CUMULUS: MATTHEW MOORE AND BRADEN KING

September 27, 2013

MARKING THE 100TH ANNIVERSARY OF THE LOS ANGELES AQUEDUCT

Residency: June 2013 – December 2013

Exhibition: October 5, 2013 – January 5, 2014
 
OPENING RECEPTION: October 5 from 7-10pm 
 
 

Major support provided by the Metabolic Studio and Casio LampFree Projectors:

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moore king detail

Grand Central Art Center has invited Matthew Moore and Braden King as artists in residence to explore, examine and reflect upon the impact of the Los Angeles Aqueduct – part of a sixteen institution initiative funded through the Metabolic Studio’s Chora Council grants, marking the LA Aqueduct’s 100TH anniversary.

Cumulus marks the first collaboration between these two accomplished artists.  Through the residency, the artists set out on journeys – a series of driving trips along the aqueduct.  They connected with people who work, live and engage along its path.  Their travels allowed them the opportunity to listen to the land and then the water as it rushed down the cascade near Newhall Pass; flowed through massive piping in the Antelope Valley; traversed under slabs of concrete through the Mohave Desert; diverted from the Owens River.

The journey of water is not a foreign concept to artist Matthew Moore; it is actually central to generations of his family’s livelihood.  For without the control of water, it would have been impossible for Moore to become the fourth generation of farmers in his family, sowing land in what would otherwise be considered hostile desert environment of western Phoenix, Arizona.

Through his agricultural history, Moore found his artistic voice.  He uses his creative practice to explore issues of place and ecology.  The foundation of his approach come from the realization that the actions of taking the desert, converting it into arable land by diverting water, creates an infrastructure that provides the perfect environment for urban growth and suburban sprawl, which are inherently complex and problematic.

Working in the medium of film and installation, Braden King’s projects often focus on individuals finding their place in the world and how external geographies can act as mirrors to our internal selves – mapping, landscape, geography, work. To quote Zachary Wigon’s in Filmmaker Magazine (Apr 11, 2012) regarding King’s 2011 film HERE, “is about nothing so much as having an appreciation and understanding of where one is.”

King approaches his art through his personal desires of seeing something in the world and then making that thing a reality.  It’s an attempt to make a little more order in the world, both his own and that of others.

The site-specific installation Cumulus is a culmination of a residency that allowed for multiple site visits, time to talk, and time to travel outside the institution.  To quote King “It’s been a truly creative collaboration and process – feeling our way into something, not thinking our way into something.” The project is an attempt to tell the story of this 100-year old engineering marvel that was dedicated on Nov. 5, 1913, when thousands gathered northeast of Los Angeles to mark the opening.  A ceremony where Chief Engineer and Aqueduct designer William Mulholland remarked, “There it is. Take it!”

Constructed to transport water from the Owen’s Valley in its first phase, and later from the Mono Basin in its second.  The 373 mile long LA Aqueduct created a rich environment for growth in Southern California, while leaving a virtual dust bowl in the central part of the State.

Cumulus addresses the “it” of the aqueduct and Mulholland’s statement.  What is the “it” that we may be taking and what does “it” enable us to achieve?  Is the “it” simply water that has run down from the Sierra’s, or does it reflect someone’s real or potential prosperity and livelihood?  What impact does “it” have on landscape? And most significantly, how much control do we actually have over “it”?

Through the use of building materials, specifically used scaffolding planks, the artists have created a massive pipeline that emerges from one side of the gallery before quickly disappearing into the other.  Projected upon it are moving images of atmosphere and landscape, traversing its surface as fluidly as water flows through the aqueduct itself.  The installation reflects our inherent curiosity, of being fascinated by the things humans decide to make.  To quote Moore, “the audacity of the human endeavor is never more apparent than when societies come together to construct such industrial feats as the aqueduct, achieving a perceived common good.” At the same time, such achievements acknowledge our limits of control as makers, as much as we desire to do so.

From Moore’s direct experience of water in agriculture, “to believe in it as a certainty is inherently flawed.  We can build all the infrastructure and systems to transport this precious resource, but if it doesn’t rain, they are all for naught.”  He continues, “there may be no more hopeful image than that of a cloud… the promise of sustenance and a future that cannot be controlled by the will of man.”

To quote King, “The Aqueduct made it possible for a lot of things to exist.  Los Angeles wasn’t there, and then it was there, which again has made the success of Orange County possible.  People thought, ‘Hey, we can take that water from up here, and make a channel and take it down there, across the desert, and then we can make more things and more people can live.’  And then they did it.  They turned clouds into concrete.”

Major support provided by the
Metabolic Studio (http://www.metabolicstudio.org/)
Casio LampFree Projectors (http://www.casioprojector.com/).

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Programming and Projection System Design: Brian Chasalow
CAD/Architecture Support: Aaron Forbes
Project Assistance: Catherine Mahoney, Kim Larkin, Tracey Gayer
Installation: Claes Bergman, James Sulak, Matthew Miller
Promotional Assistance: Yevgenia Mikhailik, Shauna Hultgrien
Gallery Assistance: Maxwell Rivas, Tony Pedraza, Angelica Perez

More information regarding the Metabolic Studio Chora Council grant can be found online at:http://www.annenbergfoundation.org/node/50769


Saskia Jorda Wraps First Part of Residency

March 29, 2013

It has been a busy few months for artist in residence Saskia Jorda, who has been at Grand Central Art Center engaging the topic of quinceañera with our local community, with assistance of CSUF BFA student Angelica Perez-Aguirre.  She’s met with numerous individuals and groups, spent time in great conversations, has had generous collaborative assistance from many members of our Santa Ana neighborhood, as well as CSUF faculty, students and our GCAC team.  The collective efforts and energy are working towards the development of her project that will open in GCAC’s Don Cribb Project Room during the May 4, Downtown Santa Ana First Saturday Art Walk.

Saskia Jorda with Angelica Perez-Aguirre

Saskia Jorda with Angelica Perez-Aguirre

Saskia Jorda with Joanna Roche and Matthew Miller

Saskia Jorda with Joanna Roche and Matthew Miller

Over the course of the past few weeks, Saskia had the opportunity to speak at the contemporary art history class of CSUF professor Joanna Roche.  She welcomed students from Joy Shannon’s art classes of the Orange County School of the Arts into the Artist in Residence studio to share her past work and a conversation about the recent project.  CSUF students Aaron Jones,   and Maxwell Rivas joined community member Claudia de la Cruz for Saskia’s second Sunday Workshop and Conversation.

Saskia Jorda with Angelica Perez-Aguirre, Maxwell Rivas, Aaron Jones and members of the community.

Saskia Jorda with CSUF students Angelica Perez-Aguirre, Maxwell Rivas, and community member Claudia de la Cruz.

Saskia Jorda with Joy Shannon's students from Orange County School of the Arts

Saskia Jorda with Joy Shannon’s students from Orange County School of the Arts

Saskia Jorda with Joanna Roche and Tracey Gayer

Saskia Jorda with Joanna Roche and Tracey Gayer

Saskia has concluded the first part of her residency, but will return in late April for the installation of the project.   We thought you might enjoy this little teaser of the full installation to come, it will be fantastic!  Mark your calendar now and plan to join us, we promise lots of outstanding art and a few surprises…

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Workshop (3/17) & Update on Artist in Residence Saskia Jorda’s Unraveling Tradition

March 15, 2013

Grand Central Art Center Artist in Residence Saskia Jorda and her artistic collaborator, California State University at Fullerton visual art student Angelica Perez-Aguirre, invite you to join them at GCAC this Sunday, March 17th from 2-4pm, for a hands-on workshop in the development of the project Unraveling Tradition.

With the intention of bringing about a broader understanding of the Quinceañera tradition, they invite you to share your story and hear those of others.

Complete details for the workshop can be found below, but we wanted to first provide you a little update on the activities related to Saskia’s residency and the overall project – which will result in a full installation at GCAC scheduled to open with a major reception on May 4th from 7-10pm.

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During the Downtown Santa Ana March First Saturday, Saskia and Angelica were joined by Quinceañera magazines January-April issue Cover Girl Jennifer Razo and the issues Miss Popular Sabrina Torres. The Artist in Residence studio was opened to our GCAC 2nd Street Promenade, inviting the public to join them in conversation, hands-on activities and a magazine signing by their two celebrity guests.  Thank you to Quinceañera magazines for their continued support of this project!

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The following afternoon, March 3rd, Saskia and Angelica presented their first public workshop.  They were joined by members of our community who brought their own personal stories, histories and future plans associated with the tradition Quinceañera, sharing a wonderful afternoon of conversation.  While everyone talked, they engaged in hand making activities involving fabrics, buttons and photographs.  Much was shared to inform the project and help in the development of the workshop scheduled for this Sunday.

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Since that first workshop, Saskia and Angelica have been hard at work in the Artist in Residence studio.  Saskia has been developing, with the assistance of our amazing preparatory Matthew Miller, the overall plans for the spinning sculptural element which will be presented in the GCAC Project Gallery this May.  The two artists have also been busy sewing fabric elements.  To date they have gathered and ruffled over 160 yards, with a goal of over 500 yards when the project is complete.

Our entire GCAC team is excited to see the outcome of this project in May and we invite you to join us that evening, which we promise will hold many surprises!

So come be a part of the project and join Saskia and Angelica for this Sunday’s workshop at Grand Central Art Center’s Artist in Residence Studio!

Here are the workshop details:

Workshop: March 17, 2-4 pm

Explore the Quinceañera traditionby sharing your story with us

Join artists Saskia Jordá and Angelica Perez-Aguirre at Grand Central Art Center in Santa Ana for a project entitled “Quinceañera.”

With the intention of bringing about a broader understanding of the Quinceañera tradition, we invite you to share your story and hear those of others. If you are a:
- Quinceañera who is preparing for your special day.
- Young girl or woman who has already gone through this celebration.
- Parent, relative, or friend interested in sharing your own experience.
Or, join us if you are simply interested in learning about this long-standing tradition.

Come and take part in the “Recuerdos” or “memory” making day.
- Share your photos and experiences and listen to those of others.
- Transform your Quinceañera dress or any item from your celebration into wearable art objects or “Recuerdos.”
- Or come and share your excitement and ideas, and work with our materials.

A series of free workshops on:
 SUNDAY, MARCH 3, 2013 from 2-4 PM 
SUNDAY, MARCH 17, 2013 from 2-4 PM 
GRAND CENTRAL ART CENTER, A.I.R Studio
125 N. Broadway, Santa Ana, CA
Drop in or let us know if you can join us by calling us at: (714) 567-7233
For more info visit: https://grandcentralartcenter.wordpress.com/

Explore la tradición de Quinceañera compartiendo su historia con nosotros

Acompañe a las artistas Saskia Jordá y Angelica Perez-Aguirre en Grand Central Art Center en Santa Ana para un proyecto titulado “Descifrando una Tradición”.
Le invitamos a compartir su historia y escuchar las de otros, con la intención de lograr una comprensión más amplia de la tradición de la Quinceañera. Si Ud. es:
- Una Quinceañera que se prepara para su día especial
- Una joven o mujer que ya ha pasado por esta celebración
- Familiar o amigo interesado en compartir su propia experiencia
- O simplemente acompáñenos si está interesado/a en aprender más sobre esta tradición.

Venga y participe en un día de crear “Recuerdos”.

– Comparta sus fotos y experiencias y escuche las de otros.
- Transforme su vestido de Quinceañera o cualquier artículo de su celebración en objetos de arte usables o “Recuerdos”.
- O venga y comparta su entusiasmo e ideas y trabaje con nuestros materiales.

Una serie de talleres gratuitos el:

DOMINGO, 3 DE MARZO, 2013 from 2-4 PM
DOMINGO, 17 DE MARZO, 2013 from 2-4 PM

GRAND CENTRAL ART CENTER, A.I.R Studio
125 N. Broadway, Santa Ana, CA
Preséntese o avísenos si nos puede acompañar llamándonos al: (714) 567-7233
Para más información visite: https://grandcentralartcenter.wordpress.com/


Uniforms Ready, Clubhouse Ready, Teammates Ready, Balls Are Here and Adam Arrives Tomorrow!

June 9, 2012

After a long drive to the Victory Custom Athletic factory and headquarters in Chatsworth, CA, we are proud to announce that the uniforms are now here at Grand Central Art Center – in the clubhouse and ready for the teams arrival.  A big THANK YOU to the team at Victory Custom Athletic, especially Claudette Duggan, for helping us get the uniforms in less than two weeks.  Their factory is amazing, here it is in action.

Meanwhile, back at Grand Central Art Center, our amazing preparator Matthew Miller was putting the finishing touches on the team clubhouse, now located in our GCAC Artist in Residence studio.

And here is what it now looks like in our new team clubhouse for the Cut-Off Men, all ready for the teams arrival!

You’ll have your first chance to meet the team in person this coming Monday night by attending the Dutch Treat Dinner/Ball Signing event at Izalco Restaurant, here in Downtown Santa Ana – balls to the first 50 individuals to arrive.  For details visit: https://grandcentralartcenter.wordpress.com/2012/06/04/invitation-to-dutch-treat-dinner-ball-signing-june-11-%C2%AD-please-join-us/

We found out that the Major League Baseball tryouts on Tuesday are free and open to spectators, so drive yourself over and join us at the ball park.  Complete details and the address can be found online: http://mlb.mlb.com/mlb/official_info/about_mlb/tryout_us.jsp

Without further ado, we would like to introduce you to Adam’s team!  We are still missing a couple of teammate pictures and are working hard to recruit one last team member, so help spread the word.  Even though each member trys out individually, Adam would still love to have a “team” of nine.

Adam

Abraham

Erik

Justin

Mike

Phil

Steven

Tori

Projects like this, especially on such a short time frame (we just met Adam and heard about his idea for the first time a little over two weeks ago when we agreed to realize it), would not be possible without our own amazing Grand Central Art Center team.  Thanks to their energy over the past two weeks and for all the hard work each has put towards this upcoming artist in residence with Adam.  It was an extremely short timeframe to realize such a project, but their excitement and know how in regards to the elements for such a project helped to make it a reality.  The team includes:  Tracey Gayer, Matthew Miller, Jenny Mikhailik, Angelica Perez, Tony PedrazaMaxwell Rivas and our newest addition, CSUF student intern Ariel Gentalen.

If you still need more information on Adam’s project, or would like to join the team (deadline extended to June 9), visit:  https://grandcentralartcenter.wordpress.com/2012/05/30/dream-of-playing-in-the-major-leagues-mlb-join-gcac-artist-in-residence-adam-moser-and-tryout/

The Cut-Off Men film can now be viewed online at: https://grandcentralartcenter.wordpress.com/2012/07/02/the-cut-off-men-filmdocumentary-now-online-for-viewing/


Paul Ramirez Jonas in Residence for Site Visit!

February 29, 2012

Paul Ramirez Jonas at Grand Central Art Center with GCAC Associate Dir. Tracey Gayer, Director/Chief Curator John D. Spiak and Chief Preparator Matthew Miller.

Artist Paul Ramirez Jonas is here for the week doing a site visit of Grand Central Art Center and downtown Santa Ana as we prepare to develop a future Social Practice residency project together.

Ramirez will return at future dates as an artist in residence to realize his vision.

Here is a link for more information on the artists work:
http://www.paulramirezjonas.com/selected/new_index.php#20&31_2010&sub202&02_Dictar%20y%20Recordar

Information on the Grand Central Art Center Artist in Residence initiative can be found at:
https://grandcentralartcenter.wordpress.com/artist-in-residence-program/


HERE IN YOUR SPACE

January 19, 2012

HERE IN YOUR SPACE:
GUY BEN-NER, CHRISTIAN JANKOWSKI
and GILLIAN WEARING

February 4 – April 15, 2012
http://www.grandcentralartcenter.com/ArtGallery_Project.php

SATURDAY, FEBRUARY 4TH EVENTS:
OPENING RECEPTION:
7:00-10:00 p.m. (GCAC – Free)


Image credit: Guy Ben-Ner, Stealing Beauty (2007). Collection of William and Ruth True, Seattle.

PROJECT ROOM GALLERY:
Here in Your Space focuses on the work of three artists – GuyBen-Ner,
Christian Jankowski and Gillian Wearing – engaging in private/pubic
space. In the home setting displays of Ikea, the aisles of a supermarket
and atrium of a shopping mall, the artists use the medium of video to
capture their own private performative actions within these public
spaces. All three videos occur in corporate environments – the privately
owned spaces that, for much of United States society, have become our
defacto places for public gathering.

In light of the economic situation in the United States over the past few
years, the issues of individual rights within perceived public space are
increasingly at the forefront of the national dialogue. Stories in the news
describe squatters claiming foreclosed homes, now owned by banks
which received government (public) bailouts; individuals camping out
for holiday or ticket sales on private property vs. those camping out in
support of the Occupy Movement on public property; and New York’s
Zuccotti Park, which brought forward the topic of hybrid models referred
to as POPS (Privately-Owned-Public-Space).

The works in this exhibition question the anticipated norms of behavior in
public and private settings – the attempts of individuals to claim private
and public owned properties as their own personal space. They blur the
boundary of public vs. private, your space vs. mine.

ACKNOWLEDGEMENTS:
This exhibition is made possible through the generous loan support of:
William and Ruth True, Seattle
Regen Projects, Los Angeles
Christian Jankowski, Berlin
Gillian Wearing, London

CURATOR:
This exhibition was organized through the joint vision of Grand Central
Art Center’s Krystal Glasman, Matthew Miller and John D. Spiak.