Video, Images and LA Times Review of Santa Ana Sites #5: Steve Roden

June 20, 2014

On the evening of Saturday, June 14th, GCAC presented the fifth performance in our Santa Ana Sites series, with a sound performance by artist Steve Roden.

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The evening began with a reception at Downtown Santa Ana’s Q Art Salon, hosted by Jose Quant and Shell Martin. Guests gathered and connected with one another at this pre-event mixer.

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At 8:15pm, GCAC Director/Chief Curator and Sites Co-Founder John D. Spiak led guests, downstairs, down the street the a historic law building and a parking lot in front of roll-up gate leading to an underground parking area. When all had arrived, the gate was opened and guests made their way underground, where they then entered another space – that of a subterranean racket ball court located beneath the law building owned by Dennis Dascanio, who generously allowed GCAC use of the space for the evening.

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There, guests were greeted by Sites Co-Founder and Artistic Director Allen Moon and were introduced to Steve Roden for some brief pre-performance remarks.

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GCAC invited Steve to perform in the Sites series, as we admired and respect him for the constant risks he takes – through his painting, installation work, films and sound performances. He is always challenging himself and the audience, allowing access to those slight moments in life that we often forget, or don’t allow ourselves to experience or enjoy – the slight mark, the capturing of an actual shadow, an adjustment or shift of a tone. It is what Steve does best and what makes him such a remarkable individual.

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Over the course of his 5o-minutes performance, Steve didn’t disappoint, as he took the audience on a complicated sound journey – one that began with sound bleed from a cumbia band performing for a wedding at a nearby banquet hall, first collaborating with those sounds, then making that background beat truly disappear as his own synthesized composition took center stage. Through his skillful use and knowledge of sound, Roden was able to successfully transport the audiences to a place outside the confines of the Downtown Santa Ana location, to a space of “elsewhere” that was unique to each of the 108 individuals experiencing this live performance.

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GCAC was fortunate to have in attendance Carolina Miranda of the Los Angeles Times, who wrote a wonderful review of the evening. capturing her own images and sound of the performance that she shares through text and slideshow, available through the following link:
http://www.latimes.com/entertainment/arts/miranda/la-et-cam-steve-roden-sound-art-santa-ana-20140617-column.html

We were also able to record video documenting some of the sound check with the artist during the afternoon set-up, so we thought you might enjoy it as well.

We would like to also acknowledge and thank Dennis Lluy, along with his team at The Yost Theater for their continued support of Santa Ana Sites. Through their in-kind generosity, they have loaned equipment that makes each Sites performance possible.

Lastly, we thank all those who attended and who continue to support Grand Central Art Center, Santa Ana Sites and our community outreach activities!

More information on the Santa Ana Sites series, including documentation of past performances, can be found online at:
https://grandcentralartcenter.wordpress.com/santa-ana-sites/


SANTA ANA SITES #5: STEVE RODEN – A Sound Performance – June 14

June 2, 2014

SANTA ANA SITES #5: STEVE RODEN
a sound performance

JUNE 14, 2014
7:30 – 8:15PM
PRE-PERFORMANCE RECEPTION / MIXER
*please arrive no later than 8pm

RECEPTION LOCATION:
Q Art Salon
205 N. Sycamore St.
Santa Ana, CA 92701

audience will be escorted to performance location

SEATING LIMITED, TICKETS REQUIRED, BUT ARE FREE TO PUBLIC
ticket information below

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Santa Ana Sites #5 presents an evening of sound performance by artist Steve Roden. Performing through the use of two analog modular synthesizers, Roden will continue the Sites approach of presenting work in unique Santa Ana spaces, activating a subterranean racket ball court located in the heart of Downtown Santa Ana.

Tickets are free but reservations are required – RSVP info towards the bottom of this page

Steve Roden is a visual and sound artist born in Los Angeles and living in Pasadena, CA. Roden’s practice includes painting, drawing, sculpture, writing, film/video and sound performance.

Since the late 1980’s, Roden has had numerous solo and group exhibitions internationally. recent solo exhibitions include: CRG Gallery, New York and Susanne Vielmetter LA Projects, Los Angeles. Group exhibitions include Silence at the Menil Collection, Houston, Texas and the First International Biennial of Contemporary Art of Cartagena, De Indias, Colombia.

Roden has performed his soundworks at various arts spaces and experimental music festivals worldwide including: Serpentine Gallery, London; San Francisco Museum of Modern Art; Walker Art Center, Minneapolis; DCA, Dundee, Scotland; Redcat, Los Angeles; Crawford Gallery, Cork, Ireland; as well as performance tours of Brazil and Japan. Recent performances include John Cage’s Cartridge Music with composer Mark Trayle at the Norton Simon Museum in Pasadena; a tribute to Rolf Julius at the Hamburger Banhof, Berlin; and performances at the Museum of Art, Strasbourg, France and The Rothko Chapel, Houston, Texas. Since 1993, Roden has released numerous cds under his own name as well as under the moniker “in between noise” on various record labels internationally.

Recently the artist has created numerous site-specific sound works for spaces such as MOCA at the Pacific Design Center in response to a group of paintings by Mark Rothko; the Henry Art Gallery at the University of Washington’s James Turrell Skyspace; the MAK Center for Art and Architecture/Schindler House in Los Angeles; a live collaboration with Stephen Vitiello in a room of 50 pieces of sculpture by Donald Judd at Chinati, Merfa, Texas; Daniel Libeskind’s Run Run Shaw new creative media centre building at City University of Hong Kong; a sound/sculpture/drawing installation for Thomas U. Walter’s 1848 building at Girard College, Philadelphia for the Hidden City Festival; and a permanent public artwork at Hayvenhurst Park, in West Hollywood, California.

This event is anticipated to be at maximum capacity with reservations required.

Reserve FREE tickets through email with name and requested number of tickets with a maximum of two tickets per guest to:
jspiak (at) fullerton (dot) edu

A reception at Q Art Salon will begin at 7:30pm, with guests being asked to arrive no later than 8:00pm on Saturday, June 14th.

 

ABOUT SANTA ANA SITES
Santa Ana Sites, an initiative of California State University, Fullerton’s Grand Central Art Center, presenting, in community partnership, contemporary performance in public and private spaces throughout Downtown Santa Ana.

The traveling forum is designed to provide the community shared artistic experiences, encouraging the discovery of diverse environments and architectural space.

Santa Ana Sites was founded by Allen Moon, Artistic Director/Community Partner and John D. Spiak, Grand Central Art Center Director/Chief Curator.

More information on the previous Santa Ana Sites can be found at:
https://grandcentralartcenter.wordpress.com/santa-ana-sites

 

SUPPORT
Santa Ana Sites #5 is made possible through the generous in-kind support of Dennis Dascanio, Jose Quant and Shell Martin, and Q Art Salon.


Video Documentation – Santa Ana Sites #4: wild Up at the Santora

March 18, 2014

SANTA ANA SITES #4:
WILD UP IN THE SANTORA
WITH LISA BIELAWA AND THE COLBURN CONSERVATORY

SANTA ANA SITES, AN INITIATIVE OF CALIFORNIA STATE UNIVERSITY, FULLERTON’S GRAND CENTRAL ART CENTER. PRESENTING, IN COMMUNITY PARTNERSHIP, CONTEMPORARY PERFORMANCE IN PUBLIC AND PRIVATE SPACES THROUGHOUT DOWNTOWN SANTA ANA.

THE TRAVELING FORUM IS DESIGNED TO PROVIDE THE COMMUNITY SHARED ARTISTIC EXPERIENCES, ENCOURAGING THE DISCOVERY OF DIVERSE ENVIRONMENTS AND ARCHITECTURAL SPACE.

VIDEO DOCUMENTATION CREATED BY STEVE METCALF: http://stevemetcalf.com/

CLICK HERE FOR ADDITIONAL INFORMATION ON PAST PROGRAMS OF SANTA ANA SITES


wild Up, Lisa Bielawa and Colburn Conservatory – Recap of Santa Ana Sites #4

February 25, 2014

Grand Central Art Center is beginning to use the tagline “Art unRestricted” to describe our programming.  A perfect example of GCAC’s philosophy took place this past Saturday evening, as we presented the fourth in our ongoing Santa Ana Sites series, co-founded with our community collaborator and artistic director Allen Moon.

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Santa Ana Sites #4: wild Up in The Santora was our collaboration with Chris Rountree, founder and creative director of Los Angeles based new music ensemble wild Up; Lisa Bielawa, New York based composer, vocalist and GCAC Artist in Residence; and musicians of the Colburn Conservatory of Music.

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The evening began with a reception at GCAC, where we gathered the 225+ in attendance and provided each with a program and wristband of a certain color, which marked groups of 60.   At 7:30, the guests were officially welcomed by GCAC Director/Chief Curator John D. Spiak and given a brief overview of how the evening would play out.  They were told they would be escorted across the plaza to the Santora Building in groups of 60, where the official program would begin.

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Upon arrival at the Santora, guests were greeted in the atrium by Genesis Again, a vocal work by Lisa Bielawa with solo accompaniment on violin by Andrew Tholl.

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As the short piece concluded, the audience transitioned to the second floor of the building where the full wild Up music ensemble was performing James Tenney’s Swell throughout the open area.  This transition continued to occur until all 225+ audience members were gathered together on the second floor, experiencing the performance of Swell together.

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As the work concluded, Allen Moon introduced Chris Rountree, who provided insight into the printed program and spaces of the building.   The program laid out nine locations throughout the three stories of the Santora Building – atrium, third floor, stairway, se corner, OC Creatives, Tween’s Studio, NW corner, steet level gallery, basement – each providing a micro venue which had been separately programed for the evening.  It was a structure that provided the opportunity for each audience member to self-select his or her experience.

The choices were as follows:
Chance Encounter – Lisa Bielawa
Retracing – Eliot Carter Solo for Bassoon
Quintet – Andrew Tholl
The Cohen Variations – Daniel Felsenfeld
Let Down – Radiohead
Synopsis #5 – Lisa Bielawa solo for trumpet
Cabaret and Bach – for bass and voice
Ongoing percussion installation – Corey Fogel
The Twin Suite – Samuel Vriezen
Fratres – Arvo Part
Grisey for clarinet
Spirit Worker – ongoing installation by Chris Kallmyer
Synopsis #9 – Lisa Bielawa solo for Viola
Works by Luciano Berio and John Cage for soprano and voice
Punk Rock Set 1: Deerhoof and Dog Face Hermans
Trombone Sequenza – Luciano Berio
Synopsis #9 – Lisa Bielawa solo for English Horn
Synopsis #3 – Lisa Bielawa solo for Flute
Three Meditations on California Girls – Andrew Tholl
Above Chiangmai – Harold Budd
Love in Outerspace – Sun Ra
Narayana’s Cow – Tom Johnson
Knee Play 2 – Philip Glass

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The evening concluded with everyone reuniting in the street level gallery space to experience the last works of the evening together:
From the Cello Suites – J.S. Bach – Archie Carey
Punk Rock Set 2: FEAR, The Misfits, Deerhoof

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It was truly a remarkable evening, as wild Up and Lisa Bielawa allowed us to continue to expand our notions of the unRestricted!

Thank you to all the talented performers who made the evening possible:
Christopher Rountree (Artistic Director/Conductor/Voice), Lisa Bielawa (voice), Andrew Tholl (violin), Linnea Powell (viola), Claire Chenette (oboe/English horn), Dana Jackson (bassoon), Chris Kallmyer (guitars/trumpet), Andrew McIntosh (violin/viola), Ruiging Tang (viola), Brian Walsh (clarinets/saxophones), Allen Fogle (horn), Corey Fogel (drums), Justine Aronson (soprano), Melinda Rice (violin/viola), Derek Stein (cello), Eleanor Weigert(clarinets), Jonah Levy (trumpet), Matt Cook (percussion), Richard Valitutto (piano/accordion/melodica), Maggie Hasspacher (bass/voice), Erin McKibben (flute/piccolo), Archie Carey (bassoon), Matt Barbier (trombone), and Jodie Landau (percussion/voice).

Santa Ana Sites #4 was made possible through the generous support of Santora Group LLC, with in-kind support provided by Ashley Eckenweiler, The ACE Agency, Tweena Tran and Memphis Cafe.  We also recognize the wonderful contributions of time and energy the Grand Central Art Center team provide on a daily bases to ensure successful outcomes, so please join us in thanking them next time you visit.

Thank you as well to Kurt Mortensen and Steve Fisch for providing images and video from the evening!

Here are a few video links from the evening:

on YouTube:

on KCRW:
http://blogs.kcrw.com/whichwayla/2014/03/all-the-worlds-a-stage

on Facebook:
https://www.facebook.com/photo.php?v=10202872813802754&set=vb.1274343186&type=2&theater

https://www.facebook.com/photo.php?v=10202872901164938&set=vb.1274343186&type=2&theater

https://www.facebook.com/photo.php?v=10202873016687826&set=vb.1274343186&type=2&theater

To keep informed of future programs, as well as to see images and programming of past events, visit the Santa Ana Sites Facebook page at:
https://www.facebook.com/santaanasites

Success of programming is made possible through the generous financial support of individuals like you.  Contribute to GCAC’s continued success by make a donation online today!
https://www.fullerton.edu/SupportGCAC


Busy End to 2013, Even Busier Beginning to 2014 @ GCAC!

January 17, 2014

To say it has been a little busy around Grand Central Art Center over the past month is a bit of an understatement – IT’S BEEN EXTREMELY BUSY!

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Vincent Goudreau was very active during his last weeks in residence at GCAC in mid-December. As part of his Recordings of an Immigrant project, we decided to fly Juan Aquino out from the island of Maui to join Vincent in residence. Juan is the inspiration/subject for Vincent’s current project.

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Vinct and Juan walking along freeway

During their time together Vincent and Juan, along with videographer Randy Mills, spent a number of days searching for a specific house in Fullerton, CA – the location where coyotaje delivered Juan upon his arrival into the United States over twenty years ago. Now a legal US citizen, the visit by Juan brought him back to a connection/transition location that marks an important part of his amazing life journey. We will share the results of this search soon, as the video is currently in the editing phase for a short documentary we will be releasing online in the coming weeks.

Vincent Conversation

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Vincent and Juan, joined by GCAC Director/Chief Curator John Spiak, presented a public conversation about Vincent’s residency, his journeys with Juan and thoughts for the project moving forward. The evening included the screening of two of Vincent’s past short film/video works – Harry and Janet and Villa Capri, providing insight into how Vincent’s projects often deal with the topic of global connection and place. As the screening concluded, patrons were invited to join the artist for an informal ice cream social, a tribute to an important scene from Villa Capri.

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IVC Class at GCAC

As the week concluded, we were visited by two of Danielle Susalla Deery’s classes from Irvine Valley College, Museum and Technologies and Museum Marketing. We are proud of the fact that Danielle is a Cal State University, Fullerton alumna and love when she returns with her students to share her enthusiasm for contemporary art. The students of her classes enjoyed a full tour of GCAC provided by GCAC Director/Chief Curator John Spiak. They talked about the technologies included in Matthew Moore and Braden King’s installation Cumulus and shared stories of successful marketing strategies by art institutions. They also had the opportunity to visit Vincent Goudreau in the GCAC Artist in Residence studio and talk with him directly about his project and process.

Vincent has now returned to Maui, but keep an eye here for updates on the project and the soon to be released short documentary of the search for the drop house with Juan.

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That following week GCAC was visited by Peter Held, Arizona State University Art Museum Curator of Ceramics. Peter and John Spiak worked together for many years at the ASU Art Museum. The day was spent visiting Orange County Museums and Galleries, including the Orange County Museum of Art, Irvine Fine Arts Center and Laguna Art Museum. The timing for the Orange County Museum of Art visit was perfect, as it provided for a preview tour of the new exhibition California Landscape into Abstraction curated by OCMA Chief Curator and Interim Director Dan Cameron. The day concluded with a late lunch across our 2nd Street plaza at Memphis and a full tour of Grand Central Art Center. We are excited to see what Peter does with the move of the ASU Art Museum Ceramics Research Center to its new location!

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2013 ended with the arrival of artists and educators Heather Layton and Brian Bailey from Rochester, NY. Heather and Brian were here for a second visit in the continued development of projects with GCAC. We anticipate them back for a third visit later this year. During this most recent visit, they worked towards a specific project as part of their larger 59 Days of Independence project.

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Line for Lanterns

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As part of this project, and for our First Saturday Art Walk kicking off 2014, Heather and Brian celebrated Burma’s 66th independence day on January 4th at GCAC by giving away 66 hand-painted lanterns they created during their residency. Creating an installation in the artist in residence studio space, they opened the storefront studio doors and invited the public in to select a lantern. People were lined-up waiting outside the door when they arrived. It took less that six-minutes for the 66 lanterns to be spoken for that evening. Truly magical!

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After all the lanterns were gone, Heather and Brian joined us in the main gallery spaces for our receptions. The evening provided great opportunity with a productive 40-minute conversation for Brian and Heather with Santa Ana Mayor Miguel Pulido, his son Miguel Pulido Jr., GCAC Santa Ana Sites co-founder/collaborator Allen Moon and our GCAC Director/Chief Curator John Spiak. So many collaborative possibilities in the works for their return visit!

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The January First Saturday Art Walk also kicked-off with a meet and greet event for GCAC Artists in Residence Ingrid Reeve, Barbara Milliorn and Evan Senn, as they begin their project The Life of an Artist. The project is a proposed television/webcast series that follows the lives of two Orange County artists and their manager, an art historian and art critic, as they strive for their professional dream to solidify careers as professional artists.

Ingrid Reeve, Barbara Milliorn and Evan Senn are recent graduates of higher education programs at California State University, Fullerton. Throughout this coming year year, the artists will be hosting and participating in monthly events in their artist in residence opportunity at Grand Central Art Center (GCAC), in downtown Santa Ana. The monthly events will include panel discussions and workshops, as well as performances that will engage the community of Santa Ana and the larger Orange County.

Their residency at GCAC is meant to help them in their goal to educate and entertain interested parties on the life of an up-and-coming female artist in Southern California by creating a window into the art world as well as providing historical context for contemporary practices in the arts, and a focus on the unique struggles and benefits of being a woman in today’s world.

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That night as well marked the closing of the successful run of Matthew Moore and Braden King‘s installation Cumulus. It was yet another well attended First Saturday, with over 2,000 individuals through the door and engaged with the exhibitions. We feel so fortunate to be a part of this amazing downtown and Santa Ana community!

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Jenny in cumulus

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But there is no rest for the weary, as two days later the GCAC team was in full de-installation mode of Cumulus. It was a short de-install time, so everyone leant a hand, even Curatorial Associate Yevgeniya “Jenny” Mikhailik and CSUF GCAC student intern Shauna Hultgrien (she write our INTERNal Affairs blog posts).  We were able to get the work down and the gallery resorted backed to its normal configuration in less than a week – ready for the arrival of Julianne Swartz and Ken Landauer to begin their major installation just a few days later. Thanks go out to the entire GCAC team of amazing individuals for their hard work and dedication!

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The beginning of January also brought a surprise visit from a few folks, Curator Sara Cochran and graphic designer Eric Montgomery. It was just announced that Sara has accepted the position of Associate Director at Scottsdale Museum of Contemporary Art. Cochran left her position as Modern and Contemporary Art Curator at Phoenix Art Museum in November 2013. Prior to that, she was Assistant Curator at Los Angeles County Museum of Contemporary Art (LACMA). She had also held positions at the The Getty Center in LA and the Guggenheim Museum in New York. It was so great to have her and Eric here for a visit and tour of Grand Central Art Center!

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Also paying us a visit was artist Brent Green and FLOWN drummer and vocalist Kate Ryan. The two spent a couple of days with us as Brent packed some of the work from his To Many Men Strange Fates Are Given exhibition that took place at GCAC last year. It’s been a very busy year for Brent, with many major new projects in the works and the recent acquisition of one of his works by the UCLA Hammer Museum to their permanent collection. We also found out during the stay that Kate was scheduled to make an appearance in an upcoming episode of HBO’s Girls, jamming on her drums.  It also provided Brent and Kate the opportunity to connect with Julianne Swartz and Ken Landauer who have been in residence the past couple of days as well.  It’s so wonderful to have them all staying with us at GCAC!

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And yesterday we were visited by Los Angeles based artist Julia Haft-Candell for a site visit for her upcoming solo exhibition Fast and Slow. She meet with GCAC Curatorial Associate Yevgeniya “Jenny” Mikhailik, who is curating Julia’s GCAC exhibition, to discuss her project and installation details. We are excited to see the project develop for the opening in March!

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Now we are in full installation mode for Julianne Swartz and Ken Landauer’s Miracle Report, a project that includes at current time 26 monitors, 6 projections and numerous speakers. This is a MUST SEE EXHIBITION! We hope you will join us at the public reception during the First Saturday Art Walk on February 1 from 7-10pm.

There is a lot more planned and in development for GCAC in 2014, we are excited to share it with you!!!


Santa Ana Sites #3 – AnDa Union

October 30, 2013

Following the success of Santa Ana Sites #1: David Harrington of Kronos Quartet and Santa Ana Sites #2: Backhausdance, GCAC was approached by Irvine Barclay Theatre on the possibilities of collaborating with them to present Santa Ana Sites #3 – AnDa Union!

OF COURSE WE ACCEPTED!

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Grand Central Art Center and Irvine Barclay Theatre through the continued collaboration with Santa Ana Sites co-founder Allen Moon, and with thanks to Barclay’s Doug Rankin and Karen Drews Hanlon, John Luckacovic and Eleanor Oldham of 2Luck Concepts, and Tim Pearce and Sophie Lascelles from AnDa Union presented an intimate acoustic evening with a group of ten instrumentalists and singers from Inner Mongolia.  AnDa Union describe themselves as music gatherers.  Digging deep into the Mongol traditions of Genghis Khan’s unified tribes and unearthing forgotten musical histories, creating a whole new generation of sound, as they perform on indigenous instruments and in the khoomii, throat-singing, style.

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Guests began their evening by joining us at Grand Central Art Center for a pre-performance mixer.  Though the extreme generosity of Trez Ibrahim and her soon to be open Downtown Santa Ana venue Vineyard Roz Wine Lounge & Art Studioguest enjoyed fine wine, conversation, our current exhibition Cumulus: Matthew Moore and Braden King, as well as a preview of our three exhibitions that open this Saturday, November 2nd – Cross Cut: Aili SchmeltzRage Bear: Juggling Awesome organized by current CSUF Illustration MFA student Marvin Chow; and the Glass and Ceramics Exhibition and Sale, which includes the work of current CSUF students, alumni and community artists.

AnDa Union is in the midst of a 7 week US tour to some of the great world music presenters in the country.  We couldn’t be happier that this collaborative opportunity presented itself, allowing these magnificent musicians to play as part of our Santa Ana Sites series.

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With 72 individuals in attendance, we were able to keep the evening acoustic, informal and intimate.   The beauty and power of AnDa Union’s voices and instruments brought the space to life for the enthusiastic audience.  Another grand success for the Santa Ana Sites series!

If you missed the event, you can see and hear past performances of Anda Union here:

http://www.youtube.com/watch?v=WLy0IRy2-aQ&feature=youtu.be
and
http://www.youtube.com/watch?v=G_jZGXhemw8

If you missed Santa Ana Sites #1 or #2, here are links to recaps:

Santa Ana Sites #1: David Harrington of Kronos Quartet
https://grandcentralartcenter.wordpress.com/2013/03/23/kronos-quartets-david-harrington-kicks-off-gcac-santa-ana-sites-series/

Santa Ana Sites #2: Backhausdance 
https://grandcentralartcenter.wordpress.com/2013/10/12/santa-ana-sites-2-backhausdance/


Kronos Quartet’s David Harrington Kicks-Off GCAC Santa Ana Sites Series

March 23, 2013

Last evening, Grand Central Art Center kicked-off Santa Ana Sites, a series being developed by GCAC through community collaborations, which aims to present contemporary performance in public and private spaces, in and around downtown Santa Ana.

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Santa Ana Sites #1 featured David Harrington, Founder and Artistic Director of the Kronos Quartet.  Through our collaborative partner and the individual whose original conversation sparked this series, the inspiring Allen Moon, a select group of guests spent the evening in Moon’s downtown Santa Ana loft home, as Mr. Harrington shared his insights into Kronos’ creative process.

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The evening began with a sound check, fine-tuning the system prior to the arrival of our guests.  We wish to thank Dennis Lluy and The Yost for their support with staging equipment.

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As the guests arrived, they were greeted with appetizers, drinks and lively conversation. Our thanks to Dan Bradley and Diego Velasco of Memphis for their generosity of quality food for the evening, as well as an additional thank you to Dennis Lluy and The Yost for their gracious support with the beverages.   The mixer provided a chance to build new connections, meet those that are active with our community and visit with old friends.

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Seats were put into place and the program for the evening was set to begin.  Using samples of music that’s currently catching his ear, David first presented work that spoke to inspiration, influence and music that continues to affect the Kronos aesthetic.

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He invited the audience to be engaged throughout the evening, which they did, asking intriguing questions and receiving David’s thoughtful responses.  David shared information about current Kronos projects in development and spoke about the Under 30 project, an initiative that began during Kronos 30th anniversary, which cultivates the next generation of composers through commissions from  composers under the age of 30.  Kronos will announce the next selected composer of this honor at the end of this month..

It was an evening enjoyed by all, the perfect kick-off to our new GCAC series!

David is in town to perform with Kronos Quartet, as they present Sun RingsSaturday, March 23rd at The Carpenter Center for the Performing Arts.  The center is located on the campus of California State University, Long Beach. Information on the concert can be found online at:

http://www.carpenterarts.org/2012-2013/kronos-quartet.html

Kronos Quartet Website

http://www.kronosquartet.org/

Further information on Sun Rings can be found online at:

http://kronosquartet.org/projects/detail/sun_rings

Here is the annotated list of the selections David played last night, we thought you might enjoy it!

1]    Beethoven String Quartet #12 Op. 127 in E Flat Major [opening] Budapest String Quartet [recorded 1961 Sony Classical]

2]    David Harrington ‘Drone Forever’ Kronos Quartet –E Flat Minor Chord–from ‘Dirty Wars’ soundtrack

3]    David Harrington ‘Drone for Children’ Kronos Quartet–E Flat Minor Chord [rhythm]–from ‘Dirty Wars’ soundtrack

4]    ‘Llanero, si, soy Ilanero’ [Plainsman, Yes, I Am a Plainsman] from Joropo from the Orinoco Plains of Columbia [Smithsonian Folkways SFW CD 40515]

5]    Fela Kuti ‘Sorrow, Tears and Blood’ Kronos Quartet [Red Hot to be released July 2013]

6]    Mahalia Jackson ‘God Shall Wipe All Tears Away’ [recorded 1937 Vol. 1 complete Mahalia Jackson–Fremeaux & Associes]

7]    trad. Swedish ‘Tusen Tankar’ [A Thousand Thoughts] Kronos Quartet [released on Kronos website]

8]    Bob Dylan ‘Don’t Think Twice It’s All Right’ track #7 from The Freewheelin’ Bob Dylan [Columbia]

9]    Bob Dylan/Philip Glass/Kronos ‘Don’t Think Twice It’s All Right’ track # 20 CD #3 from Chimes of Freedom-The Songs of Bob Dylan [Amnesty International]

10]  Antarctica Doug Quin ‘Weddell Seals–Underwater’ track #3 [Wild Sanctuary]

11]  Animal Music: Team of Jeremy Roht–West Dawson, Yukon Territory [Suppose]

12]  Sounds of North American Frogs ‘The Biological Significance of Voice in Frogs’ tracks #1-3 recordings and narration by Charles M. Bogert [Smithsonian Folkways]

13]  Don Walser/Kronos Quartet ‘Danny Boy’ live recording UT Austin [1999] -soon to be released

14]  George Crumb ‘Black Angels’ Kronos Quartet track #1 ‘Night of the Electric Insects’ [Nonesuch]

15]  Nicolas Repac ‘Black Box’ track #1 ‘Chain Gang Blues’ [No Format-Naive]

Individuals he mentioned during his program:

Studs Terkel [radio announcer/author]

Terence Blanchard [composer for Spike Lee’s ‘Katrina’]

Nikki Finney [poet–National Book Award]

Howard Zinn [historian/activist/writer]


2012-2013 EXHIBITION / PROGRAM SCHEDULE @ Grand Central Art Center

August 8, 2012

EXHIBITIONS / ARTISTS IN RESIDENCE / PUBLIC PROGRAMS / THEATRE & DANCE
2012-2013 SCHEDULE
GRAND CENTRAL ART CENTER
A Unit of California State University, Fullerton
College of the Arts
125 N. Broadway, Santa Ana, CA 92701 – t. 714.567.7233
w. http://www.grandcentralartcenter.com
b. http://www.grandcentralartcenter.wordpress.com

GRAND CENTRAL ART CENTER MISSION STATEMENT
Grand Central Art Center is dedicated to the investigation and engagement of contemporary art and visual culture – regionally, nationally and internationally – through unique collaborations between artists, students and the community.

SUPPORT
Grand Central Art Center programs would not be possible without the generous support provided by:
William Gillespie Foundation
Fainbarg-Chase Families
anonymous donor
community collaborative partners

PRESEASON OPENING PERFORMANCE
Friday, August 24 at 7 p.m.

Bleu Remix, Yann Marussich, with sound performance by Steve Roden and Glenn Bach
Friday, August 24, 7 p.m.
http://www.youtube.com/watch?v=vNWkdbBf5Ls
In his spectacle-installation Bleu Remix, Yann Marussich returns to a theme originally explored in Bleu Provisoire (2001), a spectacle in which a mysterious blue liquid oozes through the layers of his skin as though it were the final effect or by-product of his body’s inner processes. In Bleu Remix, the artist once more invites the viewer to experience an intimate journey through the corners of his body. Each time the spectacle is performed, a different (local) musician accompanies Marussich. This unique, singular confrontation establishes a new relationship between the sound and image. The meeting of the two artists brings an element of risk and uniqueness to the event, as if the music explores the spectacle repeatedly, resulting in new ways of perception. 
Marussich’s spectacle-installation at Grand Central Art Center will be accompanied by live sound performed by artists Steve Roden and Glenn Bach.

This program is in collaboration with LACE (Los Angeles Contemporary Exhibitions), with support for Bleu Remix at both venues generously provided by swissnex San Francisco, the Swiss Arts Council Pro Helvetia, and the City and Canton of Geneva.

SEASON OPENING RECEPTION
Saturday, September 1 from 7-10 p.m.

Tony de los Reyes: Border Theory
September 1 through November 14, 2012
The Border Theory paintings combine two “orders” – abstract painting and the border that separates Mexico and the United States. Their relationship concerns components that are inherent in each: the demarcation of space through a conceptual framework, and its resulting material manifestation. Both systems rely on a combination of organic and inorganic materials and processes. The border itself can be addressed as site of politicized abstraction. It also utilizes specific materials and processes to organize otherwise incoherent space.  The Rio Grande, a geological, natural boundary that dominates the eastern portion of the border, turns abruptly into a geometric bifurcation on the western half of the border. This push and pull of “landscape” and “border,” which is inherent in topographical mapping, also happens to be the most significant occupation of abstract painting.  This solo exhibition will mark the premiere of de los Reyes new body of work.

Constantin Hartenstein: Event Horizon
September 1 through October 14, 2012
Grand Central Art Center Artist in Residence, Constantin Hartenstein (b. 1982, Herzberg, former GDR), is an installation and video artist living and working in Berlin and New York. His works deal with personalized appearances of spaces within the context of displacement, settlement and fast forward consumer culture.  During his residency, Hartenstein will create new work that will be presented in a solo exhibition.

Erin Morrison: Meditative Action
September 1 through October 14, 2012
Morrison’s recent body of work is a culmination of paintings ranging from what some might consider surrealistic landscape to magic realism, with slight experimentation in minimalism. The intent of the work is to reach beyond the dictum of paintings history through the categorization of genre, and to explore the identifiable borders established by the institution of studio practice. They portray a sense of loss or misunderstanding, as well as a feeling of upheaval, revealing the displacement that comes with living a somewhat nomadic life.

CSUF Students Ceramic and Glass Exhibition and Sale
November 3 through January 14, 2013
This year’s annual ceramics and glass exhibition and sale focuses on the work of students from California State University, Fullerton.  The exhibition will be organized through the collaborative efforts of CSUF School of Art Associate Professor Nobuhito (Nobu) Nishigawara.

Sean C. Flaherty: An Overture in Parts
November 3, 2012 through January 14, 2013
Through a three act video installation, appropriating the soundtrack of the Broadway musical Les Misérables (based upon the 1862 French novel by author Victor Hugo), artist Sean C. Flaherty explores complex family and relationship dynamics.   The installation includes the video works: Act I, The Confrontation: Script as Set; Act II, One Day More: A Family in Parts; Act III, A Heart Full of Love: Familiar Parts.  Flaherty’s work allows the personal to become universal, providing seemingly intimate and private shared matters to be opened to critique.

Brent Green: To Many Men Strange Fates Are Given
December 1 through February 10, 2013
Brent Green is a self-taught artist and filmmaker who lives and works in a barn in Cressona, PA.  Known for his poetic works that address complex personal struggles, the artist will be in residence in the fall of 2012, creating a new multi-channel video installation for solo exhibition in the main gallery.  Green will conduct outreach programs with teens of the Santa Ana community, through animation and stop-motion filmmaking techniques, helping youth in the development of original content. His time at Grand Central Art Center will also include a screening (date TBA) with live soundtrack, performed by Brent Green and his selected musicians, of his past animation works.

Grand Central Art Center MFA Residents Exhibition
February 2 through April 21, 2013
The MFA Residents Exhibition will feature work by the artists currently residing at Grand Central Art Center.  The GCAC houses 28 residential apartments on its privately secured second floor, 26 of the apartments are dedicated living spaces for students of California State University Fullerton’s College of the Arts MFA program.  The Center also includes active studio space for each of the artists.

Monique Leyton and Brad Kuhl: Elite Deviance
March 2 through May 12, 2013
Kuhl & Leyton’s collaborative work explores the American and global culture of crime and its relationship to fame, media and the bizarre. The solo exhibition at Grand Central Art Center marks the US premiere of their new body of work, which focuses on the subject of white-collar crimes.  The artists draw inspiration from both obscure and popular subjects in the news, on the Internet and television.  Their primary medium is tape on paper.

ARTISTS IN RESIDENCE SCHEDULE:

Constantin Hartenstein
http://www.constantinhartenstein.com/
through mid-September 2012
Working with members of the community to explore the concept of “future” through the exploration of Southern California futurist architecture. During his residency, Hartenstein will also create an installation, through the collaborative work with community, which will premiere in the GCAC project gallery.

Jules Rochielle
http://www.julesrochielle.com/
Pop in visits through November, full time late-November through late-December 2012
Rochielle was first in residence at GCAC in spring 2012 and has been returning throughout the summer for pop in visits.  She is continuing to expand on the relationships she has built in the community and developing collaborative projects which include:  An oral histories project that deals with recording of stories of the survivors of violence, centered around a neighborhood known as the Townsend district in Santa Ana, through a collaboration with the Santa Ana Public Library Teen Space program “young historians” and Sharon Sekhon PhD, Professor, CSUF American Studies; Working on a proposal to develop a public work of art in the Logan Neighborhood through collaboration/conversations with the local organizations Santa Ana Public Library, United Artists of Santa Ana, El Centro, SACReD and The Grain Project; Organizing a teen summit and future GCAC teen council through relationships being built with Santa Ana Public Library, Santa Ana Boys and Girls Club, Bowers Museum, Project Access Warwick Center, Santa Ana High School and Orange County School for the Arts.

Brent Green
http://site.nervousfilms.com/
mid-September through early-December 2012
Outreach programs focused on the creation of stop-motion animated film/video works.  Green will also screen his past animation work with live performed soundtrack for a one evening program in collaboration with The Copper Door, Santa Ana.  During his residency, he will also create a full video installation that will premiere in the GCAC main gallery.

Carmen Papalia
http://www.gallerieswest.ca/events/madness-and-mobilty-the-art-of-inclusion/
mid-October 2012 (first visit), Additional Extended Visit TBA
First visit will include a welcoming performance/city tour.  Upon immediate arrival, Papalia, who is visually impaired, will lead individuals on a walking tour of downtown Santa Ana. A full marching band will follow the artist and will begin to play music whenever the artist approaches a potential hazard.  The work is an attempt to create a heightened awareness of ones own community and surroundings.  Papalia will spend time developing a future project that will be realized through a future extended residency at GCAC.

MKE<–>LAX: Sarah Gail Luther
http://www.mke-lax.org and http://sarahluther.blogspot.com/
mid-November 2012 
Born in Milwaukee, Sarah is devoted to creating work that expands her knowledge of specific cities.  She’s worked with IN:SITE, a Milwaukee-based temporary public art organization, for three years.  She has been involved with public art projects including The Amplifier, a pop-up community center located in Milwaukee’s Silver City neighborhood, which was funded by the Wisconsin Arts Board.

This residency is in collaboration with the CSUF Begovich Gallery exhibition Interstice (November 10 – December 13, 2012), curated by CSUF Exhibition Design graduate students Cassandra Erb and Kimberly McKinnis, in association with MKE<–>LAX through the direction of Sara Daleiden.

Heather Layton and Brian Bailey
http://www.heatherlayton.com/_/intervention.html
late-December 2012 through late-January 2013
Backpack Film School will engage the local youth community, allowing individuals to explore the histories, traditions and transitions of downtown and the surrounding neighborhoods. Through the expertise of the artists, the participating youth will develop skills and knowledge of filmmaking, working with the artists and community to create a series of visionary film projects. When completed, the films will be screened through a series of unique community film festivals in the exact neighborhoods in which the participating filmmakers live.  Each teen filmmaker will be responsible for deciding their location – apartment complex, driveway, school, public street and/or local parking lot – for their individual festival. The youth create the vision, invitation and serve as the director for their individual festival, responsible for introductions and remarks to open their festival. GCAC will provide all the projection, screen and sound equipment, as well as set-up and support needed for each festival. The artists and GCAC team will remain behind the scenes for each event, allowing the participating filmmaker to take the leadership role.

Saskia Jorda
http://saskiajorda.com/
late-January through late-April 2013
Quinceañeras is a residency exploring bodies in state of transition, from childhood into womanhood, based upon the artist’s own experience and memories of becoming a quinceañeras in Venezuela (one of the artist’s last significant experiences before migrating to the U.S). The artist plans to collaborate with 29 quinceañeras/wedding shops located in Downtown Santa Ana, Quinceañera Magazine, a downtown non-profit health care provider and individuals of the community – which will include girls and their families as they prepare for quinceañeras. Working together, they will examine the traditions behind rite of passage, family values and body image as perceived by these teenagers.

Bad at Sports
http://badatsports.com/
May – July 2013
Bad at Sports is a Chicago-based artist collective that began as a solution to the problem of dwindling local arts coverage. The results so far have included: a weekly podcast/freely accessible audio archive of 380+ hours of artists and “art worlders” talking about their “art” and their “world;” several exhibitions and events; and a blog, that in 2000+ articles, has not only shed light on the regional art context, but offers an international reach and engagement. The project reflects the logic and generosity of the Internet – engaging, inviting and openly participating in the discussions that shape our culture.

Holly Myers: What is Art Worth? – Conversations About Value in Contemporary Art
http://thenand.org/
Date: TBA
What is art worth? Is a multi-dimensional research based project that aims to explore and interrogate the concept of value in relation to the visual arts. How is value determined in the art world? How do we talk about value? What are the different kinds of value and how do we understand the relationship between them? How is value generated? Who generates it? How is it utilized? How is it distributed? Whom does it benefit?

PROJECTS/RESIDENCIES IN DEVELOPMENT:

Paul Ramirez Jonas
http://www.paulramirezjonas.com/

Lisa Bielawa
http://www.lisabielawa.com/

Vincent Goudreau
http://www.vincentgoudreau.com/

PUBLIC PROGRAM SERIES:

Patchwork: Indie Arts and Craft Festival
http://www.patchworkshow.com/
November 25, 11 a.m. – 5 p.m.
Peruse 100+ booths featuring local independent
artists, designers & crafters at the show. These amazing creators
will be showcasing their wares including: clothing for men, women
& kids, accessories, home goods like art, pottery & glassware,
pet items, jewelry, soaps, candles & other bath & body items,
craft kits & patterns, knit & crochet items, stationery & paper
goods, plushies, purses, handbags and so much more!  Patchwork is organized by our GCAC tenant/collaborative partner The Road Less Traveled.

MFA Conversations
Dates: TBA
Grand Central Art Center is developing a series of conversations that will take place at GCAC.  Placing CSUF MFA students working on degrees in specific medium, in conversation with individuals currently successful in that medium, in conversation with individuals who play a role in decision-making within that field.  For example:  MFA artist, in conversation with a successful artist in the field, in conversation with a gallery owner; or MFA theatre student, in conversation with actor, in conversation with theatre director/TV show creator; exhibition/design student, in conversation with curator, in conversation with museum director.  The MFA student, who can use the conversation to ask questions focused toward approaches for their greater success and opportunities in the field as they near and complete graduation, will lead these public programs.

Brilliant Soil – Film Screening in collaboration with bulbo, OC Film Fiesta and The Yost
http://www.brilliantsoil.org/
Dates: September 16, 1 p.m. @ The Yost
This documentary follows Herlinda, an indigenous Purepecha potter, one of the few artisans in her community who uses alternative lead-free glazes, as she faces the difficult task of finding a market for her impressive pieces. The screening is presented in collaboration with bulbo (Tijuana/Los Angeles), OC Film Fiesta and The Yost Theatre.

PUBLIC PROGRAMS IN DEVELOPMENT:

GCAC is working to secure funding for a series tentatively titled “Santa Ana Sites.”  These programs will include professional performance based events – including dance, theatre and opera – that will occur at sites throughout downtown Santa Ana.

GRAND CENTRAL ART CENTER THEATRE SCHEDULE:
Programmed by California State University, Fullerton
Department of Theatre & Dance

Ordinary Days
Music & Lyrics by Adam Gwon
Directed by Patrick Pearson
Oct. 5, 6, 11, 12, 13, 17, 18, 19, 20 @ 8 p.m.
[a refreshingly honest and funny musical about making real connections in the jungle of New York City]

A Bright New Boise
by Stephan D. Hunter
Directed by Mark Ramont
Oct. 26, 27, Nov. 1, 2, 3, 7, 8, 9, 10 @ 8 p.m.
[Summoning the Rapture, this comedy will shatter preconceptions about the sacred, the profane and the secret lives of big box retailers]

The Drunken City
by Adam Bock
Nov. 16, 29, 30, Dec. 1, 5, 6, 7, 8 @ 8 p.m., Nov. 17 @ 2pm
[A wildly theatrical take on the mystique of marriage and the ever-shifting nature of love and identity in a city that never sleeps]

CSUF Spring 12 x 16 Dance
Coordinated by William F. Lett
Mar. 7, 8, 9 @ 8 p.m., Mar. 9 @ 2pm
Spring Show #1 – TBA
Mar. 15, 16, 21, 22, 23, 27, 28, 29, 30 @ 8 p.m.

Spring Show #2 – TBA
Apr. 12, 13, 18, 19, 20, 24, 25, 26, 27 @ 8 p.m.

TBA MFA/NEW PLAY
Directed by Jeremy Lewis
May 3, 4, 9, 10, 11, 15, 16, 17, 18 @ 8 p.m.

CSUF Spring Cabarets
Coordinated by Mitchell Hanlon
May 21, 22, 23, 24 @ 7 & 9 p.m.

* Additional exhibitions, public programs, lectures and artists in residence being confirmed with schedule subject to change.  Please visit the Grand Central Art Center website and blog for updates.