SANTA ANA SITES #5: STEVE RODEN – A Sound Performance – June 14

June 2, 2014

SANTA ANA SITES #5: STEVE RODEN
a sound performance

JUNE 14, 2014
7:30 – 8:15PM
PRE-PERFORMANCE RECEPTION / MIXER
*please arrive no later than 8pm

RECEPTION LOCATION:
Q Art Salon
205 N. Sycamore St.
Santa Ana, CA 92701

audience will be escorted to performance location

SEATING LIMITED, TICKETS REQUIRED, BUT ARE FREE TO PUBLIC
ticket information below

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Santa Ana Sites #5 presents an evening of sound performance by artist Steve Roden. Performing through the use of two analog modular synthesizers, Roden will continue the Sites approach of presenting work in unique Santa Ana spaces, activating a subterranean racket ball court located in the heart of Downtown Santa Ana.

Tickets are free but reservations are required – RSVP info towards the bottom of this page

Steve Roden is a visual and sound artist born in Los Angeles and living in Pasadena, CA. Roden’s practice includes painting, drawing, sculpture, writing, film/video and sound performance.

Since the late 1980’s, Roden has had numerous solo and group exhibitions internationally. recent solo exhibitions include: CRG Gallery, New York and Susanne Vielmetter LA Projects, Los Angeles. Group exhibitions include Silence at the Menil Collection, Houston, Texas and the First International Biennial of Contemporary Art of Cartagena, De Indias, Colombia.

Roden has performed his soundworks at various arts spaces and experimental music festivals worldwide including: Serpentine Gallery, London; San Francisco Museum of Modern Art; Walker Art Center, Minneapolis; DCA, Dundee, Scotland; Redcat, Los Angeles; Crawford Gallery, Cork, Ireland; as well as performance tours of Brazil and Japan. Recent performances include John Cage’s Cartridge Music with composer Mark Trayle at the Norton Simon Museum in Pasadena; a tribute to Rolf Julius at the Hamburger Banhof, Berlin; and performances at the Museum of Art, Strasbourg, France and The Rothko Chapel, Houston, Texas. Since 1993, Roden has released numerous cds under his own name as well as under the moniker “in between noise” on various record labels internationally.

Recently the artist has created numerous site-specific sound works for spaces such as MOCA at the Pacific Design Center in response to a group of paintings by Mark Rothko; the Henry Art Gallery at the University of Washington’s James Turrell Skyspace; the MAK Center for Art and Architecture/Schindler House in Los Angeles; a live collaboration with Stephen Vitiello in a room of 50 pieces of sculpture by Donald Judd at Chinati, Merfa, Texas; Daniel Libeskind’s Run Run Shaw new creative media centre building at City University of Hong Kong; a sound/sculpture/drawing installation for Thomas U. Walter’s 1848 building at Girard College, Philadelphia for the Hidden City Festival; and a permanent public artwork at Hayvenhurst Park, in West Hollywood, California.

This event is anticipated to be at maximum capacity with reservations required.

Reserve FREE tickets through email with name and requested number of tickets with a maximum of two tickets per guest to:
jspiak (at) fullerton (dot) edu

A reception at Q Art Salon will begin at 7:30pm, with guests being asked to arrive no later than 8:00pm on Saturday, June 14th.

 

ABOUT SANTA ANA SITES
Santa Ana Sites, an initiative of California State University, Fullerton’s Grand Central Art Center, presenting, in community partnership, contemporary performance in public and private spaces throughout Downtown Santa Ana.

The traveling forum is designed to provide the community shared artistic experiences, encouraging the discovery of diverse environments and architectural space.

Santa Ana Sites was founded by Allen Moon, Artistic Director/Community Partner and John D. Spiak, Grand Central Art Center Director/Chief Curator.

More information on the previous Santa Ana Sites can be found at:
https://grandcentralartcenter.wordpress.com/santa-ana-sites

 

SUPPORT
Santa Ana Sites #5 is made possible through the generous in-kind support of Dennis Dascanio, Jose Quant and Shell Martin, and Q Art Salon.


Daniel Tucker – Artist in Residence Activities / Future Perfect Update

May 13, 2014

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Artist In Residence Daniel Tucker has been busy making progress on his research for a new project. Future Perfect is shaping up to have a few different components: a web presence, a video, and a publication.

Since our last update, Tucker has met with Manny Escamilla from the Santa Ana Public Library’s History Room to start planning a time capsule here locally. He has also done video shoots at three sites related to Ronald Reagan and/or time capsules in Southern California: Ronald Reagan Sports Park (Temecula), the Ronald Reagan Presidential Foundation and Library (Simi Valley), and Bonita Canyon Sports Park (Newport Beach), and two in Northern California: the CSEA Grove at the College of the Redwoods (Eureka) – formerly known as “Governor’s Grove”, and the time capsule walkway at UC Davis (Davis). On his recent research/lecture tour he visited the California State Archives (Sacramento), UC Berkeley’s Bancroft Library (Berkeley), and the Ronald Reagan Library A/V collection (Simi Valley).

When not digging into his Future Perfect project, Tucker is also using his residency to put the finishing touches on two books: Unfurlings (about his collaborative research with Rebecca Zorach on the never-the-same.org project) and Immersive Life Practices, a collection of newly commissioned essays (with the School of the Art Institute of Chicago) documenting the intersections of art, ethics and ecology. This weekend he heads back to Chicago for a brief visit to co-organize An Artists’ Congress (with Susy Bielak and Michael Rakowitz), a one day event and symposium at Northwestern University‘s The Block Museum.

When Tucker returns he will dig into the second phase of his residency, focusing on finishing the website that will house the different facets of this project and beginning editing on the video and publication that will result from this research. On May 24th there will be a closing reception for the group exhibition featuring Tucker’s research for Future Perfect at Commonwealth & Council gallery (Los Angeles).


Recapping A Grand First Saturday – Hike / Gallery Talk / Reception / Art Walk @ GCAC!

May 7, 2014

Saturday, May 3rd, marked another successful first Saturday art walk! The monthly art walk event in downtown Santa Ana provides a night of open galleries and institutions, studios and street vendors, great live music and all the wonderful food of local restaurants. It’s always an enjoyable way to spend a southern California evening!

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The day kicked-off a little early this month as Fallen Fruit. Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work. David and Austin led a day hike with participant collaborators Sue-Na G., Stephanie Kern, Emily Lacy, Husam Salman, Sarah Shewey and Faith Purvey, to Deep Creek Hot Springs in the San Bernardino National Forest. Fallen Fruit’s project, Rainbow Day Trip, was organized as a collaborative program of Susan Robb’s project and exhibition Wild Times, currently on exhibition at GCAC.

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The group of Rainbow Day hikers joined Fallen Fruit on the adventure to become “trail angels,” an effort to connect with Pacific Crest Trail hikers for encouragement and inspiration along the 5-month journey from Mexico to Canada (more details on Wild Times below).

Here is the way Fallen Fruit describes how their preparation and adventure unfolded:

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“Prior to Saturday, each collaborator chose a color to embody for the day hike.  They thought about each color and what that color means in the world.  They thought about flavors, histories and songs.  They constructed characters based upon our individual research and imagination.

The evening before the hike we connected to fine-tune our characters collectively.  We told each other stories and made embellishments to our color characters.  We used feathers and spray paint, working out the details of each of our individual performances, which we would reveal as a color performances to the group the next day. At the trailhead, we geared up and embarked on our experimental day trip to perform all of the colors of the rainbow.   Rainbows don’t last forever; they are fragile and temporal like our group.  We became a visual spectrum of color and spanned an arc within a landscape we couldn’t capture except by photographs.

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The Rainbow Day Trip was a mind-body experience that constructed a narrative created by individual experiences that was group authored.  Each color performed in independent ways, as meditations, as series of declarations about each participant, completely in song and through silence.  We realized that colors are many things.”

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Back at GCAC, we kicked off our evening with a 6pm gallery talk by current exhibiting artist Julia Haft-Candell. Julia shared insights into the current body of work included in her solo GCAC exhibition Fast and Slow, on exhibition in the Project Gallery through May 11th.   The artist provided insight into her process, her philosophies on art making practice and her current career activities. It was an appreciative audience in attendance who asked great questions, engaging the artist in wonderful dialogue.

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As the official art walk began at 7pm, we opened the doors to our three galleries. The night marked the opening reception for Susan Robb’s Wild Times project. In mid-April, Robb embarked on a 5-month adventure from Mexico to Canada on the Pacific Crest Trail. Using the trail as a nomadic studio and her experiences as inspiration and medium, she is creating digital works—photos, videos, and 3D files— sending them to Grand Central Art Center where they will be displayed. Over the course of the 5-months, the exhibition will continue to grow through physical object, engaged programming and hands-on activities provided by Robb through the Wild Times website.

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Thanks to a generous donation by Microsoft, we have numerous Surface tablets connected in the space, as well as a Microsoft Perceptive Pixel (PPI) touch screen device, allowing patrons the opportunity to browse the current activities of Robb on the trail. The connection to the project website also allows for individuals to post their own responses and interactions with the project, adding a truly collective voice to the project and gallery space.

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Through our new Makerbot 3D printer, we are actively printing objects Susan is scanning along the way and transmitting back to us. The objects are being printed in color codes that indicate the altitude on the trail where the object was discovered and scanned by the artist. We printed three rocks on Saturday evening that became, and will remain, part of the exhibition.

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The exhibition space also contains an Epson large format printer, being used by GCAC to print 2D images Susan sends from her journey. After being printed, the photos are framed and become part of the overall installation. Over the course of the exhibition the photos will begin to hang layered upon one another, creating a topographic map extending out from the gallery wall. The images and installation will provide a sense of the terrain the artist has traversed to date.

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If you haven’t seen it yet, we thought you might enjoy reading the interview with Susan regarding her Wild Times project on the Creative Capital blog. Creative Capital is a major granter of this project. Here is the link: http://blog.creative-capital.org/2014/04/susan-robbs-wild-times

In addition to Grand Central Art Center, you have the opportunity to see elements and programs of Susan’s Wild Times project at collaborative venues including: Palm Springs Art Museum, Palm Desert, CA; 826 valencia, San Francisco, CA; Tacoma Art Museum, Tacoma, WA; Frye Art Museum, Seattle, WA; and Henry Art Gallery, Seattle, WA.

We are excited to be able to support and to be on this journey with Susan. We hope you will join us throughout the project, to engage with its programming and to support the artist as well!

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Miracle Report

Saturday marked the last week of Julia Haft-Candell’s Fast and Slow exhibition, as noted earlier, and the last week of the extremely successful and well received exhibition by artists Julianne Swartz and Ken Landauer, Miracle Report. If you haven’t yet had the opportunity to see these exhibitions, stop by this weekend, as both exhibitions are open through this Sunday, May 11, when we close at 4pm. Lots of wonderful restaurants here in Santa Ana, so it could be a great way to celebrate Mother Day.

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And the activities and outreach of Grand Central Art Center on Saturday evening were not limited to Santa Ana. Current GCAC artist in residence Daniel Tucker was busy with his own activities in Los Angeles as well. During his residence, Tucker has been developing a documentary project entitled Future Perfect – Time Capsules in Reagan County, dealing with the legacy of Ronald Reagan and the phenomenon of time capsule burials in California. As part of his residency, the artist has been traveling the entire state of California, visiting research libraries, Reagan related monuments and parks, and presenting talks at various locations and institutions. On Saturday night, Daniel was part of the group exhibition PRESENTS that opened at Commonwealth and Council in Los Angeles, which runs through May 24th. For his contribution to the exhibition, Tucker created the project The Preface to Future Perfect, a photography installation presenting materials from his ongoing research while in residence at GCAC.

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You would think all those activities would be enough to fill a weekend, and you would probably be right, but not for us here at GCAC. Sunday we welcomed back our ongoing artist in residence Lisa Bielawa, who is in town this week for a series of meeting, arranged through our Director/Chief Curator John D. Spiak, in the development of her upcoming GCAC project, a serial Opera titled Vireo. Lisa also had time to connect with our new GCAC Cal State Fullerton graduate assistant Amanda Leader, who is working on her Masters Degree in Music, Voice Performance with emphasis in Opera. Amanda has been an excellent addition to the GCAC team and will be helping manage major components of Lisa’s serial opera as Project Coordinator. We’ll provide you more details on this project as it progresses.

So stop by Grand Central Art Center and be part of the action, we would love to see you!


Daniel Tucker – The Active Schedule of a GCAC Artist in Residence

April 11, 2014

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You may wonder what an artist in residence at Grand Central Art Center does on a daily bases during their time with us. Besides engaging with the GCAC team, CSUF students, community members and visitors, they stay pretty active.

Here is a quick summary of this week’s meetings and activities current artist in residence Daniel Oliver Tucker has been involved with, in addition to lots of reading and prepping for his installation (and a few unrelated admin and writing gigs related to other stuff he’s got going later in the year).

Upcoming:

As part of his residency, from April 18th-26th, Tucker will be touring California, participating as a visiting artist at College of the Redwoods (Eureka 4/17), Mills College (Oakland 4/24), and giving a lecture at CalArts (4/26 Valencia) as part of the 10th Annual Conference of the International Association for the Study of Environment, Space, and Place.  At each location he will be sharing information about his new project, Future Perfect – Time Capsules in Reagan County, being developed as artist in residence at GCAC.

He then returns to GCAC where he will continue the research and development stage of this new project.

A portion of his new project will be featured in a group exhibition from May 3-24th at Commonwealth & Council (Opening 5/3 at 3006 W 7th St #220, Los Angeles).

Installation Title: The Preface to Future Perfect – Time Capsules in Reagan County (2014).

Description: Over the course of 2014, Tucker is developing a documentary project entitled Future Perfect – Time Capsules in Reagan County dealing with the legacy of Ronald Reagan and the phenomenon of time capsule burials in southern California. Speculating on the contents of many of these time capsules, Future Perfect considers what Reagan’s science-fiction imagination of the future was and how that vision constituted parts of the political terrain of the present. Presented in Tucker’s first exhibition in LA, The Preface to Future Perfect is a photography installation presenting materials from his ongoing research.

The last portion of his GCAC residency will involve the community engagement phase that is still in the planning. The overall project will evolve into an installation open to the public, taking place in the GCAC Artist in Residence Studio.

We will keep you updated as the plans develop further and dates for activities here at GCAC are set.

We look forward to seeing you here!


Joanna Klass, Wojtek Szaszor, Nadia Hironaka, Matthew Suib – Great Visitors to GCAC!

March 7, 2014

Joanna Klass and Wojtek Szaszor

Joanna Klass and Wojtek Szaszor were visiting us from Warsaw, Poland.  They were GCAC creatives in residence for a first site visit, connecting with us and discussing possibilities for a future extended residency project.  While here, they presented an evening of live performance/ installation/ multimedia/ archives and conversation, Art of the Spectacle, part of their ongoing “artist in permanent utopia/permanent exile” project.  The program provided a round table dialogue about art objects, society, and exile, with a slight local focus toward Grotowski, Modjeska, Orange County and Santa Ana.  The gallery space was activated over the course of the evening for a gathering of several artists, curators and community friends who joined Klass and Szaszor as collaborators. A simple table with a circle of chairs was placed in the center of the space. A meal was served.  The goal was to engage the group in an interesting, initially outlined conversation concerning art, cultural politics, urgent issues that matter. Participation in the performance was open.   There were empty chairs for visitors who wished to join the conversation, allowing the public to enter freely and roam the gallery, listen to the conversation, join at the table or observe. The “discontextual installation” contained small traces of Deren, Cage, Modjeska’s godson Witkacy, Jerzy Grotowski, F-Space Gallery, Situationists and others.  It was an art event that one individual described as “Borscht, Bauhaus, and Bickering.”

*Joanna Klass is the founding director of Arden2, a non-profit organization based in Los Angeles, facilitating exchanges between Polish and American artists.  She has brought a broad spectrum of contemporary Polish theatre to the U.S., including Gardzeniece Theatre Lab, Song of the Goat, Teatr Provisorium, the Modjeska Theatre Company, Kana Theatre, the Wroclaw Puppet Theatre, TR Warszawa and Teatr ZAR.   (*from the Library Foundation of Los Angeles website)

If you were around Downtown Los Angeles in the early to mid-90s, you might have run into Wojtek Szaszor, as he was one of the organizer of an incredibly important alternative space located on Traction Avenue by the name of Spanish Kitchen.  For the record, Downtown LA had a great scene in the 90s, with spaces like Deep River, POST, the activities of the Santa Fe Colony, artists studios and a bit later The Project, among much more.

Matthew Suib and Nadia Hironaka

Philadelphia based artists Nadia Hironaka and Matthew Suib also stopped by Grand Central Art Center for a visit.  Current GCAC Director/Chief Curator John D. Spiak presented Hironaka’s major multi-channel video installation with 16-channel sound, The Late Show, when Spiak was a curator at Arizona State University Art Museum.

GCAC always loves sharing our time and space with quality artists, creatives and the community, so come pay us a visit!


Starting March Off Right @ GCAC!

March 4, 2014

We kicked off March with a powerful program this past Saturday night and the energy continues today!

GCAC artists in residence Ingrid Reeve, Barbara Milliorn and Evan Senn continued their dialogue with the public, through their project Life of An Artist , on what it means to be a feminist and a working female art professional.

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The three organized the panel discussion Feminism Today: Art and Life, with artists and educators Micol Hebron, Arzu Arda Kosar, Dr. Joanna Roche and Carrie Yury.  The scheduled one-hour conversation extended itself into a two-hour lively conversation discussing past experiences with gender discrimination, how one defines “success” for oneself and in their practice, the demeaning word choices used in our society, and much more.

Grand Central Art Center thanks the panelists, the Life of An Artist team and the 80+ in attendance braving the rain that evening to join us.

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Saturday evening also marked the opening of two new exhibitions, Heather Bowling and Amanda Patenaude: You Are What You Concede Curated by Kimberly McKinnis, CSUF MA in Exhibition and Design
, and Julia Haft-Candell: Fast and Slow,
 Curated by Yevgeniya Mikhailik, GCAC Curatorial Associate.  The exhibitions were received extremely well by the over 1,000 individuals in attendance throughout the evening.

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You Are What You Concede was developed through a series of community trash collection days organized by the two artists, with assistance provided by Gerardo Mouet, Executive Director, Parks, Recreation, and Community Services Agency at the City of Santa Ana.  The artists worked with the wonderful team and volunteers associated with Back To Natives RESTORATION, and their Natives Nursery at Santa Ana’s Santiago Park.  The artists and volunteers worked together collecting trash from the riverbed of Santiago Creek.  The materials collected were used to create the installation, which includes opportunities for individuals to take an element of the work home, as well as participate in the “Recraft” workshop  space to create new objects.  The installation provided for great dialogue and a truly engaged experience throughout the evening.  More information and images from the project can be found on the You Are What You Concede Facebook page:
https://www.facebook.com/youarewhatyouconcedecollaboration

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Along with the receptions for the two new exhibitions, Santa Ana Girl Scout Troop #2363 joined us at the openings to sell cookies and collect donations for the Southwest Community Center (homeless shelter) of Santa Ana.  During the evening, we were provided with some great facts as reported by a recent Girl Scouts of America impact study (2013) that we thought we would share: 92% of female astronauts were Girl Scouts; 68% of all Congresswomen were Girl Scouts; 80% of all female business owners were Girl Scouts.  Some impressive stats!  Thank you Karla Frizler for connecting with us and bring your troop to the art walk!

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Today, artist Marisa Jahn and the NannyVan team visited, to discuss future residency possibilities with GCAC.  The NannyVan team are in town to begin their Los Angeles based residency at the 18th Street Art Center in Santa Monica.  REV created the NannyVan through lead artist Marisa Jahn, a project working in collaboration with The National Domestic Workers Alliance.   The NannyVan is a bright mobile design lab and sound studio that “accelerates the movement for domestic workers’ rights nationwide.” With its pullout craft carts, colorful design and acoustic recording booth, the NannyVan convenes domestic workers and employers alike to produce and provide new fair care tools.

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This Wednesday, March 5 from 9:30-10:45am, Marisa and her team will hold a press conference to launch the NannyVan’s CA Tour with California Coalition of Domestic Workers at Downtown Los Angeles, La Placita at Olvera Street.  They invite you to join them for the event.

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The beginning of March also marks the last few days to help support the upcoming Wild Times project by artist Susan Robb.  GCAC is proud to be supporting the artist as a GCAC artist in residence and activation/exhibition site for Wild Times, occurring this spring through fall!  This is an extremely ambitious project, so Susan is reaching out through Kickstarter to generate additional funding support needed to realize this endeavor to its fullest potential.  There are only a few days left to support her project directly.  Every little bit helps to ensure the success of her journey, so please visit her Kickstarter page and pitch in!
https://www.kickstarter.com/projects/1130079042/wild-times

We look forward to having you join us!


wild Up, Lisa Bielawa and Colburn Conservatory – Recap of Santa Ana Sites #4

February 25, 2014

Grand Central Art Center is beginning to use the tagline “Art unRestricted” to describe our programming.  A perfect example of GCAC’s philosophy took place this past Saturday evening, as we presented the fourth in our ongoing Santa Ana Sites series, co-founded with our community collaborator and artistic director Allen Moon.

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Santa Ana Sites #4: wild Up in The Santora was our collaboration with Chris Rountree, founder and creative director of Los Angeles based new music ensemble wild Up; Lisa Bielawa, New York based composer, vocalist and GCAC Artist in Residence; and musicians of the Colburn Conservatory of Music.

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The evening began with a reception at GCAC, where we gathered the 225+ in attendance and provided each with a program and wristband of a certain color, which marked groups of 60.   At 7:30, the guests were officially welcomed by GCAC Director/Chief Curator John D. Spiak and given a brief overview of how the evening would play out.  They were told they would be escorted across the plaza to the Santora Building in groups of 60, where the official program would begin.

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Upon arrival at the Santora, guests were greeted in the atrium by Genesis Again, a vocal work by Lisa Bielawa with solo accompaniment on violin by Andrew Tholl.

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As the short piece concluded, the audience transitioned to the second floor of the building where the full wild Up music ensemble was performing James Tenney’s Swell throughout the open area.  This transition continued to occur until all 225+ audience members were gathered together on the second floor, experiencing the performance of Swell together.

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As the work concluded, Allen Moon introduced Chris Rountree, who provided insight into the printed program and spaces of the building.   The program laid out nine locations throughout the three stories of the Santora Building – atrium, third floor, stairway, se corner, OC Creatives, Tween’s Studio, NW corner, steet level gallery, basement – each providing a micro venue which had been separately programed for the evening.  It was a structure that provided the opportunity for each audience member to self-select his or her experience.

The choices were as follows:
Chance Encounter – Lisa Bielawa
Retracing – Eliot Carter Solo for Bassoon
Quintet – Andrew Tholl
The Cohen Variations – Daniel Felsenfeld
Let Down – Radiohead
Synopsis #5 – Lisa Bielawa solo for trumpet
Cabaret and Bach – for bass and voice
Ongoing percussion installation – Corey Fogel
The Twin Suite – Samuel Vriezen
Fratres – Arvo Part
Grisey for clarinet
Spirit Worker – ongoing installation by Chris Kallmyer
Synopsis #9 – Lisa Bielawa solo for Viola
Works by Luciano Berio and John Cage for soprano and voice
Punk Rock Set 1: Deerhoof and Dog Face Hermans
Trombone Sequenza – Luciano Berio
Synopsis #9 – Lisa Bielawa solo for English Horn
Synopsis #3 – Lisa Bielawa solo for Flute
Three Meditations on California Girls – Andrew Tholl
Above Chiangmai – Harold Budd
Love in Outerspace – Sun Ra
Narayana’s Cow – Tom Johnson
Knee Play 2 – Philip Glass

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The evening concluded with everyone reuniting in the street level gallery space to experience the last works of the evening together:
From the Cello Suites – J.S. Bach – Archie Carey
Punk Rock Set 2: FEAR, The Misfits, Deerhoof

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It was truly a remarkable evening, as wild Up and Lisa Bielawa allowed us to continue to expand our notions of the unRestricted!

Thank you to all the talented performers who made the evening possible:
Christopher Rountree (Artistic Director/Conductor/Voice), Lisa Bielawa (voice), Andrew Tholl (violin), Linnea Powell (viola), Claire Chenette (oboe/English horn), Dana Jackson (bassoon), Chris Kallmyer (guitars/trumpet), Andrew McIntosh (violin/viola), Ruiging Tang (viola), Brian Walsh (clarinets/saxophones), Allen Fogle (horn), Corey Fogel (drums), Justine Aronson (soprano), Melinda Rice (violin/viola), Derek Stein (cello), Eleanor Weigert(clarinets), Jonah Levy (trumpet), Matt Cook (percussion), Richard Valitutto (piano/accordion/melodica), Maggie Hasspacher (bass/voice), Erin McKibben (flute/piccolo), Archie Carey (bassoon), Matt Barbier (trombone), and Jodie Landau (percussion/voice).

Santa Ana Sites #4 was made possible through the generous support of Santora Group LLC, with in-kind support provided by Ashley Eckenweiler, The ACE Agency, Tweena Tran and Memphis Cafe.  We also recognize the wonderful contributions of time and energy the Grand Central Art Center team provide on a daily bases to ensure successful outcomes, so please join us in thanking them next time you visit.

Thank you as well to Kurt Mortensen and Steve Fisch for providing images and video from the evening!

Here are a few video links from the evening:

on YouTube:

on KCRW:
http://blogs.kcrw.com/whichwayla/2014/03/all-the-worlds-a-stage

on Facebook:
https://www.facebook.com/photo.php?v=10202872813802754&set=vb.1274343186&type=2&theater

https://www.facebook.com/photo.php?v=10202872901164938&set=vb.1274343186&type=2&theater

https://www.facebook.com/photo.php?v=10202873016687826&set=vb.1274343186&type=2&theater

To keep informed of future programs, as well as to see images and programming of past events, visit the Santa Ana Sites Facebook page at:
https://www.facebook.com/santaanasites

Success of programming is made possible through the generous financial support of individuals like you.  Contribute to GCAC’s continued success by make a donation online today!
https://www.fullerton.edu/SupportGCAC


March 1st from 6-10pm – Opening Receptions, Public Program and Cookies @ GCAC!

February 19, 2014

Join us to kick-off the month with two new exhibitions, a public program and other activities celebrating our First Saturday Art Walk scheduled for March 1st – Public Program at 6pm, Opening Receptions from 7-10pm, Girl Scout Cookie Sales from 7-9pm.

Here is what we have planned to engage you…

PUBLIC PROGRAM – 6PM

The Life of an Artist sm
Feminism Today: Art and Life
panel discussion
March 1,  6PM
Grand Central Art Center A.I.R. Basement Studio

On March 1st, Life of An Artist (Ingrid Reeve, Barbara Milliorn and Evan Senn) will continue their dialogue with the public on what it means to be a feminist, a working female art professional, and more.

Through a panel discussion with some of Southern California’s prominent and influential female artists, art professionals, critics and professors, the Feminism Today: Art and Life panel presentation and conversation will focus on feminist art practices in both contemporary art and life. The women involved will open up to the public, and to Life of an Artist: a reality TV web series, in a discussion of how everyday life and art-making intersect.  Topics will include sexism, racism and/or the trials, tribulations or benefits of being a women, and feminists, as female art professionals have experienced in their respective artistic careers and personal lives.

Confirmed panelists include:

Carrie Yury: Carrie Yury is Head of Research and Insights at BeyondCurious, Inc., and she writes for the Huffington Post regularly. Yury is also a nationally-exhibited fine artist, mother, wife and feminist. She is based in Orange County, and is represented by the Sam Lee Gallery.

Micol Hebron: Micol Hebron is an interdisciplinary artist and is an Assistant Professor at Chapman University. She is the founder of the LA Art Girls, the (former) co-founder of the artist collective The Elizabeths, and a contributing editor at X-TRA Magazine. She lives and works in Los Angeles, where she is represented by Jancar Gallery. Her latest project is featured on the cover of Artillery Magazine this month.

Arzu Arda Kosar: Arzu Arda Kosar is an international artist now residing in Los Angeles. She is the founder of Yarn Bombing Los Angeles, a member of the MapConception. She is the co-founder of TransIstanbul Collective that worked with inner city youth in Istanbul, Turkey and co-founder of International Survey of Alternative Artscene that examined contemporary art practices outside of the museum-gallery system in different parts of the world.

Joanna Roche: Dr. Joanna Roche, published poet and Professor of Art History, is a specialist in contemporary art. She specializes in Modern Art, Theory and Practice in New Media, Methods and Historiography. Her publications include articles and reviews on Joseph Cornell, Goat Island, Carolee Schneemann, Cindy Sherman, Pipilotti Rist, Tom Nechtal, Christian Hill, Joe Forkan and Nobuhito Nishigawara. Her scholarship examines the interworkings of memory and making in contemporary art.

Carrie Paterson: Carrie Paterson is an artist, writer and professor whose work crosses interdisciplinary boundaries between the arts and sciences. Paterson has taught various courses at many universities in Southern California since 2001 in sculpture, expository writing, visual culture, and the narrative structures in contemporary culture. Paterson has contributed essays, reviews and critical articles to a variety of publications including Sculpture, Flash Art, X-TRA, Artillery and Artweek, and currently she is Reviews Editor for Artillery Magazine.


OPENING RECEPTIONS – 7 to 10PM

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Heather Bowling and Amanda Patenaude: You Are What You Concede
Curated by Kimberly McKinnis, CSUF MA in Exhibition and Design
OPENING RECEPTION – MARCH 1 from 7-10pm
March 1 through April 13, 2014

East Coast artist Amanda Pantenaude will team up with West Coast artist Heather Bowling, for a first time collaboration, creating a site-specific installation made from recycled materials collected within the Santa Ana community.  The artists are interested in social awareness and have created previous participatory projects in the hope to educate the public about current and pressing global issues.

The collection of materials will be organized through a series of community events, collaborating with local individuals and organizations. Hands-on workshops, panels and programs are being developed for the course of the exhibition.

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Julia Haft-Candell: Fast and Slow
Curated by Yevgeniya Mikhailik, GCAC Curatorial Associate
OPENING RECEPTION – MARCH 1 from 7-10pm
March 1 through May 11, 2014

Julia Haft-Candell‘s sculptures are physical records of their making, and a reflection of their own history. Using small components to build larger forms, the artist continually invents, reassesses and makes endless decisions about how the work takes shape. Ultimately the goal is to form a composition that most effectively speaks to the ambiguity of perception and the complexity of being.

Using forms inspired by nature and the body, as well as ideas derived from quick doodles and sketches, she focuses on the space in between two contrasting concepts as a metaphor for my experience as a human being. In Haft-Candell’s words “I express contradictions. I seek the intersection of the conscious and subconscious, construction and destruction, fast and slow, serious and funny, hard and soft.”


GIRL SCOUT COOKIES

Girl Scout Cookies

Grand Central Art Center welcomes Santa Ana Girl Scout Troop #2363, who will be selling cookies for $4/box, plus collecting donations for the Southwest Community Center (homeless shelter) throughout the evening.


CONTINUING EXHIBITION

JK

Julianne Swartz and Ken Landauer: Miracle Report
January 19 – May 11, 2014

Julianne Swartz and Ken Landauer explored the miraculous through people’s perceptions of it in their lives, interviewing students, school children and community members of all ages and backgrounds. They combined their findings in an installation of fleeting vignettes playing on all of the available sound and video equipment in the museum’s possession. In the words of the artists, “Our installation strives to embody some beauty, some hocus-pocus and some unexplainable magic.”

More details on the exhibition can be found at:
https://grandcentralartcenter.wordpress.com/2014/01/10/julianne-swartz-and-ken-landauer-miracle-report/


More GCAC Visitors – Rijin Sahakian and Amitis Motevalli

February 8, 2014

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Great individuals keep stopping by Grand Central Art Center for a visit.  Today, we were honored to have curator Rijin Sahakian and Los Angeles based artist Amitis Motevalli stop by for the afternoon.

Rijin is in Los Angeles for the next year working on an exhibition with the LA Dept of Cultural Affairs on contemporary Islamic art and teaching a class at CalArts.

Amitis’ work has “centered on signage and symbology from Iranian and Islamic/Shia art and how they are significant in the construction of histories through documentation.”

What a pleasure to have them here at GCAC!


VIP Reception for Julianne Swartz and Ken Landauer’s Miracle Report

January 22, 2014

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Grand Central Art Center had a very successful VIP reception this past Saturday night, with 125 quality individuals join us to celebrate Julianne Swartz and Ken Landauer’s installation Miracle Report. The artists spent time connecting and reconnecting with individuals in attendance. Attendees included Los Angeles gallery owners, artists and foundation directors; Orange County and downtown Santa Ana business and city leadership; regional museum and art commission colleagues; and a few Southern California art critics.

We would like to thank Dan Bradley, Diego Velasco and the team at Memphis for their continued support of GCAC programs.

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