SUPPORT GRAND CENTRAL ART CENTER FOR THE HOLIDAYS + 10% HOLIDAY DISCOUNT!

December 6, 2012

In celebration of the holiday season, print a copy of the first page of this post or show an image of this post on your mobile device at the Grand Central Art Center Gallery Store for a 10% discount on your next purchase, now through January 31, 2013.

 

SUPPORT GRAND CENTRAL ART CENTER FOR THE HOLIDAYS

Make a contribution online today to support continued success and engaging outreach throughout 2013!

https://www.fullerton.edu/foundation/gift/form.asp?Appeal=8GJ00/CSFPF&fund=Grand%20Central%20Art%20Center%7C40003

 

All proceeds will directly benefit our activities, allowing Grand Central Art Center the opportunity to work with artists in developing more exhibitions, residencies, programs, events and lectures for our communities. As the projects develop, we will continue to keep you informed and provide you invitations to all exciting activities.

 

Please donate $10 or more today!  Support our effort and contribute what you can. 

We’ve made it easy to DONATE NOW through our simple and secure online CSUF GCAC form:

 https://www.fullerton.edu/foundation/gift/form.asp?Appeal=8GJ00/CSFPF&fund=Grand%20Central%20Art%20Center%7C40003

  

gcac22

  

THANK YOU FOR YOUR SUPPORT IN MAKING 2012 A SUCCESS FOR GRAND CENTRAL ART CENTER.

Grand Central Art Center quality exhibitions, programs and outreach are made possible through the generous support of individuals like you.

 

 

GRAND CENTRAL ART CENTER HIGHLIGHTS FROM 2012 

CURRENT EXHIBITIONS:

Brent Green: To Many Men Strange Fates Are Given

http://grandcentralartcenter.com/ArtGallery_gcartgallery.php

 

Sean C. Flaherty: An Overture in Parts

http://grandcentralartcenter.com/ArtGallery_Project.php

 

CSUF Students Ceramic and Glass Exhibition and Sale

http://grandcentralartcenter.com/ArtGallery_Rental.php

 

EXHIBITIONS:

Tony de los Reyes: Border Theory

http://grandcentralartcenter.com/ArtGallery_gcartgallery.php?id=389

 

Naida Osline: All the Queen’s Men

http://grandcentralartcenter.com/ArtGallery_gcartgallery.php?id=382

 

Millard Sheets Studio: The Art of Home Savings and Loan

http://grandcentralartcenter.com/ArtGallery_Project.php?id=376

 

Here In Your Space: Guy Ben-Ner, Christian Jankowski and Gillian Wearing

http://grandcentralartcenter.com/ArtGallery_Project.php?id=378

 

The Cacophony Society: Zone Show

http://grandcentralartcenter.com/ArtGallery_gcartgallery.php?id=373

 

ISM: 10 Project

http://grandcentralartcenter.com/ArtGallery_gcartgallery.php?id=383

 

Constantin Hartenstein: Event Horizon

http://grandcentralartcenter.com/ArtGallery_Project.php?id=386

 

Erin Morrison: Meditative Action

http://grandcentralartcenter.com/ArtGallery_Rental.php?id=393

 

Imaginary Realism: Works on Paper

http://grandcentralartcenter.com/ArtGallery_Rental.php?id=380

 

Camilla Taylor: The Disagreement

http://grandcentralartcenter.com/ArtGallery_Rental.php?id=381

 

ARTISTS IN RESIDENCE:

Jules Rochielle

https://grandcentralartcenter.wordpress.com/2012/04/19/field-report-from-artist-residence-jules-rochielle/

 

Brent Green

https://grandcentralartcenter.wordpress.com/2012/10/18/mat-gleason-brent-green-dan-cameron-kip-pastor-ruben-dario-gcac/

 

Adam Moser

https://grandcentralartcenter.wordpress.com/2012/07/02/the-cut-off-men-filmdocumentary-now-online-for-viewing/

 

Constantin Hartenstein

https://grandcentralartcenter.wordpress.com/2012/08/27/season-opening-91-performance-recap-824-grand-central-art-center/

 

Clinton MacKenzie

http://www.macstudioartpdx.com

 

Sarah Luther

https://grandcentralartcenter.wordpress.com/2012/11/29/another-conversation-3/

 

Lisa Bielawa – 1st Site Visit, Project In Development

https://grandcentralartcenter.wordpress.com/2012/06/30/lisa-bielawa-artist-in-residence-site-visit-1-grand-central-art-center/

 

Paul Ramirez Jonas – 1st Site Visit, Project In Development

https://grandcentralartcenter.wordpress.com/2012/02/29/paul-ramirez-jonas-in-residence-for-site-visit/

 

 

COLLABORATIVE PROGRAM / PERFORMANCE HIGHLIGHTS:

Patchwork: Spring (May) and Fall (Dec) –

Coordinated with our tenant/collaborative partner The Road Less Traveled

https://grandcentralartcenter.wordpress.com/2012/05/29/weekends-are-active-grand-central-art-center/

 

Brent Green screening with live soundtrack performance of 

Gravity Was Everywhere Back Then – 

Collaboration with OC School of the Arts

https://grandcentralartcenter.wordpress.com/2012/05/14/another-active-weekend-grand-central-art-center/

 

Imagination Celebration – Collaboration with OC Arts

https://grandcentralartcenter.wordpress.com/2012/05/14/another-active-weekend-grand-central-art-center/

 

Blue Remix: Yann Marussich – Collaboration with LACE (Los Angeles Contemporary Exhibitions)

https://grandcentralartcenter.wordpress.com/2012/08/27/season-opening-91-performance-recap-824-grand-central-art-center/

 

Bulbo’s screening of Tierra Brillante (Brilliant Soil) – Collaboration with OC Film Fiesta and The Yost Theatre

https://grandcentralartcenter.wordpress.com/2012/09/18/keeping-active-gcac/

 

 

VIP VISIT:

Congresswoman Loretta Sanchez – 47th District of California

https://grandcentralartcenter.wordpress.com/2012/09/08/congresswoman-loretta-sanchez-47th-district-of-california-visits-gcac/

 

 

CONVERSATIONS SERIES:

Conversations #1: Gallery Artists

Tony de los Reyes, Deb Klowden, Sara Dehghan

https://grandcentralartcenter.wordpress.com/2012/10/09/we-love-our-csuf-and-santa-ana-communities/

 

Conversations #2: Public Art

Kent Twitchell, Margaret Bruning, Kevin Stewart-Magee

https://grandcentralartcenter.wordpress.com/2012/11/08/serving-students-of-our-cal-state-university-fullerton-community/

 

Conversations #3: Social Practice

Sarah Luther, Sara Deleiden, Cassandra Erb, Kimberly McKinnis

https://grandcentralartcenter.wordpress.com/2012/11/29/another-conversation-3/

 

PRESS COVERAGE:

ARTFORUM Critics’ Picks – Tony de los Reyes:  Border Theory

https://grandcentralartcenter.files.wordpress.com/2012/12/artforum_tony.jpg

 

Titan Magazine: Grand Central Art Center is a Cultural Hub For Santa Ana and Beyond

http://news.fullerton.edu/2012fa/grand-central.asp

 

OC Weekly – ‘Border Theory’ Shows the Line That Blurs

http://www.ocweekly.com/2012-10-04/culture/tony-de-los-reyes-border-theory-grand-central-art-center-santa-ana/

 

Visual Art Source – Naida Osline

http://www.visualartsource.com/index.php?page=editorial&pcID=26&aID=1248

 

Los Angeles Times – John Spiak Wants Grand Central Art Center to be Engaged Neighbor

http://articles.latimes.com/2012/mar/28/entertainment/la-et-john-spiak-fullerton-20120328

 

Cultural Weekly – Sean C. Flaherty’s Overture

http://www.culturalweekly.com/sean-c-flaherty-overture.html

 

OC Weekly – Best Public Art 2012: Millard Sheets Murals

http://www.ocweekly.com/bestof/2012/award/best-public-art-1326250/

 

 

We look forward to seeing you here!

Happy Holiday Season,

 

John D. Spiak

Director/Chief Curator 

Grand Central Art Center

a unit of Cal State University Fullerton’s College of the Arts

125 N. Broadway

Santa Ana, CA 92701

t. 714.567.7233

w. http://www.grandcentralartcenter.com

Blog. https://grandcentralartcenter.wordpress.com

fb. https://www.facebook.com/pages/CSUF-Grand-Central-Art-Center/44510429914


WE LOVE OUR CSUF AND SANTA ANA COMMUNITIES!

October 9, 2012

Weekends are busy at Grand Central Art Center and we have plans to keep it that way!

This past Saturday, we began our new series of panel and gallery talks to kick-off the Santa Ana Art Walk evenings.  At 5pm, we presented CONVERSATIONS WITH MASTERS: PANEL 1, a series of panels that place current Cal State University Fullerton MFA students working on degrees is specific medium or practice, in conversation with individuals currently successful in that practice, as well as in conversation with individuals who play a role in decision-making within that practice.

The first of this series focused on the practice of painting.  CSUF MFA in Painting, Sara Dehghan, lead the conversation with fellow panelists artist Tony de los Reyes (current GCAC exhibiting artist of Border Theory), and Deb Klowden Mann, owner of Gallery/KM in Santa Monica.  They talked about the current gallery structures, how to and how not to approach galleries in terms of representation, the struggles of post graduation for an artist, and much more.  The speakers were insightful, knowledgable and extremely generous through the conversation, setting the bar extremely high as this series continues.  The next panel is scheduled for Nov. 3 and will focus on the practice of Public Art, an announcement will be coming soon.  Thank you to Sara for preparing such fantastic lead questions and engaged follow-ups.  Thank you Deb and Tony for your time and energy, we know the audience truly felt rewarded.

At 6pm, we followed the panel with a gallery talk by GCAC exhibiting artist Erin Morrison, whose current exhibition Meditative Action is on exhibition in our Education Gallery.  Erin toured patrons through the exhibition, talking about each work in the show and sharing her insights into process, theory and vision for the overall work.  She shared insight into her current status as an MFA candidate at UCLA, her influences from both life and the artistic field, the growth of her current work, and her thoughts as the work moves forward.  A very inspiring talk, so please join us in thanking Erin for this opportunity to engage the work so deeply.

At the conclusion of Erin’s talk, it was time for the Art Walk activities.  The community joined us for the evening and the opportunity to see the exhibitions by Tony de los Reyes, Erin Morrison and the video installation Event Horizon by Constantin Hartenstein.  Many were on hand to see the exhibitions after reading the excellent review of Border Theory in the current edition of the OC Weekly.  We are thankful to Gustavo Arellano for such a positive review.

Along with the openings, we were joined onsite by individuals who are working with us to build an even stronger and healthier arts community.  Rebecca Tuynman and her team from Ryman Arts were on hand with a Wishing Tree drawing activity.  Grand Central Art Center and the CSUF College of the Arts have been in dialogue with Ryman over the past few month in development of a greater project, for which we hope to announce in the coming weeks, so please keep posted.

Claremont Graduate University Arts Management student Alē McGrew was here working on her cap-stone project, a semester long engagement research project involving Grand Central Art Center.  Alē is working with GCAC towards a better understanding of our audience, answering basic questions like:  Who is GCAC’s audience?  How does GCAC monitor and understand our audience behavior?  How does GCAC engage and cultivate their audience?  How can GCAC work to better serve our audience?  To date, the insights she has provided has been invaluable.

Saturday evening also marked opening weekend for this semesters Grand Central Art Center Theatre season.  Managed and programmed by CSUF’s Department of Theatre and Dance, the 85 seat black box theatre presents an outstanding series of programs annually.  The season kicked-off with a sell-out audience to Ordinary Day’s.  The musical will continue to run through October 20, so purchase your tickets now and find out about upcoming Grand Central Art Center Theatre offerings on the Department of Theatre and Dance website: http://www.fullerton.edu/arts/gcac/theatre.html

On Sunday, Grand Central Art Center hosted a Farmers Market community forum, organized and moderated by Delilah Snell of The Road Less Traveled.  A very diverse group of individuals came together to discuss the topic, past farmers markets in Santa Ana, structures that might need to be put into place to organize such a market, community groups whose voice should be at the table and the overall desire to get a Farmers Market in the Santa Ana community as rapidly as possible.  It was clear, there was true knowledge, diverse perspective and passion in the room, and it was wonderful to have the opportunity to receive such wonderful insight.  By the end of the meeting it was clear –  if we can all work together to put past issues aside and unite in positive ways, we can collectively create something amazing – that is what we at GCAC would love to see most of all. Then we believe the next step would be, a well organized, well respected, serving everyone, Farmers Market!  Thank you Delilah for making this happen and thank you to everyone who attended and provided feedback.

And throughout the day Monday, the sounds of drumbeats, piano, violin and clarinet are booming from our GCAC Theatre space, as artist in residence Brent Green and his collaborator Mike McGinley of Bitter Tears, work to develop and record the soundtrack for Green’s next feature film.  It is joyous and ambitious energy drifting through our walls, and we are so truly grateful to have these two extremely talented individuals among us.

Brent and Mike, along with Tim Rutili (Califone), Tim Hurley (Califone), Mike McGinley (Bitter Tears), Jacquelyn Gordon (artist), and Jim Skuldt (artist), will be performing the live soundtrack with Green’s feature length Gravity Was Everywhere Back Then this Friday, October 12 at 7pm.  The event is FREE TO ATTEND and is a collaborative presentation with the Orange County School for the Arts.  Complete details can be found on our blog at: https://grandcentralartcenter.wordpress.com/2012/10/04/brent-green-film-with-live-performed-soundtrack-oct-12-7pm/ 

WE LOVE BEING PART OF OUR CAL STATE UNIVERSITY FULLERTON AND SANTA ANA COMMUNITY!!!


Thank You for Celebrating with GCAC!

September 5, 2012

We would like to thank everyone who joined us at Grand Central Art Center this past Saturday night to celebrate the 2012-2013 Season Opening Reception.

Martin Durazo, Claudia Huiza, Mary Leigh Cherry, Tony de los Reyes, John Spiak, Nancy Popp, Deb Klowden Mann

It was a wonderful evening celebrated by friends of GCAC, both long time supporters and individual’s visits us for the very first time.

Patrons enjoying Tony de los Reyes exhibition.

Along with the three exhibiting artists, Tony de los Reyes, Constantin Hartenstein and Erin Morrison, we were joined by many institutional colleagues for the successful event, including: Sarah Bancroft, Orange County Museum of ArtJulie Lee, Bowers Museum; Jocelyn Tetel, Skirball Cultural Center; Tyler Stallings, Sweeney Art Gallery at University of California, Riverside; Leslie Ito, California Community Foundation; Cassandra Coblentz, Independent Curator; David Michael Lee, Coastline Community College Art Gallery and Chapman University Collection; gallery owners Mary Leigh Cherry of Cherry and Martin Gallery in Culver City and Deb Klowden Mann of Gallery KM in Santa Monica; writers/critics Liz Goldner, Julie Friedman, Bill Bush; numerous collectors and patrons; plus outstanding artists including:  Nancy PoppMatthew Moore, Carrie Marill, Martin Durazo, Micol HebronLG Williams, Nobuhito Nishigawara, upcoming GCAC Artist in Residence Saskia Jorda, among many others; and students and educators from across southern California.

LG Williams, Julia Friedman, Erin Morrison, Saskia Jorda, Matthew Moore, Carrie Marill, Mary Leigh Cherry, Tony de los Reyes, Bill and Inez Bush

If you missed the evening, we invite you to visit Grand Central Art Center in the coming weeks to see these three remarkable exhibitions for yourself.  We also thought you might enjoy a few more images of the reception activities below.

The evening also included the opportunity to visit CSUF MFA Grand Central Art Center residents who opened their studio spaces to the public for the evening.

Patrons enjoying the studio and artwork of CSUF MFA student and GCAC resident Sara Dehghan.

Patrons enjoying the studio and artwork of CSUF MFA student and GCAC resident Sara Dehghan.

With the season kicked off, we are now focused on our community, educational and outreach programming.  Many announcements will be made in the coming weeks, so keep posted as additional programs and events are confirmed.

The first day of the official new season started on the right note, with a day long visit to Grand Central Art Center, arranged by Joe Forkan, Associate Professor of Foundations and Drawing, for his California State University Fullerton MFA and BFA drawing and painting students.  Joe spent quality time with his students talking about the light qualities of Southern California, encouraging them to view the world in person instead of through a lens, and explaining how to create depth within a work of art.  He used his skill to demonstrate his thoughts on canvas, sharing with his student’s techniques that this skilled artist uses in his own outstanding work.  With this shared knowledge, the students dispersed across the Grand Central Art Center 2nd Street Promenade and began to create their own works, capturing elements of the downtown Santa Ana urban landscape.

Joe Forkan’s CSUF Class

Joe Forkan’s CSUF Class

Joe Forkan’s CSUF Class

This is the environment in which Grand Central Art Center exists and thrives.  It is a balance of education, outreach, shared experience and inspiration for our CSUF campus, GCAC Resident, Santa Ana, Orange County, national and international communities through contemporary art.  It bridges generations, cultures, ethnicity and gender, celebrating the diversity in humankind – developing programming that connect us with one another and help us to understand the world around us in deeper and more meaningful ways, through exhibitions – artist in residence, public programs and engagement.

We look forward to having you connect with us!


Season Opening (9/1) & Performance Recap (8/24) @ Grand Central Art Center

August 27, 2012

It’s starting, the kick-off of our 2012-2013 season of exhibitions, programs and engagement at Grand Central Art Center.  With our new Director arriving last September 6, it has been a year in transition.  We have been busy the past 12-months developing a season that kicks-off September 1st from 7-10pm, with a free Season Opening Reception of three new and exciting exhibitions – Tony de los Reyes: Border Theory; Constantin Hartenstein: Event Horizon; and Erin Morrison: Meditative Action.

Tony de los Reyes: Border Theory

Constantin Hartenstein: Event Horizon

Erin Morrison: Meditative Action

Actually, we kicked-off the season a little early, with a pre-season performance last Friday, August 24.  Through the generous support of swissnex San Francisco, the Swiss Arts Council Pro Helvetia, the City and Canton of Geneva, and a collaborative partnership with LACE (Los Angeles Contemporary Exhibitions), we presented Yann Marussich’s Bleu Remix, with sound performance by Steve Roden and Glenn Bach.  The evening provided a unique opportunity to experience this Swiss artists intriguing work.

Bleu Remix, Yann Marussich. Photo Credit: Maxwell Rivas

Current CSUF students, LACE Director Carol Stakenas, Allen Moon of David Lieberman Artists’ Representative, UCR Sweeney Art Gallery Associate Curator and ARTSblock educator Jennifer Frias, among many others, attended the performance. Joanna Roche, Professor and Program Coordinator of Art History at California State University, Fullerton, sent, via email to Grand Central Art Center, a wonderful thank you that included an unsolicited text regarding her experience which she has given us permission to share:

Bleu Remix, Yann Marussich. Photo Credit: Maxwell Rivas

“It is with great intention and little pretension that Yann Marussich chooses blue for his performance. In Bleu Remix, Marussich reclines motionless within his heated box, sometimes staring, sometimes with eyes closed, exuding blue. Steve Roden and Glenn Bach’s sound performance Friday night at the Grand Central Art Center was the aural partner to Marussich’s body. Roden and Bach’s sound activates us within the space of the gallery, moving with us around the clear box that contains the artist. But the sound, like the artist’s body, takes us to another place. I’m not sure where it is, but it’s an intense, yet deeply still dimension. I guess it’s a blue place…

Steve Roden and Glenn Bach – Sound Performance

After his 45-minute performance, I asked Yann if his choice of blue was linked to sadness or melancholy (lamentation was a feeling I couldn’t escape watching tears of blue roll from lids to cheeks to chest in two blue streams into the pool of his navel). “No sadness, only presence—just for you [his audience],” he replied with a smile that revealed pale blue teeth. Yann Marussich’s body in Bleu Remix is not the “blue skin of cold,”[1] but a hot blue offering of self and sweat and sincerity.”

Joanna Roche
Professor and Program Coordinator, Art History
California State University, Fullerton
August 24, 2012

[1] For lovers of blue, read William Gass’s On Being Blue: A Philosophical Inquiry (Boston: Godine, 1976), 29.

Bleu Remix, Yann Marussich. Photo Credit: Maxwell Rivas

The evening was capped off with a wonderful dinner at local eatery Memphis at the Santora, where the artist, his family and his team, the sound artists, swissnex San Francisco team, and individuals from LACE, joined us for conversation and talk of future collaborative opportunities.

Dinner @ Memphis

As you will see from the 2012-2013 Exhibition / Program Schedule, this energy will continue throughout the upcoming year.  We have planned a quality and diverse season that will continue to provide inspiration and engagement for our communities – including CSUF students, faculty and staff; our Santa Ana community; and our contemporary arts communities locally, regionally, nationally and internationally.  We will be collaborating with a wide range of community partners, from the Santa Ana Public Library, the Grain Project, MKE<->LAX, Quinceañera Magazinebulbo (Tijuana/Los Angeles), OC Film Fiesta, among many others.

We look forward to seeing you here at Grand Central Art Center throughout the year and especially this Saturday, September 1st, as we invite you to celebrate with us.  It should be a wonderful evening among friends, colleagues, students and community, and a fantastic way to begin the new season!


SEPTEMBER 1ST, 7-10pm – SEASON OPENING RECEPTION @ GCAC!

August 24, 2012

GRAND CENTRAL ART CENTER INVITES YOU
TO JOIN US FOR OUR
FREE SEASON OPENING RECEPTION
Downtown Santa Ana, CA

SEASON OPENING RECEPTION
Saturday, September 1 from 7-10 p.m.
FREE

Tony de los Reyes: Border Theory
http://grandcentralartcenter.com/ArtGallery_gcartgallery.php
September 1 through November 14, 2012
The Border Theory paintings combine two “orders” – abstract painting and the border that separates Mexico and the United States. Their relationship concerns components that are inherent in each: the demarcation of space through a conceptual framework, and its resulting material manifestation. Both systems rely on a combination of organic and inorganic materials and processes. The border itself can be addressed as site of politicized abstraction. It also utilizes specific materials and processes to organize otherwise incoherent space.  The Rio Grande, a geological, natural boundary that dominates the eastern portion of the border, turns abruptly into a geometric bifurcation on the western half of the border. This push and pull of “landscape” and “border,” which is inherent in topographical mapping, also happens to be the most significant occupation of abstract painting.  This solo exhibition will mark the premiere of de los Reyes new body of work.

Constantin Hartenstein: Event Horizon
http://grandcentralartcenter.com/ArtGallery_Project.php
September 1 through October 14, 2012
Grand Central Art Center Artist in Residence, Constantin Hartenstein (b. 1982, Herzberg, former GDR), is an installation and video artist living and working in Berlin and New York. His works deal with personalized appearances of spaces within the context of displacement, settlement and fast forward consumer culture.  During his residency, Hartenstein will create new work that will be presented in a solo exhibition.

Erin Morrison: Meditative Action
http://grandcentralartcenter.com/ArtGallery_Rental.php
September 1 through October 14, 2012
Morrison’s recent body of work is a culmination of paintings ranging from what some might consider surrealistic landscape to magic realism, with slight experimentation in minimalism. The intent of the work is to reach beyond the dictum of paintings history through the categorization of genre, and to explore the identifiable borders established by the institution of studio practice. They portray a sense of loss or misunderstanding, as well as a feeling of upheaval, revealing the displacement that comes with living a somewhat nomadic life.
A complete list of exhibitions, artists in residence, events and educational programs can be found online at the following address:
https://grandcentralartcenter.wordpress.com/2012/08/08/2012-2013-exhibition-program-schedule-grand-central-art-center/ 

To support exhibitions and programs of California State University Fullerton’s Grand Central Art Center, please donate now online or contact Grand Central Art Center directly by calling 714.567.7233. 
https://www.fullerton.edu/foundation/gift/form.asp?Appeal=8GJ00/CSFPF&fund=Grand%20Centra%20Art%20Center%7C40003