another to get a little practice in before the public ball signing that evening.  They walked together, as a team, down Broadway to Izalco Salvadorian Cuisine on 5th Street, in Downtown Santa Ana.  Thank you to Fernando Valladares of Izalco for opening his restaurant to our team for this event!  Upon arrival, they were met at the restaurant by fans, friends and family.

At the restaurant, the team signed baseballs, met with their new fans, talked baseball and ate pupusas.  They bonded as a team, shared their thoughts about the next day’s tryouts and told stories of their history with the game.  As the night concluded, we headed back to the clubhouse with some of the teams news fans to share the space and further conversation. Before departing for good night sleeps, they tried on their jerseys on for the first time and we had the opportunity to take a more official first team picture.

Tuesday began early, as the team was scheduled to arrive at 6:45 a.m. to suit-up and catch the team van to the tryouts in Compton.  The team was very focused, prepping their gear, getting into their uniforms.  Our team documentarian/filmmaker and Grand Central Art Center current resident, Mickey Fisher, took the opportunity to interview team members to get their thoughts pre-tryouts.  When the team was ready, we met our van driver Rick and loaded the team van for departure.  We would like to THANK Stacy Wilkerson at Gold Coast Tours for all her assistance in helping us schedule a van on such short notice (as we mentioned previously, we just met Adam for the very first time at the Open Engagement Conference in Portland, OR.  On May 19, 2012, he first told us his idea for the project and we agreed to help him realize it).  Stacy, and our driver Rick, were a true pleasure to work with through this project.   And as it turns out, Rick’s brother is a major league scout for the San Francisco Giants, so we got to talk some baseball during the drive north to Compton.

We arrived at the MLB Urban Youth Academy, where Rick drove us right up to the main entrance with VIP service.  As most other individuals were there solo, you could tell immediately, coming as a team was drawing some attention.  The Cut-Off Men, with their team jerseys and van, created quite the buzz!  We could hear other attendees speculating out loud – “who is this team with such a dominant presence?”  The team listened up as instructions for the beginning of the day were delivered and waiver forms were handed out to over 500 individuals there to tryout.  So, like all the others, the Cut-Off Men filled out their forms and waited for further instructions.  Before things got too crazy, our documentarian/filmmaker Mickey took the opportunity to do a few more interviews with the wonderful backdrop of the ballpark.

Pitchers and catchers were instructed to go to one field, infielders and outfielders instructed to go to another.  For the pitchers, they were divided up by those who had previously played in the majors, those currently playing college ball or had played in the last year; and those who were playing in amateur leagues or hadn’t played recently.   On the opposing field, each position player formed into separate lines to receive their numbers.  Once the numbers were assigned, each position was called over by grouping to run their 60 yard dashes against the clock and one opponent.  The pitchers weren’t required to do the run, but more on their requirements later.

As the running continued, the position players on the team had a chance to warm-up their arms and stretch a bit, before all were told to head to the opposing field.  While the fielders had been running the 60 against the clock, the pitchers were showing their stuff on the mound.  The scouts didn’t tell the attendees directly, but it was clearly over heard from the viewing area –  righties that couldn’t throw at least 95mph weren’t being looked at, and lefties that could hit 88mph and had some movement would be considered.

Meanwhile, the position players were once again divided into outfielders and infielders, with infielders being separated further – second base, shortstop and third basemen in one area; and first basemen in another.  The outfielders were up first. Each was required to field fly balls, line drives and grounders, then give their best attempt to test their arms by throwing those fielded balls to a catcher behind home plate. If the scouts like what they saw on the first three attempts, the players would get a bonus ball.  Our only teammate trying out for outfield was Adam, so all eyes were on him.   As the Grand Central Art Center team looked on, Adam proceeded to make two great catches and charged to field one fast grounder.  He then threw each ball, with a gun of an arm, on a fly, straight into the catchers glove.  In an actual game, each of Adam’s throws would have been the perfect opportunity for the out at home.  So perfect was Adam’s fielding and throws, that he received a bonus ball, which he fielded to the same perfection!  With that complete, Adam was able to relax a bit and take in some of the action.

Next, the opportunity for the infielders to show their stuff.  The Cut-Off Men had the left infield covered, with the majority of the teammates playing shortstop and third base, and one trying out for second base.  Our guys looked great out there, fielding their grounders cleanly, charging those balls rolling fast on the infield grass and gunning their throws to first base.  There was a lot of confidence and pride on the field, and the Cut-Off Men proved they knew their way around a diamond.

After all second, shortstop and third base players had their opportunity to show their stuff, it was time for the first basemen skills to be tested.  As the Cut-Off Men were fielding no first basemen, this meant a little downtime, more bonding, sharing of experiences and lunch for the team.

The break didn’t last that long before all players were summoned to the infield for the announcement of who made the cut.  Of the 500 plus players in attendance, it was made clear at the beginning of the day, “dreams would be crushed.”  They were going to announce 40 numbers, which would be of the players who would move forward to play a simulated game on the field. They also made it clear that, of these 40 players, maybe one or two might be approached by a MLB scout at the event with a possible contract offer.  By the end of the announcement, it was clear that it was not the day for the Cut-Off Men; no one for the team would be making it to the big show.

These are the Cut-Off Men!  They are a team and they stand together with pride!  They were there supporting one another, bonding and talking about finding another nine guys who might be interested in a pick-up game.  They were making plans to play a game together this coming weekend.  They gave it their all and left everything they had on that field.  They were proud and able to hold their heads up high, knowing they had just experienced something together that no one could ever take away.

The team spent a few more hours taking in the remainder of the tryouts, watching young recruits give it their all in the hopes of making the next cut.  They shared stories from their  experiences – “the scout told me I was throwing in the mid-80s, which I could hardly believe I still had in me.  Then he told me I had two things going against me, my age and my velocity.”  Team members talked about the guys that they met throughout the day, those on the field with similar hopes and dreams.  It also provided the opportunity for documentarian/filmmaker Mickey to take some iconic shots to add to his footage.

As the tryouts were wrapping-up, we had an amazing chance encounter.  Yes, it was Major League Baseball scouting legend Phil Pote.  You know, the guy with a cameo in Moneyball that asks “Who’s Fabio?”  He is much more famous than that, as he’s been involved with Major League Baseball for over 50 years!  We struck up a conversation by asking whom he thought from today might make it to the big show, and through his answer he pointed at Adam and Erik and said, “you and you.”  OK, first he said that he doesn’t have a crystal ball and has no idea who might make it, since there are so many factors.  Then he said he could just look at guys and say “you and you”, but there is no guarantee.  He asked about our team name and Adam shared the project, talking about Social Practice and the community team he had built.   Phil was enthusiastic about the project and talked a bit of art with us, then told us how he had been playing in Major League Baseball all these years waiting for his acting career to take off.  He shared his amazing screenplay ideas and asked Adam to send him documentation and writing on the project when it was complete.  He handed us all his business card which has a giant “S” logo and reads: Seattle Mariners, Phil Pote, Advisor – Scout.  He introduced us to Ike Hampton, the Manager of the MLB Urban Youth Academy, who also played in the majors as a catcher for the New York Mets (1974), and later California Angels (1975-79).  If you get the opportunity, we highly recommend a trip out to Compton for a visit to the MLB Urban Youth Academy.   It is an outstanding facility and incredible service to the community!  Adam presented both Phil and Ike with a Cut-Off Men signed ball, before Ike had to get back to business.  Phil spent more time with us, as we proceeded to talk baseball with him for another 30-minutes.  His love and knowledge of the game was contagious, and his desire to keep the respect in the game was truly admirable.  Pete should be in the National Baseball Hall of Fame and Museum in Cooperstown!  As we wrapped things up, Phil said good bye by giving each of us a high-low-head-on fist bump, then jumped in his car and drove off.  Rick had arrived with the team van, so  it was time to load everything up and head back to Grand Central Art Center.

Upon arrival back at the team clubhouse, a little surprise was in store.  The team planned it perfectly, with Adam asking GCAC Director/Chief Curator John Spiak if he could see the photo we took with Phil Pote’s again.  As soon as Adam had the phone safe in hand, Abraham proceeded to provide Spiak with the traditional post game/victory drenching.  As there was no Gatorade or water cooler, water in a small trashcan would have to do.

It was time for the post tryout team dinner with family and friends.  We headed over to Memphis at the Santora for a celebration and hearty meal with a southern twist.    The dinner also provided an opportunity to celebrate Cut-Off Men Steven’s 25th birthday.  We sang out loud and shared in the glorious day.

Following dinner, we headed back to the clubhouse for the scheduled 7 p.m. press conference.  There, we met with the team from CTV3, who interviewed Adam.  They then handed the microphone to him so he could conduct interviews with his team.  Adam asked about the days experiences – What had been gained?  What had been learned?  How they were feeling?  The CTV3 team will share the coverage link of the story when it’s online, and we will share it with you!

As the team began to change out of uniforms and wind down their day, visitors entered the clubhouse and inquired about the project, including local Santa Ana CSI police officer and photographer, Leonard Correa.  It was at that moment we were able to shift the sports conversation, one which we had so carefully protected over the past three weeks, to a conversation about art.  We had been sharing the art conversation among the artist, his teammates and the GCAC staff over that same period, but publicly we only talked baseball.  Adam explained the workings of Social Practice, the relationships between the teammates and artist, the relationships between the world of baseball and the world of art.  They understood perfectly and shared their insights.  We had a fantastic exchange that included everyone, then we presented each visitor with an autographed team ball.  It was a perfect way to end such an outstanding experience!

So we know you are now asking, just how does this project relate to the workings of Social Practice?  What are the relationships between the teammates and artist? Are there really relationships between the world of baseball and the world of art?  Ponder that for a few days!  We’ve gone on too long with this post already, so we’ll share it in another entry to be posted soon.

The Cut-Off Men film can now be viewed online at: https://grandcentralartcenter.wordpress.com/2012/07/02/the-cut-off-men-filmdocumentary-now-online-for-viewing/


Baseballs Have Arrived – Ready for Signing & Dutch Treat Dinner @ GCAC

June 7, 2012

There was an easy joke here, but we didn’t go there…

Yes, the baseballs have arrived for our official team Baseball Signing / Dutch Treat Dinner event this coming Monday, June 11 beginning at 7pm.  The dinner is in conjunction with Adam Moser‘s Social Practice Residency here at Grand Central Art Center. Details at: https://grandcentralartcenter.wordpress.com/2012/06/04/invitation-to-dutch-treat-dinner-ball-signing-june-11-%C2%AD-please-join-us/

The public is invited to join us and the first 50 individuals to arrival will receive a free autographed ball signed by the entire team.  But remember, if you’re not on the team, you must pay for your own dinner.

For more details on the project or to become a member of the team that will officially tryout for Major League Baseball, visit: https://grandcentralartcenter.wordpress.com/2012/05/30/dream-of-playing-in-the-major-leagues-mlb-join-gcac-artist-in-residence-adam-moser-and-tryout/

The Cut-Off Men film can now be viewed online at: https://grandcentralartcenter.wordpress.com/2012/07/02/the-cut-off-men-filmdocumentary-now-online-for-viewing/


Invitation to Dutch Treat Dinner / Ball Signing – June 11 -­ Please Join Us!

June 4, 2012

Please join us for a…

DUTCH TREAT DINNER / BASEBALL SIGNING
with artist/athlete
ADAM MOSER
Monday, June 11 @ 7pm

IZALCO SALVADORIAN CUISINE
300 W. 5th Street
Downtown Santa Ana, CA 92701(SW corner of 5th and Broadway)

Artist/Athlete Adam Moser is the current Grand Central Art Center Social Practice artist in residence.  Moser will realize his lifelong dream of playing in the big leagues by trying out for Major League Baseball (MLB), and has invited members of our community to join his team.

We invite you to join us and the team for a Ball Signing and Dutch Treat Dinner on June 11.  The first 50 people will receive an autographed baseball, signed by the entire team.

More details on Moser’s project and residency can be found on the GCAC blog:
https://grandcentralartcenter.wordpress.com

PARKING:
Car Parking on 3rd Street (structure @ Sycamore)
Additional Structures @ 4th St. & Spurgeon and 3rd St. & Birch St.
Surface Lot @ 3rd St. & Bush St.

ARTIST IN RESIDENCE IN SOCIAL PRACTICE:
More details on the Grand Central Art Center Forward Vision and Artist in Residence program can be found on the GCAC blog:
https://grandcentralartcenter.wordpress.com/2012/05/24/open-engagement-aam-social-practice-and-a-forward-vision-grand-central-art-center/

ABOUT DUTCH TREAT DINNER:
DUTCH TREAT DINNER is an opportunity to build new connections, reconnect with those you know and develop a stronger community of creative individuals.  Unlike a gala or formal dinner event, DTD has no set menu, ticket price or seating arrangement – you order straight from the standard menu, attend for free and sit with those you wish.  Individuals attending are responsible for their own dinner bill, hence the name DUTCH TREAT DINNER.

There is no pressure – you eat and drink what you order and can afford.

HISTORY OF DUTCH TREAT DINNER:
Dutch Treat Dinner was conceived originally in 1999 by John D. Spiak and artist Cyndi Coon in Tempe, Arizona.  The dinners have taken place at random locations and random times ever since.

RSVP
Please send me an email RSVP with number of individuals planning to attend Dutch Treat Dinner with you.  This will allow us a count to provide Izalco in advance, so they can be best prepared for our arrival.

Thanks and look forward to seeing you at the Dutch Treat Dinner!

The Cut-Off Men film can now be viewed online at: https://grandcentralartcenter.wordpress.com/2012/07/02/the-cut-off-men-filmdocumentary-now-online-for-viewing/