SANTA ANA SITES #5: STEVE RODEN – A Sound Performance – June 14

June 2, 2014

SANTA ANA SITES #5: STEVE RODEN
a sound performance

JUNE 14, 2014
7:30 – 8:15PM
PRE-PERFORMANCE RECEPTION / MIXER
*please arrive no later than 8pm

RECEPTION LOCATION:
Q Art Salon
205 N. Sycamore St.
Santa Ana, CA 92701

audience will be escorted to performance location

SEATING LIMITED, TICKETS REQUIRED, BUT ARE FREE TO PUBLIC
ticket information below

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Santa Ana Sites #5 presents an evening of sound performance by artist Steve Roden. Performing through the use of two analog modular synthesizers, Roden will continue the Sites approach of presenting work in unique Santa Ana spaces, activating a subterranean racket ball court located in the heart of Downtown Santa Ana.

Tickets are free but reservations are required – RSVP info towards the bottom of this page

Steve Roden is a visual and sound artist born in Los Angeles and living in Pasadena, CA. Roden’s practice includes painting, drawing, sculpture, writing, film/video and sound performance.

Since the late 1980’s, Roden has had numerous solo and group exhibitions internationally. recent solo exhibitions include: CRG Gallery, New York and Susanne Vielmetter LA Projects, Los Angeles. Group exhibitions include Silence at the Menil Collection, Houston, Texas and the First International Biennial of Contemporary Art of Cartagena, De Indias, Colombia.

Roden has performed his soundworks at various arts spaces and experimental music festivals worldwide including: Serpentine Gallery, London; San Francisco Museum of Modern Art; Walker Art Center, Minneapolis; DCA, Dundee, Scotland; Redcat, Los Angeles; Crawford Gallery, Cork, Ireland; as well as performance tours of Brazil and Japan. Recent performances include John Cage’s Cartridge Music with composer Mark Trayle at the Norton Simon Museum in Pasadena; a tribute to Rolf Julius at the Hamburger Banhof, Berlin; and performances at the Museum of Art, Strasbourg, France and The Rothko Chapel, Houston, Texas. Since 1993, Roden has released numerous cds under his own name as well as under the moniker “in between noise” on various record labels internationally.

Recently the artist has created numerous site-specific sound works for spaces such as MOCA at the Pacific Design Center in response to a group of paintings by Mark Rothko; the Henry Art Gallery at the University of Washington’s James Turrell Skyspace; the MAK Center for Art and Architecture/Schindler House in Los Angeles; a live collaboration with Stephen Vitiello in a room of 50 pieces of sculpture by Donald Judd at Chinati, Merfa, Texas; Daniel Libeskind’s Run Run Shaw new creative media centre building at City University of Hong Kong; a sound/sculpture/drawing installation for Thomas U. Walter’s 1848 building at Girard College, Philadelphia for the Hidden City Festival; and a permanent public artwork at Hayvenhurst Park, in West Hollywood, California.

This event is anticipated to be at maximum capacity with reservations required.

Reserve FREE tickets through email with name and requested number of tickets with a maximum of two tickets per guest to:
jspiak (at) fullerton (dot) edu

A reception at Q Art Salon will begin at 7:30pm, with guests being asked to arrive no later than 8:00pm on Saturday, June 14th.

 

ABOUT SANTA ANA SITES
Santa Ana Sites, an initiative of California State University, Fullerton’s Grand Central Art Center, presenting, in community partnership, contemporary performance in public and private spaces throughout Downtown Santa Ana.

The traveling forum is designed to provide the community shared artistic experiences, encouraging the discovery of diverse environments and architectural space.

Santa Ana Sites was founded by Allen Moon, Artistic Director/Community Partner and John D. Spiak, Grand Central Art Center Director/Chief Curator.

More information on the previous Santa Ana Sites can be found at:
https://grandcentralartcenter.wordpress.com/santa-ana-sites

 

SUPPORT
Santa Ana Sites #5 is made possible through the generous in-kind support of Dennis Dascanio, Jose Quant and Shell Martin, and Q Art Salon.

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Recapping A Grand First Saturday – Hike / Gallery Talk / Reception / Art Walk @ GCAC!

May 7, 2014

Saturday, May 3rd, marked another successful first Saturday art walk! The monthly art walk event in downtown Santa Ana provides a night of open galleries and institutions, studios and street vendors, great live music and all the wonderful food of local restaurants. It’s always an enjoyable way to spend a southern California evening!

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The day kicked-off a little early this month as Fallen Fruit. Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work. David and Austin led a day hike with participant collaborators Sue-Na G., Stephanie Kern, Emily Lacy, Husam Salman, Sarah Shewey and Faith Purvey, to Deep Creek Hot Springs in the San Bernardino National Forest. Fallen Fruit’s project, Rainbow Day Trip, was organized as a collaborative program of Susan Robb’s project and exhibition Wild Times, currently on exhibition at GCAC.

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The group of Rainbow Day hikers joined Fallen Fruit on the adventure to become “trail angels,” an effort to connect with Pacific Crest Trail hikers for encouragement and inspiration along the 5-month journey from Mexico to Canada (more details on Wild Times below).

Here is the way Fallen Fruit describes how their preparation and adventure unfolded:

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“Prior to Saturday, each collaborator chose a color to embody for the day hike.  They thought about each color and what that color means in the world.  They thought about flavors, histories and songs.  They constructed characters based upon our individual research and imagination.

The evening before the hike we connected to fine-tune our characters collectively.  We told each other stories and made embellishments to our color characters.  We used feathers and spray paint, working out the details of each of our individual performances, which we would reveal as a color performances to the group the next day. At the trailhead, we geared up and embarked on our experimental day trip to perform all of the colors of the rainbow.   Rainbows don’t last forever; they are fragile and temporal like our group.  We became a visual spectrum of color and spanned an arc within a landscape we couldn’t capture except by photographs.

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The Rainbow Day Trip was a mind-body experience that constructed a narrative created by individual experiences that was group authored.  Each color performed in independent ways, as meditations, as series of declarations about each participant, completely in song and through silence.  We realized that colors are many things.”

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Back at GCAC, we kicked off our evening with a 6pm gallery talk by current exhibiting artist Julia Haft-Candell. Julia shared insights into the current body of work included in her solo GCAC exhibition Fast and Slow, on exhibition in the Project Gallery through May 11th.   The artist provided insight into her process, her philosophies on art making practice and her current career activities. It was an appreciative audience in attendance who asked great questions, engaging the artist in wonderful dialogue.

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As the official art walk began at 7pm, we opened the doors to our three galleries. The night marked the opening reception for Susan Robb’s Wild Times project. In mid-April, Robb embarked on a 5-month adventure from Mexico to Canada on the Pacific Crest Trail. Using the trail as a nomadic studio and her experiences as inspiration and medium, she is creating digital works—photos, videos, and 3D files— sending them to Grand Central Art Center where they will be displayed. Over the course of the 5-months, the exhibition will continue to grow through physical object, engaged programming and hands-on activities provided by Robb through the Wild Times website.

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Thanks to a generous donation by Microsoft, we have numerous Surface tablets connected in the space, as well as a Microsoft Perceptive Pixel (PPI) touch screen device, allowing patrons the opportunity to browse the current activities of Robb on the trail. The connection to the project website also allows for individuals to post their own responses and interactions with the project, adding a truly collective voice to the project and gallery space.

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Through our new Makerbot 3D printer, we are actively printing objects Susan is scanning along the way and transmitting back to us. The objects are being printed in color codes that indicate the altitude on the trail where the object was discovered and scanned by the artist. We printed three rocks on Saturday evening that became, and will remain, part of the exhibition.

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The exhibition space also contains an Epson large format printer, being used by GCAC to print 2D images Susan sends from her journey. After being printed, the photos are framed and become part of the overall installation. Over the course of the exhibition the photos will begin to hang layered upon one another, creating a topographic map extending out from the gallery wall. The images and installation will provide a sense of the terrain the artist has traversed to date.

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If you haven’t seen it yet, we thought you might enjoy reading the interview with Susan regarding her Wild Times project on the Creative Capital blog. Creative Capital is a major granter of this project. Here is the link: http://blog.creative-capital.org/2014/04/susan-robbs-wild-times

In addition to Grand Central Art Center, you have the opportunity to see elements and programs of Susan’s Wild Times project at collaborative venues including: Palm Springs Art Museum, Palm Desert, CA; 826 valencia, San Francisco, CA; Tacoma Art Museum, Tacoma, WA; Frye Art Museum, Seattle, WA; and Henry Art Gallery, Seattle, WA.

We are excited to be able to support and to be on this journey with Susan. We hope you will join us throughout the project, to engage with its programming and to support the artist as well!

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Miracle Report

Saturday marked the last week of Julia Haft-Candell’s Fast and Slow exhibition, as noted earlier, and the last week of the extremely successful and well received exhibition by artists Julianne Swartz and Ken Landauer, Miracle Report. If you haven’t yet had the opportunity to see these exhibitions, stop by this weekend, as both exhibitions are open through this Sunday, May 11, when we close at 4pm. Lots of wonderful restaurants here in Santa Ana, so it could be a great way to celebrate Mother Day.

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And the activities and outreach of Grand Central Art Center on Saturday evening were not limited to Santa Ana. Current GCAC artist in residence Daniel Tucker was busy with his own activities in Los Angeles as well. During his residence, Tucker has been developing a documentary project entitled Future Perfect – Time Capsules in Reagan County, dealing with the legacy of Ronald Reagan and the phenomenon of time capsule burials in California. As part of his residency, the artist has been traveling the entire state of California, visiting research libraries, Reagan related monuments and parks, and presenting talks at various locations and institutions. On Saturday night, Daniel was part of the group exhibition PRESENTS that opened at Commonwealth and Council in Los Angeles, which runs through May 24th. For his contribution to the exhibition, Tucker created the project The Preface to Future Perfect, a photography installation presenting materials from his ongoing research while in residence at GCAC.

lisa visit

You would think all those activities would be enough to fill a weekend, and you would probably be right, but not for us here at GCAC. Sunday we welcomed back our ongoing artist in residence Lisa Bielawa, who is in town this week for a series of meeting, arranged through our Director/Chief Curator John D. Spiak, in the development of her upcoming GCAC project, a serial Opera titled Vireo. Lisa also had time to connect with our new GCAC Cal State Fullerton graduate assistant Amanda Leader, who is working on her Masters Degree in Music, Voice Performance with emphasis in Opera. Amanda has been an excellent addition to the GCAC team and will be helping manage major components of Lisa’s serial opera as Project Coordinator. We’ll provide you more details on this project as it progresses.

So stop by Grand Central Art Center and be part of the action, we would love to see you!


SUSAN ROBB: WILD TIMES – Opening Reception 5/3 @ GCAC

April 23, 2014

SUSAN ROBB: WILD TIMES
What is wild? Where is wild? Are you wild?
May 3 through October 12, 2014

Opening reception: Saturday, May 3 from 7-10pm

Artist Susan Robb‘s Wild Times merges new media, social engagement, and a 2,650 mile hike as an invitation to explore wildness as a geographic ideal and a state of mind.

Robb will walk the Pacific Crest Trail from Mexico to Canada, making and sending digital artworks to Grand Central Art Center and collaborating West Coast museums and art centers.

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Only 3% of the contiguous United States is still considered protected wild space.

As our culture increasingly pressures us to maintain a personal “brand,” be in constant contact, and snapchat every moment, maybe it’s not just our geographic wild spaces that are endangered, but our internal wild spaces as well.

Artist Susan Robb‘s Wild Times merges new media, social engagement, and a 2,650- mile hike as an invitation to explore wildness as a geographic ideal and a state of mind.

Beginning in mid-April 2014, Robb will embark on a 5-month adventure from Mexico to Canada on the Pacific Crest Trail. Using the trail as a nomadic studio and her experiences as inspiration and medium, she will create digital works—photos, videos, and 3D files—periodically sending them to Grand Central Art Center and a series of additional West Coast art venues. There they will be printed, projected, and installed, evolving into cumulative exhibitions, a meditation on what it means to be wild today.

In addition to Grand Central Art Center, collaborative venues include: Palm Springs Art Museum, Palm Desert, CA; 826 valencia, San Francisco, CA; Tacoma Art Museum, Tacoma, WA; Frye Art Museum, Seattle, WA; and Henry Art Gallery, Seattle, WA.

At its core, Wild Times is a proposition to YOU to seek out and explore your own wildness. To aid this process, Robb has developed satellite events and programming. The project website features “Hack Your Wild” instructions for creative action, the results of which can be posted and shared. Additional experiential opportunities are being offered at the venues: a “hero’s journey” writing workshop, group “therapy” explorations, improv comedy situationist dérives, and a “trail magic” master class.

Collaborators include: artists Fallen Fruit, Eroyn Franklin, Mandy Greer, Anastasia Hill and Eric Olson, writer Michael David Lukas, psychoanalyst Nicole Wiggins, artist and improv comedian Graham Downing, designer Katrina Hess, radio producer Jenny Asarnow, and writer, filmmaker and cultural critic Charles Mudede.

To further deepen the conversation, Robb has collected stories from “everyday explorers,” individuals who investigate or embody wildness by their own light and mettle. These media-rich features, shared online and in print, explore disaster edens, portray the life of a dominatrix, and consider the social and emotional toll of wild fires, among other subjects. Together, they depict diverse paths taken in pursuit of, or in response to, the wild.

The exhibitions, programs, and participatory website will enable venue visitors and the public at large to serve as collaborators—interacting with the project, with Robb, and the broad Wild Times community.

From the untrammeled spaces of the PCT, and with the host venues and her collaborators, Robb hopes to plot the coordinates of wildness in contemporary life. Through Wild Times, she offers her body and work as a conduit between gallery and wilderness, public and trail, form and formless, as a way to cultivate the wild terrain that resides in us all.

Wild Times is a project of Creative Capital and is supported by Grand Central Art Center, Palm Springs Art Museum, 826 Valencia, Tacoma Art Museum, Frye Art Museum, and the Henry Art Gallery.

Generous in-kind support has been provided by MakerBot, Microsoft, Projecteo, Washington Trails Association, and Whole Foods Market.

ABOUT THE ARTIST:
Susan Robb’s work is an ongoing investigation of people, place, and our search for utopia. She orchestrates temporary, site-responsive, and socially-engaged projects to transform contemporary concerns—climate crisis, social isolation, high-speed daily living—into opportunities to re-envision and re-connect. Her projects include The Long Walk, ONN/OF “a light festival”, Parking Squid, Sleeper Cell Training Camp, and Warmth Giant Black Toobs. Robb’s work has been funded by a Pollack Krasner Foundation Grant, two Artist Trust Fellowships, a Stranger Genius Award, 4Culture, and the City of Seattle’s Office of Arts and Culture. In 2013, she received a Creative Capital grant to produce Wild Times. Her work has been collected and shown nationally and internationally.

More Wild Times details:
http://www.wildtimesproject.com

More information on Susan Robb:
http://www.susanrobb.com/


Season Opening (9/1) & Performance Recap (8/24) @ Grand Central Art Center

August 27, 2012

It’s starting, the kick-off of our 2012-2013 season of exhibitions, programs and engagement at Grand Central Art Center.  With our new Director arriving last September 6, it has been a year in transition.  We have been busy the past 12-months developing a season that kicks-off September 1st from 7-10pm, with a free Season Opening Reception of three new and exciting exhibitions – Tony de los Reyes: Border Theory; Constantin Hartenstein: Event Horizon; and Erin Morrison: Meditative Action.

Tony de los Reyes: Border Theory

Constantin Hartenstein: Event Horizon

Erin Morrison: Meditative Action

Actually, we kicked-off the season a little early, with a pre-season performance last Friday, August 24.  Through the generous support of swissnex San Francisco, the Swiss Arts Council Pro Helvetia, the City and Canton of Geneva, and a collaborative partnership with LACE (Los Angeles Contemporary Exhibitions), we presented Yann Marussich’s Bleu Remix, with sound performance by Steve Roden and Glenn Bach.  The evening provided a unique opportunity to experience this Swiss artists intriguing work.

Bleu Remix, Yann Marussich. Photo Credit: Maxwell Rivas

Current CSUF students, LACE Director Carol Stakenas, Allen Moon of David Lieberman Artists’ Representative, UCR Sweeney Art Gallery Associate Curator and ARTSblock educator Jennifer Frias, among many others, attended the performance. Joanna Roche, Professor and Program Coordinator of Art History at California State University, Fullerton, sent, via email to Grand Central Art Center, a wonderful thank you that included an unsolicited text regarding her experience which she has given us permission to share:

Bleu Remix, Yann Marussich. Photo Credit: Maxwell Rivas

“It is with great intention and little pretension that Yann Marussich chooses blue for his performance. In Bleu Remix, Marussich reclines motionless within his heated box, sometimes staring, sometimes with eyes closed, exuding blue. Steve Roden and Glenn Bach’s sound performance Friday night at the Grand Central Art Center was the aural partner to Marussich’s body. Roden and Bach’s sound activates us within the space of the gallery, moving with us around the clear box that contains the artist. But the sound, like the artist’s body, takes us to another place. I’m not sure where it is, but it’s an intense, yet deeply still dimension. I guess it’s a blue place…

Steve Roden and Glenn Bach – Sound Performance

After his 45-minute performance, I asked Yann if his choice of blue was linked to sadness or melancholy (lamentation was a feeling I couldn’t escape watching tears of blue roll from lids to cheeks to chest in two blue streams into the pool of his navel). “No sadness, only presence—just for you [his audience],” he replied with a smile that revealed pale blue teeth. Yann Marussich’s body in Bleu Remix is not the “blue skin of cold,”[1] but a hot blue offering of self and sweat and sincerity.”

Joanna Roche
Professor and Program Coordinator, Art History
California State University, Fullerton
August 24, 2012

[1] For lovers of blue, read William Gass’s On Being Blue: A Philosophical Inquiry (Boston: Godine, 1976), 29.

Bleu Remix, Yann Marussich. Photo Credit: Maxwell Rivas

The evening was capped off with a wonderful dinner at local eatery Memphis at the Santora, where the artist, his family and his team, the sound artists, swissnex San Francisco team, and individuals from LACE, joined us for conversation and talk of future collaborative opportunities.

Dinner @ Memphis

As you will see from the 2012-2013 Exhibition / Program Schedule, this energy will continue throughout the upcoming year.  We have planned a quality and diverse season that will continue to provide inspiration and engagement for our communities – including CSUF students, faculty and staff; our Santa Ana community; and our contemporary arts communities locally, regionally, nationally and internationally.  We will be collaborating with a wide range of community partners, from the Santa Ana Public Library, the Grain Project, MKE<->LAX, Quinceañera Magazinebulbo (Tijuana/Los Angeles), OC Film Fiesta, among many others.

We look forward to seeing you here at Grand Central Art Center throughout the year and especially this Saturday, September 1st, as we invite you to celebrate with us.  It should be a wonderful evening among friends, colleagues, students and community, and a fantastic way to begin the new season!


Lisa Bielawa – Artist in Residence – Site Visit #1 @ Grand Central Art Center

June 30, 2012

It’s been an exciting week, with Grand Central Art Center having been extremely fortunate to host artist/composer/vocalist Lisa Bielawa as a visiting Artist in Residence.  This was Lisa’s first site visit to Downtown Santa Ana, as she begins the process of developing a larger project and an extended residency.

We worked to introduce Lisa to individuals in our community and sites around Orange County of possible interest.  The visit allowed her to experience our community, this region and to begin developing ideas for projects that could be realized through her artistic vision.

Tom Burke, Flying Bull, Inc. and a Special Events Consultant, provided a tour of the airstrips of the former Marine Corp Air Station El Toro in Irvine, now part of the development in process of the expanding Orange County Great Park.  Lisa was interested in visiting the site as she is currently developing projects on former runways as part of her upcoming Tempelhof Broadcast.  the Tempelhof Broadcast will be performed on the Tempelhof Airport runway in Berlin, and in development for performance on Crissy Field, San Francisco.  Tom shared brief histories of the site and recent activities, as we walked the runways and Lisa tested the sites sound qualities at distances.  It was a clear morning and the songbirds in the adjoining fields were clearly happy.

Lisa met with Allen Moon, of the David Lieberman Artists’ Representative, as they discussed the current international creative scene and the many individual acquaintances and friends they had in common.  Allen shared his perspectives of Downtown Santa Ana, along with his vast knowledge of the greater Orange County community and the individuals here for whom Lisa would benefit by meeting.

Dr. Pamela Madsen, composer, performer and scholar, California State University, Fullerton’s Music Department, met with Lisa at the recommendation of Allen.  She shared information on her role as director of CSUF’s New Music Festival, including her vision for the 2013 festival.  They talked about the current voice, music and composer communities of Southern California, including individuals involved with our colleague SoCal universities of CSU Long Beach, Chapman University, University of California Irvine, Los Angeles and San Diego, and the possibilities for collaboration.

Dennis Lluy, owner of Downtown Santa Ana’s Yost Theater, connected with us for even more inspirational conversation.  For a bit of background, the Yost Theater it the oldest theater in Orange County, originally built in 1912 during the Vaudeville movement.  Dennis has spent the past five years renovating the theater to an original feel and passionate authenticity.  Dennis is an amazing thinker and long-term generous supporter of Grand Central Art Center, as well as the OC Arts community in general.  After grabbing a bite to eat at Chapter One restaurant, we walked over to the Yost to spend some more time in the venue.  Lisa visited the site on the first day of her residency, but this return visit provided her the opportunity to wander through the space and test the theaters natural acoustics.  The space is amazingly live, with a hammered tin ceiling that helps to project a voice throughout, engulfing the site with beauty!

Along with the individuals from our direct community, we were also able to engage Lisa with artists currently connected with Grand Central Art Center.  We attended the UCLA Hammer Museum Yearbook Signing Party hosted by the Hammer for artists Adam Moser and Harrell Fletcher.  You probably recognize Adam’s name, since he just completed his Artist in Residence project here at GCAC, The Cut-Off Men.  At the event, Lisa was able to engage a bit with the Hammer‘s Curator of Public Engagement Allison Agsten and Senior Curator Anne Ellegood. She was able to have extended conversation regarding Social Practice, recent projects and the contemporary art scene of Southern California with Adam, Andrew Douglas of the Metabolic Studio, and Contemporary Art Curator Cassandra Coblentz (full disclosure, Cassandra is married to John Spiak, GCAC Director/Chief Curator).

We were fortunate to also have back at GCAC artist in residence Jules Rochielle.  She is here for another site visit, as she continues to connect with our community and further develop her project – meeting with individuals from El Centro and the Santa Ana Public Library.  Jules visit provided the opportunity to gather a few other Southern California artists for conversation and a quick breakfast gathering.  Joining us were recent OTIS MFA in Public Practice graduate Christina Sanchez and Los Angeles based artist Nancy Popp, who was recently named InterArts Chair at the Idyllwild Arts Academy.

More site visits were worked into the schedule, and through the recommendation of Jules, Lisa toured the Santa Ana River, which stretches 29 miles from Huntington Beach to Corona, and is located a couple of blocks from GCAC.  Walking the bike path, she explored the space and considered its concrete valley and closed railroad bridges as possible project sites.

Wednesday afternoon, Lisa hopped on the train at our local Santa Ana Train Station (again, a few short block from GCAC) and made the quick one-hour trip down to San Diego.  Once there, she first met with Steven Schick, Conductor of the La Jolla Symphony & Chorus.  She shared with him her experiences as artist in residence at Grand Central Art Center and her current thoughts related to project ideas.  They were able to brainstorm together and consider collaborative possibilities.  In the evening, she connected with Jim Rosenfield, President of the Mata Festival Board.  Lisa is actually one of the co-founder of the Mata Festival, with Philip Glass and Eleonor Sandresky.  Lisa had the opportunity to share more information regarding Grand Central Art Center’s vision with Mr. Rosenfield and talk about concepts for her project to be realized through our institution.

Thursday, before departing for the airport, Lisa met with Cathi Douglas, Editor of CSUF’s Titan Magazine.  The Titan Magazine team is working on an article about GCAC.  Lisa sat down with their team for a photo shoot, before meeting with Cathi for an interview at the Gypsy Den Grand Central Cafe.  Make sure to keep any eye out for an article on GCAC in an upcoming issue of Titan Magazine!

And with a packed schedule, somehow Lisa still found some quiet time throughout the week to sit within our GCAC Black Box Theatre, at the piano, working to compose new work for additional upcoming projects in her life.

Yes, another extremely successful visit by an outstanding artist who we are excited to have back in the very near future.  We’ll keep you posted as the project continues to develop and we will let you know dates for Lisa’s return when they are official.


THE CACOPHONY SOCIETY ZONE SHOW

January 18, 2012

THE CACOPHONY SOCIETY ZONE SHOW:
YOU MAY ALREADY BE A MEMBER

February 4 – April 15, 2012

SATURDAY, FEBRUARY 4TH EVENTS:
OPENING RECEPTION:

7:00-10:00 p.m. (GCAC – Free)

COCKTAIL RECEPTION:
3:00-4:00 p.m. (Yost Theater – Ticketed Event)

FILM BENEFIT SCREENING:
4:00 p.m. (Yost Theater – Ticketed Event)

Q&A
MODERATED BY MARK FRAUNFELDER 
(boingboing.net):
5:30 p.m. (Yost Theater – Ticketed Event)

BLOCK PARTY:
6:30-11:00 p.m. (2nd Street – Free)

THE CACOPHONY SOCIETY ZONE SHOW:
YOU MAY ALREADY BE A MEMBER

February 4 – April 15, 2012
http://www.grandcentralartcenter.com/ArtGallery_gcartgallery.php

EXHIBITION:
The Cacophony Society Zone Show is a retrospective look at the
Cacophony Society, a national collective of guerrilla artists, dada
pranksters and various eccentrics pursuing “experiences beyond
the mainstream.” Dedicated to activities mocking societal
expectations, sacred cows and good taste, The Cacophony
Society evolved from the San Francisco Suicide Club and its
members were chief organizers of the Burning Man Festival
in Northern Nevada. The Society’s pranking served as inspiration
for the activities of Project Mayhem in Chuck Palahniuk’s Fight Club.
The exhibition transforms the museums main gallery into a wildly
immersive environment filled with photos, graphics, video, props,
costumes, and original art from Society events.

BLOCK PARTY:
The Feburary 4th opening will be celebrated with a block party
featuring carnivalesque music and performance from Fancy
Space People, Clowns & Fetuses, Bieno Svengali, Eric Cash
and other artists associated with the Society.

COCKTAIL RECEPTION, FILM BENEFIT SCREENING AND Q&A
(*Ticketed Events):
This benefit preview screening of the documentary Into the Zone:
The Story of the Cacophony Society will be held at the historic
Yost Theater, only a few blocks from the Grand Central Art Center.
From 3-4pm, a cocktail reception will be held at the theater’s bar,
followed by screening and Q&A with Mark Fraunfelder (boingboing.net)
interviewing filmmaker Jon Alloway and Cacophony instigators
John Law, Danger Ranger, Chuckles Klown, and Reverend Al.
The film features extensive rarely seen footage as well exclusive
interview of Chuck Palahniuk on his experiences with the Society.

(ABOUT THE YOST: Recently re-opened, this 100-year-old theater
formerly served the area in a dual capacity: vaudeville palace upstairs
and basement holding cells dedicated to Orange County drunks and
criminals.)

*Advance tickets recommended:
http://www.yosttheater.com/calendar/2011/into-the-zone-the-story-of-the-cacophony-society-benefit-preview-screening/

ACKNOWLEDGEMENT:
In-Kind support of this exhibition and programs provided by:
Yost Theater
Media support provided by:
Juxtapoz Magazine

CURATORS:
This exhibition was organized by former Grand Central Art Center
Interim Director Mike Mcgee, members of the LA Cacophony Society
and students of Cal State Fullerton’s Exhibition Design/Museum
Studies Program.