Successful “Burial” of the Time Capsule!

July 14, 2014

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Grand Central Art Center held a time capsule “burial” event and reception this past Saturday, July 12th, in association with artist Daniel Tucker’s GCAC artist in residence project Future Perfect: Time Capsules in Reagan Country.

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Daniel was joined during the day by Los Angeles based filmmaker Emily Forman, who was there at the ceremony to help document the event and individual interviews, and GCAC Director John D. Spiak, who assisted with the “burial” of the capsule.

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The artists overall project was inspired from a speech by former US President and then California State Governor, Ronald Reagan, as he was Addressing the Republican National Convention in 1976, encouraged individuals to look toward the future.

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The ten year Santa Ana Time Capsule is a collaboration among the community, artist, GCAC and Santa Ana Public Library’s History Room, organized by Daniel and library archivist Manny Escamilla. Members of the community were encouraged to attend the event and contribute items to the time capsule they felt helps to answer the question “What is Santa Ana like in 2014?”

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In Daniel’s research, he discovered that many time capsules are buried, and then become forgotten. In an attempt to prevent this from happening, instead of an actual burial, it was decided that the capsule would be hoisted in a more publically visible space of the Grand Central Art Center where it will remain for the next ten years. The capsule is secured with three individual locks, with the artist, library and GCAC in possession of the keys to an individual lock. In the year 2024, all three keys will be brought back together, the capsule will be lowered, each of the three locks removed by their responsible individual, and the contents revealed at a public ceremony.

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We look forward to having you join us at GCAC in 2024 as we come together to celebrate the time capsule!

Daniel is in the process of editing a film documenting his research, process and travels during his GCAC artist-in-residence, as well as a publication with critical writing from multiple perspectives, so we will keep you posted as these develop.


Andy Warhol Foundation Awards GCAC $100,000

July 2, 2014

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Grant to support Grand Central Art Center
Artist-in-Residence Program

Santa Ana, California, July 1, 2014 – Cal State Fullerton’s Grand Central Art Center has been awarded a $100,000 grant (over two years) from The Andy Warhol Foundation for the Visual Arts to support its artist-in-residence program.

“It is an honor for Grand Central Art Center to receive funding support from this important foundation that continues to focus its resources on forward-thinking institutions, initiatives and artists,” said GCAC’s Director and Chief Curator, John D. Spiak.

The Warhol Foundation’s grant making activity is focused on serving the needs of artists by funding the institutions that support them. Grants are made for scholarly exhibitions at museums; curatorial research; visual arts programming at artist-centered organizations; artist residencies and commissions; arts writing; and efforts to promote the health, welfare and first amendment rights of artists.

GCAC’s artist-in-residence program is artist driven, with a focus on discovery, creative process and relationships through collaborative and socially engaged practices. “The generosity of The Andy Warhol Foundation’s financial support provides the opportunity for the Grand Central Art Center to continue forward momentum for the artist-in-residence program, empowering artists to realize their visions,” Spiak said.

Residency lengths are determined on a project-by-project basis. GCAC residencies to date have lasted from three weeks to longer than a year, including the ongoing project by Cog•nate Collective (Amy Sanchez and Misael Diaz) currently moving into year two. Residencies are not required to occur on-site, but provide the openness and opportunity for projects to be realized at off-site locations throughout the community, region and beyond.

GCAC presently is partnering with Social Practices Art Network (SPAN) on a new podcast series. Carol A. Stakenas, SPAN curator, will be interviewing artists and collectives that are participating in GCAC’s artist-in-residency program, with numerous conversations from the time artists are invited through the completion of their residency. This project is dedicated to capturing and cultivating creative voices in the field to deepen critical understanding and share methodologies.

Artists confirmed to realize projects through an artist-in-residence with Grand Central Art Center include: Lisa Bielawa, Paul Ramirez Jonas, Aida Šehović, Joseph Delappe, and Vincent Goudreau.

Presently in residence/exhibition, through her Wild Times off-site journey on the Pacific Crest Trail, is artist Susan Robb. Upcoming artist-in-residence event activities include: Daniel Tucker‘s ongoing project Future Perfect: Times Capsules in Reagan Country, returning July 11-13 to present a time capsule ceremony in collaboration with the Teen Program of the Santa Ana Public Library; Heather Layton and Brian Bailey’s ongoing project 59 Days of Independence, returning August 8-17 to present a project in collaboration with students from Orange County School of the Arts, Orange County Pakistani Parents Association, and youth in Pakistan via Skype – with materials presented in Spanish, English, and Urdu.

About Grand Central Art Center
Established in 1999 as a joint venture with the City of Santa Ana, Grand Central Art Center, a unit of California State University at Fullerton’s College of the Arts, is dedicated to the investigation and promotion of contemporary art and visual culture: regionally, nationally, and internationally through unique collaborations among artists, students and the community.

The Grand Central Art Center Artist-in-Residence program provides a dedicated apartment and studio to creative individuals through the invitation of the center’s director/curatorial team. The current emphasis of the residency program focuses on artists working in social engaged practices. GCAC residencies provide time and space away from one’s normal work environment and community, creating the opportunity for expanded collaboration, exchange, growth, resources, knowledge and discovery.

MORE INFORMATION ON GRAND CENTRAL ART CENTER CAN BE FOUND AT GRANDCENTRALARTCENTER.WORDPRESS.COM


Video, Images and LA Times Review of Santa Ana Sites #5: Steve Roden

June 20, 2014

On the evening of Saturday, June 14th, GCAC presented the fifth performance in our Santa Ana Sites series, with a sound performance by artist Steve Roden.

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The evening began with a reception at Downtown Santa Ana’s Q Art Salon, hosted by Jose Quant and Shell Martin. Guests gathered and connected with one another at this pre-event mixer.

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At 8:15pm, GCAC Director/Chief Curator and Sites Co-Founder John D. Spiak led guests, downstairs, down the street the a historic law building and a parking lot in front of roll-up gate leading to an underground parking area. When all had arrived, the gate was opened and guests made their way underground, where they then entered another space – that of a subterranean racket ball court located beneath the law building owned by Dennis Dascanio, who generously allowed GCAC use of the space for the evening.

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There, guests were greeted by Sites Co-Founder and Artistic Director Allen Moon and were introduced to Steve Roden for some brief pre-performance remarks.

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GCAC invited Steve to perform in the Sites series, as we admired and respect him for the constant risks he takes – through his painting, installation work, films and sound performances. He is always challenging himself and the audience, allowing access to those slight moments in life that we often forget, or don’t allow ourselves to experience or enjoy – the slight mark, the capturing of an actual shadow, an adjustment or shift of a tone. It is what Steve does best and what makes him such a remarkable individual.

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Over the course of his 5o-minutes performance, Steve didn’t disappoint, as he took the audience on a complicated sound journey – one that began with sound bleed from a cumbia band performing for a wedding at a nearby banquet hall, first collaborating with those sounds, then making that background beat truly disappear as his own synthesized composition took center stage. Through his skillful use and knowledge of sound, Roden was able to successfully transport the audiences to a place outside the confines of the Downtown Santa Ana location, to a space of “elsewhere” that was unique to each of the 108 individuals experiencing this live performance.

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GCAC was fortunate to have in attendance Carolina Miranda of the Los Angeles Times, who wrote a wonderful review of the evening. capturing her own images and sound of the performance that she shares through text and slideshow, available through the following link:
http://www.latimes.com/entertainment/arts/miranda/la-et-cam-steve-roden-sound-art-santa-ana-20140617-column.html

We were also able to record video documenting some of the sound check with the artist during the afternoon set-up, so we thought you might enjoy it as well.

We would like to also acknowledge and thank Dennis Lluy, along with his team at The Yost Theater for their continued support of Santa Ana Sites. Through their in-kind generosity, they have loaned equipment that makes each Sites performance possible.

Lastly, we thank all those who attended and who continue to support Grand Central Art Center, Santa Ana Sites and our community outreach activities!

More information on the Santa Ana Sites series, including documentation of past performances, can be found online at:
https://grandcentralartcenter.wordpress.com/santa-ana-sites/


SANTA ANA SITES #5: STEVE RODEN – A Sound Performance – June 14

June 2, 2014

SANTA ANA SITES #5: STEVE RODEN
a sound performance

JUNE 14, 2014
7:30 – 8:15PM
PRE-PERFORMANCE RECEPTION / MIXER
*please arrive no later than 8pm

RECEPTION LOCATION:
Q Art Salon
205 N. Sycamore St.
Santa Ana, CA 92701

audience will be escorted to performance location

SEATING LIMITED, TICKETS REQUIRED, BUT ARE FREE TO PUBLIC
ticket information below

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Santa Ana Sites #5 presents an evening of sound performance by artist Steve Roden. Performing through the use of two analog modular synthesizers, Roden will continue the Sites approach of presenting work in unique Santa Ana spaces, activating a subterranean racket ball court located in the heart of Downtown Santa Ana.

Tickets are free but reservations are required – RSVP info towards the bottom of this page

Steve Roden is a visual and sound artist born in Los Angeles and living in Pasadena, CA. Roden’s practice includes painting, drawing, sculpture, writing, film/video and sound performance.

Since the late 1980’s, Roden has had numerous solo and group exhibitions internationally. recent solo exhibitions include: CRG Gallery, New York and Susanne Vielmetter LA Projects, Los Angeles. Group exhibitions include Silence at the Menil Collection, Houston, Texas and the First International Biennial of Contemporary Art of Cartagena, De Indias, Colombia.

Roden has performed his soundworks at various arts spaces and experimental music festivals worldwide including: Serpentine Gallery, London; San Francisco Museum of Modern Art; Walker Art Center, Minneapolis; DCA, Dundee, Scotland; Redcat, Los Angeles; Crawford Gallery, Cork, Ireland; as well as performance tours of Brazil and Japan. Recent performances include John Cage’s Cartridge Music with composer Mark Trayle at the Norton Simon Museum in Pasadena; a tribute to Rolf Julius at the Hamburger Banhof, Berlin; and performances at the Museum of Art, Strasbourg, France and The Rothko Chapel, Houston, Texas. Since 1993, Roden has released numerous cds under his own name as well as under the moniker “in between noise” on various record labels internationally.

Recently the artist has created numerous site-specific sound works for spaces such as MOCA at the Pacific Design Center in response to a group of paintings by Mark Rothko; the Henry Art Gallery at the University of Washington’s James Turrell Skyspace; the MAK Center for Art and Architecture/Schindler House in Los Angeles; a live collaboration with Stephen Vitiello in a room of 50 pieces of sculpture by Donald Judd at Chinati, Merfa, Texas; Daniel Libeskind’s Run Run Shaw new creative media centre building at City University of Hong Kong; a sound/sculpture/drawing installation for Thomas U. Walter’s 1848 building at Girard College, Philadelphia for the Hidden City Festival; and a permanent public artwork at Hayvenhurst Park, in West Hollywood, California.

This event is anticipated to be at maximum capacity with reservations required.

Reserve FREE tickets through email with name and requested number of tickets with a maximum of two tickets per guest to:
jspiak (at) fullerton (dot) edu

A reception at Q Art Salon will begin at 7:30pm, with guests being asked to arrive no later than 8:00pm on Saturday, June 14th.

 

ABOUT SANTA ANA SITES
Santa Ana Sites, an initiative of California State University, Fullerton’s Grand Central Art Center, presenting, in community partnership, contemporary performance in public and private spaces throughout Downtown Santa Ana.

The traveling forum is designed to provide the community shared artistic experiences, encouraging the discovery of diverse environments and architectural space.

Santa Ana Sites was founded by Allen Moon, Artistic Director/Community Partner and John D. Spiak, Grand Central Art Center Director/Chief Curator.

More information on the previous Santa Ana Sites can be found at:
https://grandcentralartcenter.wordpress.com/santa-ana-sites

 

SUPPORT
Santa Ana Sites #5 is made possible through the generous in-kind support of Dennis Dascanio, Jose Quant and Shell Martin, and Q Art Salon.


Recapping A Grand First Saturday – Hike / Gallery Talk / Reception / Art Walk @ GCAC!

May 7, 2014

Saturday, May 3rd, marked another successful first Saturday art walk! The monthly art walk event in downtown Santa Ana provides a night of open galleries and institutions, studios and street vendors, great live music and all the wonderful food of local restaurants. It’s always an enjoyable way to spend a southern California evening!

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The day kicked-off a little early this month as Fallen Fruit. Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work. David and Austin led a day hike with participant collaborators Sue-Na G., Stephanie Kern, Emily Lacy, Husam Salman, Sarah Shewey and Faith Purvey, to Deep Creek Hot Springs in the San Bernardino National Forest. Fallen Fruit’s project, Rainbow Day Trip, was organized as a collaborative program of Susan Robb’s project and exhibition Wild Times, currently on exhibition at GCAC.

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The group of Rainbow Day hikers joined Fallen Fruit on the adventure to become “trail angels,” an effort to connect with Pacific Crest Trail hikers for encouragement and inspiration along the 5-month journey from Mexico to Canada (more details on Wild Times below).

Here is the way Fallen Fruit describes how their preparation and adventure unfolded:

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“Prior to Saturday, each collaborator chose a color to embody for the day hike.  They thought about each color and what that color means in the world.  They thought about flavors, histories and songs.  They constructed characters based upon our individual research and imagination.

The evening before the hike we connected to fine-tune our characters collectively.  We told each other stories and made embellishments to our color characters.  We used feathers and spray paint, working out the details of each of our individual performances, which we would reveal as a color performances to the group the next day. At the trailhead, we geared up and embarked on our experimental day trip to perform all of the colors of the rainbow.   Rainbows don’t last forever; they are fragile and temporal like our group.  We became a visual spectrum of color and spanned an arc within a landscape we couldn’t capture except by photographs.

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The Rainbow Day Trip was a mind-body experience that constructed a narrative created by individual experiences that was group authored.  Each color performed in independent ways, as meditations, as series of declarations about each participant, completely in song and through silence.  We realized that colors are many things.”

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Back at GCAC, we kicked off our evening with a 6pm gallery talk by current exhibiting artist Julia Haft-Candell. Julia shared insights into the current body of work included in her solo GCAC exhibition Fast and Slow, on exhibition in the Project Gallery through May 11th.   The artist provided insight into her process, her philosophies on art making practice and her current career activities. It was an appreciative audience in attendance who asked great questions, engaging the artist in wonderful dialogue.

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As the official art walk began at 7pm, we opened the doors to our three galleries. The night marked the opening reception for Susan Robb’s Wild Times project. In mid-April, Robb embarked on a 5-month adventure from Mexico to Canada on the Pacific Crest Trail. Using the trail as a nomadic studio and her experiences as inspiration and medium, she is creating digital works—photos, videos, and 3D files— sending them to Grand Central Art Center where they will be displayed. Over the course of the 5-months, the exhibition will continue to grow through physical object, engaged programming and hands-on activities provided by Robb through the Wild Times website.

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Thanks to a generous donation by Microsoft, we have numerous Surface tablets connected in the space, as well as a Microsoft Perceptive Pixel (PPI) touch screen device, allowing patrons the opportunity to browse the current activities of Robb on the trail. The connection to the project website also allows for individuals to post their own responses and interactions with the project, adding a truly collective voice to the project and gallery space.

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Through our new Makerbot 3D printer, we are actively printing objects Susan is scanning along the way and transmitting back to us. The objects are being printed in color codes that indicate the altitude on the trail where the object was discovered and scanned by the artist. We printed three rocks on Saturday evening that became, and will remain, part of the exhibition.

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The exhibition space also contains an Epson large format printer, being used by GCAC to print 2D images Susan sends from her journey. After being printed, the photos are framed and become part of the overall installation. Over the course of the exhibition the photos will begin to hang layered upon one another, creating a topographic map extending out from the gallery wall. The images and installation will provide a sense of the terrain the artist has traversed to date.

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If you haven’t seen it yet, we thought you might enjoy reading the interview with Susan regarding her Wild Times project on the Creative Capital blog. Creative Capital is a major granter of this project. Here is the link: http://blog.creative-capital.org/2014/04/susan-robbs-wild-times

In addition to Grand Central Art Center, you have the opportunity to see elements and programs of Susan’s Wild Times project at collaborative venues including: Palm Springs Art Museum, Palm Desert, CA; 826 valencia, San Francisco, CA; Tacoma Art Museum, Tacoma, WA; Frye Art Museum, Seattle, WA; and Henry Art Gallery, Seattle, WA.

We are excited to be able to support and to be on this journey with Susan. We hope you will join us throughout the project, to engage with its programming and to support the artist as well!

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Miracle Report

Saturday marked the last week of Julia Haft-Candell’s Fast and Slow exhibition, as noted earlier, and the last week of the extremely successful and well received exhibition by artists Julianne Swartz and Ken Landauer, Miracle Report. If you haven’t yet had the opportunity to see these exhibitions, stop by this weekend, as both exhibitions are open through this Sunday, May 11, when we close at 4pm. Lots of wonderful restaurants here in Santa Ana, so it could be a great way to celebrate Mother Day.

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And the activities and outreach of Grand Central Art Center on Saturday evening were not limited to Santa Ana. Current GCAC artist in residence Daniel Tucker was busy with his own activities in Los Angeles as well. During his residence, Tucker has been developing a documentary project entitled Future Perfect – Time Capsules in Reagan County, dealing with the legacy of Ronald Reagan and the phenomenon of time capsule burials in California. As part of his residency, the artist has been traveling the entire state of California, visiting research libraries, Reagan related monuments and parks, and presenting talks at various locations and institutions. On Saturday night, Daniel was part of the group exhibition PRESENTS that opened at Commonwealth and Council in Los Angeles, which runs through May 24th. For his contribution to the exhibition, Tucker created the project The Preface to Future Perfect, a photography installation presenting materials from his ongoing research while in residence at GCAC.

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You would think all those activities would be enough to fill a weekend, and you would probably be right, but not for us here at GCAC. Sunday we welcomed back our ongoing artist in residence Lisa Bielawa, who is in town this week for a series of meeting, arranged through our Director/Chief Curator John D. Spiak, in the development of her upcoming GCAC project, a serial Opera titled Vireo. Lisa also had time to connect with our new GCAC Cal State Fullerton graduate assistant Amanda Leader, who is working on her Masters Degree in Music, Voice Performance with emphasis in Opera. Amanda has been an excellent addition to the GCAC team and will be helping manage major components of Lisa’s serial opera as Project Coordinator. We’ll provide you more details on this project as it progresses.

So stop by Grand Central Art Center and be part of the action, we would love to see you!


Video Documentation – Santa Ana Sites #4: wild Up at the Santora

March 18, 2014

SANTA ANA SITES #4:
WILD UP IN THE SANTORA
WITH LISA BIELAWA AND THE COLBURN CONSERVATORY

SANTA ANA SITES, AN INITIATIVE OF CALIFORNIA STATE UNIVERSITY, FULLERTON’S GRAND CENTRAL ART CENTER. PRESENTING, IN COMMUNITY PARTNERSHIP, CONTEMPORARY PERFORMANCE IN PUBLIC AND PRIVATE SPACES THROUGHOUT DOWNTOWN SANTA ANA.

THE TRAVELING FORUM IS DESIGNED TO PROVIDE THE COMMUNITY SHARED ARTISTIC EXPERIENCES, ENCOURAGING THE DISCOVERY OF DIVERSE ENVIRONMENTS AND ARCHITECTURAL SPACE.

VIDEO DOCUMENTATION CREATED BY STEVE METCALF: http://stevemetcalf.com/

CLICK HERE FOR ADDITIONAL INFORMATION ON PAST PROGRAMS OF SANTA ANA SITES


Grant / Residency Opportunity – A Social Practice Initiative of Living Resources and Grand Central Art Center

March 10, 2014

Living Resources & Grand Central Art Center Partnership

Developing Sustainable Practices within Affordable Housing Communities

A SOCIAL PRACTICE INITIATIVE

CALL TO CREATIVES

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PROJECT SUMMARY

Living Resources, a program of a California-based nonprofit organization, has teamed up with Grand Central Art Center (GCAC), a unit of the College of the Arts at California State University, Fullerton, in enlisting community-driven “Creatives” (artists, architects, social activists) to respond to a “Call” for proposals.

Specifically, the Creatives selected will be awarded a one-year opportunity to engage the residents in one of two affordable housing communities in Southern California and Phoenix, AZ to ignite social change through sustainable practices and programs. The Creatives selected – individual and or collective groups, will be given housing (or a housing stipend), a working stipend, and a small budget to execute their projects.

THE COMMUNITIES

The communities in which applications will be accepted for are as follows:

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Warwick Square Apartments, Santa Ana, Calif., a 500 unit family property where residents’ household income is less than 60% of median income adjusted for family size

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Whispering Pines Apartments, Phoenix, AZ, a 325 unit family property whose residents’ household income is less than 80% of median income adjusted for family size

WHAT IS LIVING RESOURCES?

Living Resources is an outreach program developed and funded by a nonprofit organization founded to promote the preservation and/or rehabilitation of affordable housing for low-income households. Living Resources provides support – financial or otherwise, to underserved individuals or other nonprofit organizations serving those in need.

WHAT IS GRAND CENTRAL ART CENTER?

Grand Central Art Center, a unit of California State University, Fullerton’s College of the Arts, is the result of a unique partnership between the university and the city of Santa Ana. Located ten miles south of the main campus in the heart of downtown Santa Ana, the art center is a mixed residential, commercial and educational complex. Grand Central Art Center is dedicated to the investigation and promotion of contemporary art and visual culture: regionally, nationally, and internationally through unique collaborations among artists, students, and the community. The art center is a 45,000 square-foot, half-city block deep and full city-block long, three-level structure with apartments, live/studio spaces for college of the arts graduate students, the Grand Central Gallery, the Project room, the Grand Central Theater, the Gypsy Den Café, an Education Gallery, classrooms, and studio and living spaces dedicated to the center’s international artist-in-residence program.

More information on GCAC can be found at: https://grandcentralartcenter.wordpress.com/

HOW WE CAME TOGETHER

A partnership between Living Resources and the GCAC germinated from a collaboration in which Living Resources funded an artist in residency program at GCAC, as well as have seeded other community-based artistic efforts to stimulate social change in many Southern California communities.

WHAT ARE WE LOOKING FOR?

We are looking for Creatives who seek to bring low-income people together at two affordable housing communities, in which the nonprofit is part owner, to share ideas and experiences, and stimulate social change within their communities. The Creatives role is to live and/or spend significant amounts of time with the people living there, get to know them, listen and lead the effort to stimulate change using their specific skillset and Social Practice approaches. Living Resources and GCAC seek a similar outcome – the Creatives leave the community a better place to live, with people more active in assuring the continuation of this positive change.

WHAT IS SOCIAL CHANGE?

In sociology, the term social change refers to any significant alteration in behavior patterns and cultural values. This type of change may have a lasting effect on a society’s culture that has undergone transformation. We are looking for Creatives to live within the community in an affordable housing apartment complex and ignite change within that community making it a better place to live, getting people involved, and leaving a lasting impression for generations to come.

What exactly the Creative and that community are seeking to change and how this is accomplished is where we turn to you, the applicant, to lay out a framework for specific projects and approaches to accomplishing your goals over a one year period of time. This framework would also include methods for measuring this impact during your residency and once you have concluded your time.

WHAT DOES THE RESIDENCY INCLUDE?

This is a one-year residency in which the Creative is provided housing at no cost, a stipend of $10,000, and a small project budget of $2,000 for the year. The Creative may also choose to work part of the time from an onsite resource center, as well have access to the property management staff onsite and the resource center coordinator’s time.

DEMOGRAPHICS OF AFFORDABLE HOUSING COMMUNITIES
Information related to each affordable housing community is available upon request.  Send email to: grandcentral@fullerton.edu

WHO IS ELIGIBLE TO APPLY?

Creatives must be:
• Individual artists or artist collectives
• A U.S. citizen or a permanent legal resident
• At least 25 years old
• A working artist with at least five years of professional experience
• Undergo a background (and credit check for living in residence at one of the affordable housing communities*)
• And have never committed a felony.
*To be eligible to live at the Santa Ana site, artists must qualify for affordable housing.   Artists can still do a project at the Santa Ana and not qualify for affordable housing, as it is not a requirement of the grant to live on site. The Phoenix site doesn’t have the same affordable housing qualifying requirement for living on site.

AWARD CALENDAR
Tuesday, March 11, 2014 – The Call will be released.
Friday, May 23, 2014 – Applications due, 11:59 p.m. PST.
Friday, June 27, 2014 – Awards Made.

WHAT NEEDS TO BE SUBMITTED TO APPLY? 

Living Resources & Grand Central Art Center Partnership
Developing Sustainable Practices within Affordable Housing Communities
A SOCIAL PRACTICE INITIATIVE

Call to Creatives

APPLICATION

Full Name(s)
Collaborative Information (if relevant)

Address
Phone Alternative Phone
Email Address
Website
Other Contact Information

On a separate document, please provide responses to the following questions.

Please describe your creative interests.

1. Please select which community you would like to work with.

Warwick Square Apartments (Family Affordable Housing Community; 500 units)
780 Lyon Street; Santa Ana, CA 92705

Whispering Pines Apartments (Family Affordable Housing Community; 325 units)
2601 North 36th Street; Phoenix, AZ 85008

2. What type of social change do you hope to bring about in that respective community? And, what are your goals of the proposed project? (Please provide a minimum of one page description on this question.)

3. How do you plan to go about at engaging the community to foster their interest and participation?

4. What plan do you have to bring about this change?

5. How do you plan to measure your impact on the community during your residency and what tools might you suggest post-residency?

6. What makes you qualified and the right person to be selected to initiate social change in this community?

7. Please describe some of your past work engaging community and/or leading social change.

8. What sets you apart from other applicants for this project?

9. Please provide samples of your work, if relevant.

10. Please attach a copy of your resume or CV.

11. Please provide three professional references.

WHEN IS THE APPLICATION DUE AND WHERE SHOULD IT BE SENT?

Applications should be submitted to arrive no later than 11:59 p.m. PST on Friday, May 23, 2014.

Submissions will be accepted through email (.PDF format only):

grandcentral@fullerton.edu

or by mail to the following address:

Grand Central Art Center
Attn: John D. Spiak
125 N. Broadway
Santa Ana, CA 92701

STILL HAVE QUESTIONS?
Please feel free to email any questions you may still have to the ATTN OF: John D. Spiak / grandcentral@fullerton.edu


Joanna Klass, Wojtek Szaszor, Nadia Hironaka, Matthew Suib – Great Visitors to GCAC!

March 7, 2014

Joanna Klass and Wojtek Szaszor

Joanna Klass and Wojtek Szaszor were visiting us from Warsaw, Poland.  They were GCAC creatives in residence for a first site visit, connecting with us and discussing possibilities for a future extended residency project.  While here, they presented an evening of live performance/ installation/ multimedia/ archives and conversation, Art of the Spectacle, part of their ongoing “artist in permanent utopia/permanent exile” project.  The program provided a round table dialogue about art objects, society, and exile, with a slight local focus toward Grotowski, Modjeska, Orange County and Santa Ana.  The gallery space was activated over the course of the evening for a gathering of several artists, curators and community friends who joined Klass and Szaszor as collaborators. A simple table with a circle of chairs was placed in the center of the space. A meal was served.  The goal was to engage the group in an interesting, initially outlined conversation concerning art, cultural politics, urgent issues that matter. Participation in the performance was open.   There were empty chairs for visitors who wished to join the conversation, allowing the public to enter freely and roam the gallery, listen to the conversation, join at the table or observe. The “discontextual installation” contained small traces of Deren, Cage, Modjeska’s godson Witkacy, Jerzy Grotowski, F-Space Gallery, Situationists and others.  It was an art event that one individual described as “Borscht, Bauhaus, and Bickering.”

*Joanna Klass is the founding director of Arden2, a non-profit organization based in Los Angeles, facilitating exchanges between Polish and American artists.  She has brought a broad spectrum of contemporary Polish theatre to the U.S., including Gardzeniece Theatre Lab, Song of the Goat, Teatr Provisorium, the Modjeska Theatre Company, Kana Theatre, the Wroclaw Puppet Theatre, TR Warszawa and Teatr ZAR.   (*from the Library Foundation of Los Angeles website)

If you were around Downtown Los Angeles in the early to mid-90s, you might have run into Wojtek Szaszor, as he was one of the organizer of an incredibly important alternative space located on Traction Avenue by the name of Spanish Kitchen.  For the record, Downtown LA had a great scene in the 90s, with spaces like Deep River, POST, the activities of the Santa Fe Colony, artists studios and a bit later The Project, among much more.

Matthew Suib and Nadia Hironaka

Philadelphia based artists Nadia Hironaka and Matthew Suib also stopped by Grand Central Art Center for a visit.  Current GCAC Director/Chief Curator John D. Spiak presented Hironaka’s major multi-channel video installation with 16-channel sound, The Late Show, when Spiak was a curator at Arizona State University Art Museum.

GCAC always loves sharing our time and space with quality artists, creatives and the community, so come pay us a visit!


Finding the Drop House – Video from Recordings of an Immigrant + $20,000 Project Support!

March 4, 2014

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Vincent Goudreau (Maui, Hawaii – Fall 2013) was in residence to work on his project Recordings of an Immigrant.  Juan Aquino, the immigrant for which the project is based, actually had a connection to the Grand Central Art Center / Orange County, CA  area— as a youth Aquino, now a US citizen, was originally smuggled into the US from Mexico in the trunk of a car, delivered by coyotaje to a drop house in Fullerton, CA.  In examining the overall project, Goudreau felt bringing Aquino to join him for a portion of the residency would be beneficial, GCAC agreed. Goudreau and Aquino decided they would use their time in residence together to search for the original drop house, over 30 years later.

Vincent and Juan, along with filmmaker/videographer Randy Mills and GCAC Director John D. Spiak, spent a number of days searching for a specific house in Fullerton, CA.  The following is an excerpt from Recordings of an Immigrant (an ongoing multi-disciplinary project), that documents that search.

Recordings of an Immigrant: Finding the Drop House

<p><a href=”http://vimeo.com/87921835″>Recordings of an Immigrant – Finding the Drop House</a> from <a href=”http://vimeo.com/user6123405″>vincent goudreau</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

During his residency, Goudreau was introduced, through a Director’s tour, to California State University, Fullerton alum Jeffrey S. Van Harte ’80.  Mr. Van Harte now sits on the Cal State Fullerton Philanthropic Foundation Board of Governors as Vice Chair and serves on the Finance and Investment Committee.  The tour allowed the opportunity for the artist to share his project in development.  As a result of this connection, Mr. Van Harte has donated $20,000 to CSUF’s Grand Central Art Center directed to Goudreau’s project, helping to realize the artist’s vision at  expanded levels.  Recordings of an Immigrant is developing into a multi-disciplinary artistic project resulting in a collection of audio recorded memoirs, a book, video, limited edition prints, exhibition and a future website.

On sincere gratitude to Mr. Van Harte for his generous support of the project, and his continued support of Grand Central Art Center and California State University, Fullerton.

Here are additional audio excerpts from the Recordings of an Immigrant project to date:

Revenge, from Chapter 5, part 2, titled Family

Sacrifice, from Chapter 2, titled Mexico

Legal, Chapter 3, titled South Central

Read more online about Vincent and Juan’s search, and the public program presented while in residence:
https://grandcentralartcenter.wordpress.com/2014/01/17/busy-end-to-2013-even-busier-beginning-to-2014-gcac/


wild Up, Lisa Bielawa and Colburn Conservatory – Recap of Santa Ana Sites #4

February 25, 2014

Grand Central Art Center is beginning to use the tagline “Art unRestricted” to describe our programming.  A perfect example of GCAC’s philosophy took place this past Saturday evening, as we presented the fourth in our ongoing Santa Ana Sites series, co-founded with our community collaborator and artistic director Allen Moon.

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Santa Ana Sites #4: wild Up in The Santora was our collaboration with Chris Rountree, founder and creative director of Los Angeles based new music ensemble wild Up; Lisa Bielawa, New York based composer, vocalist and GCAC Artist in Residence; and musicians of the Colburn Conservatory of Music.

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The evening began with a reception at GCAC, where we gathered the 225+ in attendance and provided each with a program and wristband of a certain color, which marked groups of 60.   At 7:30, the guests were officially welcomed by GCAC Director/Chief Curator John D. Spiak and given a brief overview of how the evening would play out.  They were told they would be escorted across the plaza to the Santora Building in groups of 60, where the official program would begin.

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Upon arrival at the Santora, guests were greeted in the atrium by Genesis Again, a vocal work by Lisa Bielawa with solo accompaniment on violin by Andrew Tholl.

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As the short piece concluded, the audience transitioned to the second floor of the building where the full wild Up music ensemble was performing James Tenney’s Swell throughout the open area.  This transition continued to occur until all 225+ audience members were gathered together on the second floor, experiencing the performance of Swell together.

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As the work concluded, Allen Moon introduced Chris Rountree, who provided insight into the printed program and spaces of the building.   The program laid out nine locations throughout the three stories of the Santora Building – atrium, third floor, stairway, se corner, OC Creatives, Tween’s Studio, NW corner, steet level gallery, basement – each providing a micro venue which had been separately programed for the evening.  It was a structure that provided the opportunity for each audience member to self-select his or her experience.

The choices were as follows:
Chance Encounter – Lisa Bielawa
Retracing – Eliot Carter Solo for Bassoon
Quintet – Andrew Tholl
The Cohen Variations – Daniel Felsenfeld
Let Down – Radiohead
Synopsis #5 – Lisa Bielawa solo for trumpet
Cabaret and Bach – for bass and voice
Ongoing percussion installation – Corey Fogel
The Twin Suite – Samuel Vriezen
Fratres – Arvo Part
Grisey for clarinet
Spirit Worker – ongoing installation by Chris Kallmyer
Synopsis #9 – Lisa Bielawa solo for Viola
Works by Luciano Berio and John Cage for soprano and voice
Punk Rock Set 1: Deerhoof and Dog Face Hermans
Trombone Sequenza – Luciano Berio
Synopsis #9 – Lisa Bielawa solo for English Horn
Synopsis #3 – Lisa Bielawa solo for Flute
Three Meditations on California Girls – Andrew Tholl
Above Chiangmai – Harold Budd
Love in Outerspace – Sun Ra
Narayana’s Cow – Tom Johnson
Knee Play 2 – Philip Glass

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The evening concluded with everyone reuniting in the street level gallery space to experience the last works of the evening together:
From the Cello Suites – J.S. Bach – Archie Carey
Punk Rock Set 2: FEAR, The Misfits, Deerhoof

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It was truly a remarkable evening, as wild Up and Lisa Bielawa allowed us to continue to expand our notions of the unRestricted!

Thank you to all the talented performers who made the evening possible:
Christopher Rountree (Artistic Director/Conductor/Voice), Lisa Bielawa (voice), Andrew Tholl (violin), Linnea Powell (viola), Claire Chenette (oboe/English horn), Dana Jackson (bassoon), Chris Kallmyer (guitars/trumpet), Andrew McIntosh (violin/viola), Ruiging Tang (viola), Brian Walsh (clarinets/saxophones), Allen Fogle (horn), Corey Fogel (drums), Justine Aronson (soprano), Melinda Rice (violin/viola), Derek Stein (cello), Eleanor Weigert(clarinets), Jonah Levy (trumpet), Matt Cook (percussion), Richard Valitutto (piano/accordion/melodica), Maggie Hasspacher (bass/voice), Erin McKibben (flute/piccolo), Archie Carey (bassoon), Matt Barbier (trombone), and Jodie Landau (percussion/voice).

Santa Ana Sites #4 was made possible through the generous support of Santora Group LLC, with in-kind support provided by Ashley Eckenweiler, The ACE Agency, Tweena Tran and Memphis Cafe.  We also recognize the wonderful contributions of time and energy the Grand Central Art Center team provide on a daily bases to ensure successful outcomes, so please join us in thanking them next time you visit.

Thank you as well to Kurt Mortensen and Steve Fisch for providing images and video from the evening!

Here are a few video links from the evening:

on YouTube:

on KCRW:
http://blogs.kcrw.com/whichwayla/2014/03/all-the-worlds-a-stage

on Facebook:
https://www.facebook.com/photo.php?v=10202872813802754&set=vb.1274343186&type=2&theater

https://www.facebook.com/photo.php?v=10202872901164938&set=vb.1274343186&type=2&theater

https://www.facebook.com/photo.php?v=10202873016687826&set=vb.1274343186&type=2&theater

To keep informed of future programs, as well as to see images and programming of past events, visit the Santa Ana Sites Facebook page at:
https://www.facebook.com/santaanasites

Success of programming is made possible through the generous financial support of individuals like you.  Contribute to GCAC’s continued success by make a donation online today!
https://www.fullerton.edu/SupportGCAC