Recapping A Grand First Saturday – Hike / Gallery Talk / Reception / Art Walk @ GCAC!

May 7, 2014

Saturday, May 3rd, marked another successful first Saturday art walk! The monthly art walk event in downtown Santa Ana provides a night of open galleries and institutions, studios and street vendors, great live music and all the wonderful food of local restaurants. It’s always an enjoyable way to spend a southern California evening!

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The day kicked-off a little early this month as Fallen Fruit. Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work. David and Austin led a day hike with participant collaborators Sue-Na G., Stephanie Kern, Emily Lacy, Husam Salman, Sarah Shewey and Faith Purvey, to Deep Creek Hot Springs in the San Bernardino National Forest. Fallen Fruit’s project, Rainbow Day Trip, was organized as a collaborative program of Susan Robb’s project and exhibition Wild Times, currently on exhibition at GCAC.

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The group of Rainbow Day hikers joined Fallen Fruit on the adventure to become “trail angels,” an effort to connect with Pacific Crest Trail hikers for encouragement and inspiration along the 5-month journey from Mexico to Canada (more details on Wild Times below).

Here is the way Fallen Fruit describes how their preparation and adventure unfolded:

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“Prior to Saturday, each collaborator chose a color to embody for the day hike.  They thought about each color and what that color means in the world.  They thought about flavors, histories and songs.  They constructed characters based upon our individual research and imagination.

The evening before the hike we connected to fine-tune our characters collectively.  We told each other stories and made embellishments to our color characters.  We used feathers and spray paint, working out the details of each of our individual performances, which we would reveal as a color performances to the group the next day. At the trailhead, we geared up and embarked on our experimental day trip to perform all of the colors of the rainbow.   Rainbows don’t last forever; they are fragile and temporal like our group.  We became a visual spectrum of color and spanned an arc within a landscape we couldn’t capture except by photographs.

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The Rainbow Day Trip was a mind-body experience that constructed a narrative created by individual experiences that was group authored.  Each color performed in independent ways, as meditations, as series of declarations about each participant, completely in song and through silence.  We realized that colors are many things.”

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Back at GCAC, we kicked off our evening with a 6pm gallery talk by current exhibiting artist Julia Haft-Candell. Julia shared insights into the current body of work included in her solo GCAC exhibition Fast and Slow, on exhibition in the Project Gallery through May 11th.   The artist provided insight into her process, her philosophies on art making practice and her current career activities. It was an appreciative audience in attendance who asked great questions, engaging the artist in wonderful dialogue.

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As the official art walk began at 7pm, we opened the doors to our three galleries. The night marked the opening reception for Susan Robb’s Wild Times project. In mid-April, Robb embarked on a 5-month adventure from Mexico to Canada on the Pacific Crest Trail. Using the trail as a nomadic studio and her experiences as inspiration and medium, she is creating digital works—photos, videos, and 3D files— sending them to Grand Central Art Center where they will be displayed. Over the course of the 5-months, the exhibition will continue to grow through physical object, engaged programming and hands-on activities provided by Robb through the Wild Times website.

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Thanks to a generous donation by Microsoft, we have numerous Surface tablets connected in the space, as well as a Microsoft Perceptive Pixel (PPI) touch screen device, allowing patrons the opportunity to browse the current activities of Robb on the trail. The connection to the project website also allows for individuals to post their own responses and interactions with the project, adding a truly collective voice to the project and gallery space.

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Through our new Makerbot 3D printer, we are actively printing objects Susan is scanning along the way and transmitting back to us. The objects are being printed in color codes that indicate the altitude on the trail where the object was discovered and scanned by the artist. We printed three rocks on Saturday evening that became, and will remain, part of the exhibition.

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The exhibition space also contains an Epson large format printer, being used by GCAC to print 2D images Susan sends from her journey. After being printed, the photos are framed and become part of the overall installation. Over the course of the exhibition the photos will begin to hang layered upon one another, creating a topographic map extending out from the gallery wall. The images and installation will provide a sense of the terrain the artist has traversed to date.

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If you haven’t seen it yet, we thought you might enjoy reading the interview with Susan regarding her Wild Times project on the Creative Capital blog. Creative Capital is a major granter of this project. Here is the link: http://blog.creative-capital.org/2014/04/susan-robbs-wild-times

In addition to Grand Central Art Center, you have the opportunity to see elements and programs of Susan’s Wild Times project at collaborative venues including: Palm Springs Art Museum, Palm Desert, CA; 826 valencia, San Francisco, CA; Tacoma Art Museum, Tacoma, WA; Frye Art Museum, Seattle, WA; and Henry Art Gallery, Seattle, WA.

We are excited to be able to support and to be on this journey with Susan. We hope you will join us throughout the project, to engage with its programming and to support the artist as well!

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Miracle Report

Saturday marked the last week of Julia Haft-Candell’s Fast and Slow exhibition, as noted earlier, and the last week of the extremely successful and well received exhibition by artists Julianne Swartz and Ken Landauer, Miracle Report. If you haven’t yet had the opportunity to see these exhibitions, stop by this weekend, as both exhibitions are open through this Sunday, May 11, when we close at 4pm. Lots of wonderful restaurants here in Santa Ana, so it could be a great way to celebrate Mother Day.

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And the activities and outreach of Grand Central Art Center on Saturday evening were not limited to Santa Ana. Current GCAC artist in residence Daniel Tucker was busy with his own activities in Los Angeles as well. During his residence, Tucker has been developing a documentary project entitled Future Perfect – Time Capsules in Reagan County, dealing with the legacy of Ronald Reagan and the phenomenon of time capsule burials in California. As part of his residency, the artist has been traveling the entire state of California, visiting research libraries, Reagan related monuments and parks, and presenting talks at various locations and institutions. On Saturday night, Daniel was part of the group exhibition PRESENTS that opened at Commonwealth and Council in Los Angeles, which runs through May 24th. For his contribution to the exhibition, Tucker created the project The Preface to Future Perfect, a photography installation presenting materials from his ongoing research while in residence at GCAC.

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You would think all those activities would be enough to fill a weekend, and you would probably be right, but not for us here at GCAC. Sunday we welcomed back our ongoing artist in residence Lisa Bielawa, who is in town this week for a series of meeting, arranged through our Director/Chief Curator John D. Spiak, in the development of her upcoming GCAC project, a serial Opera titled Vireo. Lisa also had time to connect with our new GCAC Cal State Fullerton graduate assistant Amanda Leader, who is working on her Masters Degree in Music, Voice Performance with emphasis in Opera. Amanda has been an excellent addition to the GCAC team and will be helping manage major components of Lisa’s serial opera as Project Coordinator. We’ll provide you more details on this project as it progresses.

So stop by Grand Central Art Center and be part of the action, we would love to see you!

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March 1st from 6-10pm – Opening Receptions, Public Program and Cookies @ GCAC!

February 19, 2014

Join us to kick-off the month with two new exhibitions, a public program and other activities celebrating our First Saturday Art Walk scheduled for March 1st – Public Program at 6pm, Opening Receptions from 7-10pm, Girl Scout Cookie Sales from 7-9pm.

Here is what we have planned to engage you…

PUBLIC PROGRAM – 6PM

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Feminism Today: Art and Life
panel discussion
March 1,  6PM
Grand Central Art Center A.I.R. Basement Studio

On March 1st, Life of An Artist (Ingrid Reeve, Barbara Milliorn and Evan Senn) will continue their dialogue with the public on what it means to be a feminist, a working female art professional, and more.

Through a panel discussion with some of Southern California’s prominent and influential female artists, art professionals, critics and professors, the Feminism Today: Art and Life panel presentation and conversation will focus on feminist art practices in both contemporary art and life. The women involved will open up to the public, and to Life of an Artist: a reality TV web series, in a discussion of how everyday life and art-making intersect.  Topics will include sexism, racism and/or the trials, tribulations or benefits of being a women, and feminists, as female art professionals have experienced in their respective artistic careers and personal lives.

Confirmed panelists include:

Carrie Yury: Carrie Yury is Head of Research and Insights at BeyondCurious, Inc., and she writes for the Huffington Post regularly. Yury is also a nationally-exhibited fine artist, mother, wife and feminist. She is based in Orange County, and is represented by the Sam Lee Gallery.

Micol Hebron: Micol Hebron is an interdisciplinary artist and is an Assistant Professor at Chapman University. She is the founder of the LA Art Girls, the (former) co-founder of the artist collective The Elizabeths, and a contributing editor at X-TRA Magazine. She lives and works in Los Angeles, where she is represented by Jancar Gallery. Her latest project is featured on the cover of Artillery Magazine this month.

Arzu Arda Kosar: Arzu Arda Kosar is an international artist now residing in Los Angeles. She is the founder of Yarn Bombing Los Angeles, a member of the MapConception. She is the co-founder of TransIstanbul Collective that worked with inner city youth in Istanbul, Turkey and co-founder of International Survey of Alternative Artscene that examined contemporary art practices outside of the museum-gallery system in different parts of the world.

Joanna Roche: Dr. Joanna Roche, published poet and Professor of Art History, is a specialist in contemporary art. She specializes in Modern Art, Theory and Practice in New Media, Methods and Historiography. Her publications include articles and reviews on Joseph Cornell, Goat Island, Carolee Schneemann, Cindy Sherman, Pipilotti Rist, Tom Nechtal, Christian Hill, Joe Forkan and Nobuhito Nishigawara. Her scholarship examines the interworkings of memory and making in contemporary art.

Carrie Paterson: Carrie Paterson is an artist, writer and professor whose work crosses interdisciplinary boundaries between the arts and sciences. Paterson has taught various courses at many universities in Southern California since 2001 in sculpture, expository writing, visual culture, and the narrative structures in contemporary culture. Paterson has contributed essays, reviews and critical articles to a variety of publications including Sculpture, Flash Art, X-TRA, Artillery and Artweek, and currently she is Reviews Editor for Artillery Magazine.


OPENING RECEPTIONS – 7 to 10PM

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Heather Bowling and Amanda Patenaude: You Are What You Concede
Curated by Kimberly McKinnis, CSUF MA in Exhibition and Design
OPENING RECEPTION – MARCH 1 from 7-10pm
March 1 through April 13, 2014

East Coast artist Amanda Pantenaude will team up with West Coast artist Heather Bowling, for a first time collaboration, creating a site-specific installation made from recycled materials collected within the Santa Ana community.  The artists are interested in social awareness and have created previous participatory projects in the hope to educate the public about current and pressing global issues.

The collection of materials will be organized through a series of community events, collaborating with local individuals and organizations. Hands-on workshops, panels and programs are being developed for the course of the exhibition.

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Julia Haft-Candell: Fast and Slow
Curated by Yevgeniya Mikhailik, GCAC Curatorial Associate
OPENING RECEPTION – MARCH 1 from 7-10pm
March 1 through May 11, 2014

Julia Haft-Candell‘s sculptures are physical records of their making, and a reflection of their own history. Using small components to build larger forms, the artist continually invents, reassesses and makes endless decisions about how the work takes shape. Ultimately the goal is to form a composition that most effectively speaks to the ambiguity of perception and the complexity of being.

Using forms inspired by nature and the body, as well as ideas derived from quick doodles and sketches, she focuses on the space in between two contrasting concepts as a metaphor for my experience as a human being. In Haft-Candell’s words “I express contradictions. I seek the intersection of the conscious and subconscious, construction and destruction, fast and slow, serious and funny, hard and soft.”


GIRL SCOUT COOKIES

Girl Scout Cookies

Grand Central Art Center welcomes Santa Ana Girl Scout Troop #2363, who will be selling cookies for $4/box, plus collecting donations for the Southwest Community Center (homeless shelter) throughout the evening.


CONTINUING EXHIBITION

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Julianne Swartz and Ken Landauer: Miracle Report
January 19 – May 11, 2014

Julianne Swartz and Ken Landauer explored the miraculous through people’s perceptions of it in their lives, interviewing students, school children and community members of all ages and backgrounds. They combined their findings in an installation of fleeting vignettes playing on all of the available sound and video equipment in the museum’s possession. In the words of the artists, “Our installation strives to embody some beauty, some hocus-pocus and some unexplainable magic.”

More details on the exhibition can be found at:
https://grandcentralartcenter.wordpress.com/2014/01/10/julianne-swartz-and-ken-landauer-miracle-report/


Carol Diehl in Residence @ Grand Central Art Center

January 29, 2014

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We are so pleased to have Carol Diehl, artist, writer and contributing editor for Art in America, with us in residence at GCAC. Carol arrived last week and will be with us through mid-February. The residency is allowing her time to work on a new series of drawing, get some writing completed, and further develop a lecture and text on Banksy. Carol will be presenting the Banksy lecture for the first time on February 12 at our Cal State University, Fullerton main campus is collaboration with our CSUF Art Department. The time and location for that lecture will be announced soon.

We also found out yesterday that Carol has been asked by Olafur Eliasson to write a text for his upcoming project, so we are glad that GCAC can provide Carol with time and space to focus on all her creative activities.

Carol will be joining us at our First Saturday Art Walk this week, from 7-10pm, as we celebrate the public reception for Miracle Report: Julianne Swartz and Ken Landauer.

Stop by and say hello!


VIP Reception for Julianne Swartz and Ken Landauer’s Miracle Report

January 22, 2014

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Grand Central Art Center had a very successful VIP reception this past Saturday night, with 125 quality individuals join us to celebrate Julianne Swartz and Ken Landauer’s installation Miracle Report. The artists spent time connecting and reconnecting with individuals in attendance. Attendees included Los Angeles gallery owners, artists and foundation directors; Orange County and downtown Santa Ana business and city leadership; regional museum and art commission colleagues; and a few Southern California art critics.

We would like to thank Dan Bradley, Diego Velasco and the team at Memphis for their continued support of GCAC programs.

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Busy End to 2013, Even Busier Beginning to 2014 @ GCAC!

January 17, 2014

To say it has been a little busy around Grand Central Art Center over the past month is a bit of an understatement – IT’S BEEN EXTREMELY BUSY!

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Vincent Goudreau was very active during his last weeks in residence at GCAC in mid-December. As part of his Recordings of an Immigrant project, we decided to fly Juan Aquino out from the island of Maui to join Vincent in residence. Juan is the inspiration/subject for Vincent’s current project.

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During their time together Vincent and Juan, along with videographer Randy Mills, spent a number of days searching for a specific house in Fullerton, CA – the location where coyotaje delivered Juan upon his arrival into the United States over twenty years ago. Now a legal US citizen, the visit by Juan brought him back to a connection/transition location that marks an important part of his amazing life journey. We will share the results of this search soon, as the video is currently in the editing phase for a short documentary we will be releasing online in the coming weeks.

Vincent Conversation

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Vincent and Juan, joined by GCAC Director/Chief Curator John Spiak, presented a public conversation about Vincent’s residency, his journeys with Juan and thoughts for the project moving forward. The evening included the screening of two of Vincent’s past short film/video works – Harry and Janet and Villa Capri, providing insight into how Vincent’s projects often deal with the topic of global connection and place. As the screening concluded, patrons were invited to join the artist for an informal ice cream social, a tribute to an important scene from Villa Capri.

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IVC Class at GCAC

As the week concluded, we were visited by two of Danielle Susalla Deery’s classes from Irvine Valley College, Museum and Technologies and Museum Marketing. We are proud of the fact that Danielle is a Cal State University, Fullerton alumna and love when she returns with her students to share her enthusiasm for contemporary art. The students of her classes enjoyed a full tour of GCAC provided by GCAC Director/Chief Curator John Spiak. They talked about the technologies included in Matthew Moore and Braden King’s installation Cumulus and shared stories of successful marketing strategies by art institutions. They also had the opportunity to visit Vincent Goudreau in the GCAC Artist in Residence studio and talk with him directly about his project and process.

Vincent has now returned to Maui, but keep an eye here for updates on the project and the soon to be released short documentary of the search for the drop house with Juan.

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That following week GCAC was visited by Peter Held, Arizona State University Art Museum Curator of Ceramics. Peter and John Spiak worked together for many years at the ASU Art Museum. The day was spent visiting Orange County Museums and Galleries, including the Orange County Museum of Art, Irvine Fine Arts Center and Laguna Art Museum. The timing for the Orange County Museum of Art visit was perfect, as it provided for a preview tour of the new exhibition California Landscape into Abstraction curated by OCMA Chief Curator and Interim Director Dan Cameron. The day concluded with a late lunch across our 2nd Street plaza at Memphis and a full tour of Grand Central Art Center. We are excited to see what Peter does with the move of the ASU Art Museum Ceramics Research Center to its new location!

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2013 ended with the arrival of artists and educators Heather Layton and Brian Bailey from Rochester, NY. Heather and Brian were here for a second visit in the continued development of projects with GCAC. We anticipate them back for a third visit later this year. During this most recent visit, they worked towards a specific project as part of their larger 59 Days of Independence project.

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Line for Lanterns

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As part of this project, and for our First Saturday Art Walk kicking off 2014, Heather and Brian celebrated Burma’s 66th independence day on January 4th at GCAC by giving away 66 hand-painted lanterns they created during their residency. Creating an installation in the artist in residence studio space, they opened the storefront studio doors and invited the public in to select a lantern. People were lined-up waiting outside the door when they arrived. It took less that six-minutes for the 66 lanterns to be spoken for that evening. Truly magical!

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After all the lanterns were gone, Heather and Brian joined us in the main gallery spaces for our receptions. The evening provided great opportunity with a productive 40-minute conversation for Brian and Heather with Santa Ana Mayor Miguel Pulido, his son Miguel Pulido Jr., GCAC Santa Ana Sites co-founder/collaborator Allen Moon and our GCAC Director/Chief Curator John Spiak. So many collaborative possibilities in the works for their return visit!

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The January First Saturday Art Walk also kicked-off with a meet and greet event for GCAC Artists in Residence Ingrid Reeve, Barbara Milliorn and Evan Senn, as they begin their project The Life of an Artist. The project is a proposed television/webcast series that follows the lives of two Orange County artists and their manager, an art historian and art critic, as they strive for their professional dream to solidify careers as professional artists.

Ingrid Reeve, Barbara Milliorn and Evan Senn are recent graduates of higher education programs at California State University, Fullerton. Throughout this coming year year, the artists will be hosting and participating in monthly events in their artist in residence opportunity at Grand Central Art Center (GCAC), in downtown Santa Ana. The monthly events will include panel discussions and workshops, as well as performances that will engage the community of Santa Ana and the larger Orange County.

Their residency at GCAC is meant to help them in their goal to educate and entertain interested parties on the life of an up-and-coming female artist in Southern California by creating a window into the art world as well as providing historical context for contemporary practices in the arts, and a focus on the unique struggles and benefits of being a woman in today’s world.

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That night as well marked the closing of the successful run of Matthew Moore and Braden King‘s installation Cumulus. It was yet another well attended First Saturday, with over 2,000 individuals through the door and engaged with the exhibitions. We feel so fortunate to be a part of this amazing downtown and Santa Ana community!

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But there is no rest for the weary, as two days later the GCAC team was in full de-installation mode of Cumulus. It was a short de-install time, so everyone leant a hand, even Curatorial Associate Yevgeniya “Jenny” Mikhailik and CSUF GCAC student intern Shauna Hultgrien (she write our INTERNal Affairs blog posts).  We were able to get the work down and the gallery resorted backed to its normal configuration in less than a week – ready for the arrival of Julianne Swartz and Ken Landauer to begin their major installation just a few days later. Thanks go out to the entire GCAC team of amazing individuals for their hard work and dedication!

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The beginning of January also brought a surprise visit from a few folks, Curator Sara Cochran and graphic designer Eric Montgomery. It was just announced that Sara has accepted the position of Associate Director at Scottsdale Museum of Contemporary Art. Cochran left her position as Modern and Contemporary Art Curator at Phoenix Art Museum in November 2013. Prior to that, she was Assistant Curator at Los Angeles County Museum of Contemporary Art (LACMA). She had also held positions at the The Getty Center in LA and the Guggenheim Museum in New York. It was so great to have her and Eric here for a visit and tour of Grand Central Art Center!

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Also paying us a visit was artist Brent Green and FLOWN drummer and vocalist Kate Ryan. The two spent a couple of days with us as Brent packed some of the work from his To Many Men Strange Fates Are Given exhibition that took place at GCAC last year. It’s been a very busy year for Brent, with many major new projects in the works and the recent acquisition of one of his works by the UCLA Hammer Museum to their permanent collection. We also found out during the stay that Kate was scheduled to make an appearance in an upcoming episode of HBO’s Girls, jamming on her drums.  It also provided Brent and Kate the opportunity to connect with Julianne Swartz and Ken Landauer who have been in residence the past couple of days as well.  It’s so wonderful to have them all staying with us at GCAC!

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And yesterday we were visited by Los Angeles based artist Julia Haft-Candell for a site visit for her upcoming solo exhibition Fast and Slow. She meet with GCAC Curatorial Associate Yevgeniya “Jenny” Mikhailik, who is curating Julia’s GCAC exhibition, to discuss her project and installation details. We are excited to see the project develop for the opening in March!

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Now we are in full installation mode for Julianne Swartz and Ken Landauer’s Miracle Report, a project that includes at current time 26 monitors, 6 projections and numerous speakers. This is a MUST SEE EXHIBITION! We hope you will join us at the public reception during the First Saturday Art Walk on February 1 from 7-10pm.

There is a lot more planned and in development for GCAC in 2014, we are excited to share it with you!!!


Julianne Swartz, Brent Green, Ken Landauer, Kate Ryan @ GCAC

January 16, 2014

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It has been a fun few days at Grand Central Art Center. We are in full installation mode for Miracle Report by artists Julianne Swartz and Ken Landauer, plus a quick return visit by artist Brent Green, who returns with Kate Ryan (who apparently will be making a small cameo playing drums in this weeks episode of Girls on HBO). Lots of incredible energy floating through the building!


Julianne Swartz and Ken Landauer: Miracle Report

January 10, 2014

GRAND CENTRAL ART CENTER
A Unit of California State University, Fullerton
College of the Arts
125 N. Broadway
Santa Ana, CA 92701
714.567.7233

Public Reception: Saturday, February 1 from 7-10pm
Grand Central Art Center Residency: January 12 – 19, 2014
Original ASU Art Museum Residency: December 26, 2011 – January 20, 2012

JK

Julianne Swartz and Ken Landauer: Miracle Report
January 19 – May 11, 2014

Julianne Swartz and Ken Landauer spent their Social Studies residency at the Arizona State University Art Museum looking for miracles. The artists explored the miraculous through people’s perceptions of it in their lives, interviewing students, school children and community members of all ages and backgrounds. They combined their findings in an installation of fleeting vignettes playing on all of the available sound and video equipment in the museum’s possession. In the words of the artists, “Our installation strives to embody some beauty, some hocus-pocus and some unexplainable magic.”

The artists’ decision to focus on people’s hands provided the comfort of anonymity as participants shared intimate stories. They filmed at various locations, using only the Arizona sun to highlight the hands against a shrouded background, an effect that preserves and enhances the mystery of the miracle. Throughout their reporting on miracles, the artists grappled with the balance between the sacred and profane, belief and skepticism. This complexity is reflected throughout the installation in the video vignettes, the darkness of the gallery and the layering of sound.

Using all the available sound and video equipment at Grand Central Art Center, the artists created this new site-specific installation of the work.

Miracle Report was first realized at the Arizona State University Art Museum and supported by a grant from The Andy Warhol Foundation for the Visual Arts as part of the Social Studies series. John D. Spiak initiated this project. Upon Spiak’s departure to accept his new position at Grand Central Art Center, Heather Sealy Lineberry with Nicole Herden curated the exhibition at ASU Art Museum.

The artists and curators thank the following for their assistance and participation: the staff of the ASU Art Museum; Andrea Feller, Curator of Education; ASU School of Art intermedia faculty and School of Art Director Adriene Jenik; Peter Bugg; Robert Madera; Sean Deckert; Christian Filardo; Ben Mack; Barbara Perez and Tesseract School students; Amy Hardgrove and students from Academy with Community Partners High School; J. Eugene Clay and Mark Woodward from the School of Historical, Philosophical and Religious Studies; Beth Ames Swartz and John Rothschild; and especially all of the people who lent their stories and viewpoints to this project.

MIRACLE REPORT
Mission Statement

We spent our Social Studies Residency at Arizona State University Art Museum looking for miracles.

We sought the miraculous through other people’s perception of it in their lives.

We interviewed many local residents and asked each to “describe a miracle you have experienced.”

Interviewees were of varied ages and backgrounds. We gratefully recorded anyone who wished to retell his or her own miracle.

We recorded audio and video from these interviews, but identities were obscured.

The recordings were edited into fleeting vignettes that attempt to establish “the miraculous” through entirely subjective perspectives.

To display the recordings, we use all of the institution’s available audio and visual equipment.

Our installation strives to embody some beauty, some hocus-pocus, and some unexplainable magic.

Julianne Swartz and Ken Landauer

More information on Julianne Swartz:
http://www.julianneswartz.com/

More information on Ken Landauer:
http://kenlandauer.com

Click this link to see the recent activities at Grand Central Art Center and information on the installation of this project:
https://grandcentralartcenter.wordpress.com/2014/01/17/busy-end-to-2013-even-busier-beginning-to-2014-gcac/